Musikkulturen in der Revolte PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Musikkulturen in der Revolte PDF full book. Access full book title Musikkulturen in der Revolte by Beate Kutschke. Download full books in PDF and EPUB format.
Author: Beate Kutschke
Publisher: Franz Steiner Verlag Wiesbaden GmbH
ISBN:
Category : History
Languages : de
Pages : 276
Get Book
Book Description
This volume analyzes how and to what extent "1968" changed musical institutions, influenced the compositional development of avantgarde music, and thus contributed to social and cultural change in Europe and Northern America. German text.
Author: Beate Kutschke
Publisher: Franz Steiner Verlag Wiesbaden GmbH
ISBN:
Category : History
Languages : de
Pages : 276
Get Book
Book Description
This volume analyzes how and to what extent "1968" changed musical institutions, influenced the compositional development of avantgarde music, and thus contributed to social and cultural change in Europe and Northern America. German text.
Author: Ingo Cornils
Publisher: Boydell & Brewer
ISBN: 1571139540
Category : History
Languages : en
Pages : 330
Get Book
Book Description
An extensive look at historical, literary, and media representations of '68 in Germany, challenging the way it has been instrumentalized.
Author: Gassert Phillipp Gassert
Publisher: Black Rose Books Ltd.
ISBN: 1551646498
Category : Political Science
Languages : en
Pages : 266
Get Book
Book Description
It was a year of seismic social and political change. With the wildfire of uprisings and revolutions that shook governments and halted economies in 1968, the world would never be the same again. Restless students, workers, women, and national liberation movements arose as a fierce global community with radically democratic instincts that challenged war, capitalism, colonialism, and patriarchy with unprecedented audacity. Fast forward fifty years and 1968 has become a powerful myth that lingers in our memory. Released for the fiftieth anniversary of that momentous year, this second edition of Philipp Gassert's and Martin Klimke's seminal 1968 presents an extremely wide ranging survey across the world. Short chapters, written by local eye-witnesses and historical experts, cover the tectonic events in thirty-nine countries across the Americas, Europe, Asia, Australia, Africa, and the Middle East to give a truly global view. Included are forty photographs throughout the book that illustrate the drama of events described in each chapter. This edition also has the transcript of a panel discussion organized for the fortieth anniversary of 1968 with eyewitnesses Norman Birnbaum, Patty Lee Parmalee, and Tom Hayden and moderated by the book's editors. Visually engaging and comprehensive, this new edition is an extremely accessible introduction to a vital moment of global activism in humanity's history, perfect for a high school or early university textbook, a resource for the general reader, or a starting point for researchers.
Author: Ulrich Adelt
Publisher: University of Michigan Press
ISBN: 0472053191
Category : Music
Languages : en
Pages : 247
Get Book
Book Description
The first in-depth study of one of the most influential movements of contemporary popular music
Author: Robert Adlington
Publisher: Oxford University Press
ISBN: 0195336658
Category : Music
Languages : en
Pages : 305
Get Book
Book Description
This text examines the encounter of avant-garde music and 'the Sixties' across a range of genres, aesthetic positions and geographical locations.
Author: Beate Kutschke
Publisher: Cambridge University Press
ISBN: 1107007321
Category : History
Languages : en
Pages : 343
Get Book
Book Description
In fifteen case studies from around the world, contributors explore the relationship between music and socio-political protest in 1968.
Author: Anne-Sylvie Barthel-Calvet
Publisher: Taylor & Francis
ISBN: 1351609262
Category : Music
Languages : en
Pages : 208
Get Book
Book Description
This collection of essays delves into the historiographical traditions that have dominated how the stories of European postwar avant-garde music are told, seeking to approach commonplaces of that history writing from new perspectives. The contributors revisit subjects as varied as the impact of long-playing records on the emergence of open works, Messiaen’s interest in non-European musical traditions, Xenakis’s turn to information theory, Kagel’s strategic invention of a new genre, Berio’s dependence on funding from American foundations, and the ways in which figures like Boulez, Stockhausen, Pousseur, and Nono constructed their musical ancestries. Leading experts in their respective fields, the volume’s authors have sought to rethink the historiography of European experimental music of the 1950s, 1960s, and 1970s in ways that resituate that small but influential milieu in broader historical and cultural contexts. In doing so, they suggest new directions and insights for students and specialists of twentieth-century music and music historiography.
Author: Martin Klimke
Publisher: Princeton University Press
ISBN: 1400832152
Category : History
Languages : en
Pages : 367
Get Book
Book Description
Using previously classified documents and original interviews, The Other Alliance examines the channels of cooperation between American and West German student movements throughout the 1960s and early 1970s, and the reactions these relationships provoked from the U.S. government. Revising the standard narratives of American and West German social mobilization, Martin Klimke demonstrates the strong transnational connections between New Left groups on both sides of the Atlantic. Klimke shows that the cold war partnership of the American and German governments was mirrored by a coalition of rebelling counterelites, whose common political origins and opposition to the Vietnam War played a vital role in generating dissent in the United States and Europe. American protest techniques such as the "sit-in" or "teach-in" became crucial components of the main organization driving student activism in West Germany--the German Socialist Student League--and motivated American and German student activists to construct networks against global imperialism. Klimke traces the impact that Black Power and Germany's unresolved National Socialist past had on the German student movement; he investigates how U.S. government agencies, such as the State Department's Interagency Youth Committee, advised American policymakers on confrontations with student unrest abroad; and he highlights the challenges student protesters posed to cold war alliances. Exploring the catalysts of cross-pollination between student protest movements on two continents, The Other Alliance is a pioneering work of transnational history.
Author: Martin Iddon
Publisher: Cambridge University Press
ISBN: 1107067758
Category : Music
Languages : en
Pages :
Get Book
Book Description
New Music at Darmstadt explores the rise and fall of the so-called 'Darmstadt School', through a wealth of primary sources and analytical commentary. Martin Iddon's book examines the creation of the Darmstadt New Music Courses and the slow development and subsequent collapse of the idea of the Darmstadt School, showing how participants in the West German new music scene, including Herbert Eimert and a range of journalistic commentators, created an image of a coherent entity, despite the very diverse range of compositional practices on display at the courses. The book also explores the collapse of the seeming collegiality of the Darmstadt composers, which crystallised around the arrival there in 1958 of the most famous, and notorious, of all post-war composers, John Cage, an event Carl Dahlhaus opined 'swept across the European avant-garde like a natural disaster'.
Author: Robert Adlington
Publisher: Oxford University Press
ISBN: 0199981027
Category : Music
Languages : en
Pages : 304
Get Book
Book Description
The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the streets of Amsterdam prompted an array of vigorous responses from these musicians, including collaborations with countercultural and protest groups, campaigns and direct action against established musical institutions, new grassroots performing associations, political concerts, polemicising within musical works, and the advocacy of new, more 'democratic' relationships with both performers and audiences. These activities laid the basis for the unique new music scene that emerged in the Netherlands in the 1970s and which has been influential upon performers and composers worldwide. This book is the first sustained scholarly examination of this subject. It presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change. The narrative is structured around a number of the decade's defining topoi: modernisation and 'the new'; anarchy; participation; politics; self-management; and popular music. Dutch avant-garde musicians engaged actively with each of these themes, but in so doing they found themselves faced with distinct and sometimes intractable challenges, caused by the chafing of their political and aesthetic commitments. In charting a broad chronological progress from the commencement of work on Peter Schat's Labyrint in 1961 to the premiere of Louis Andriessen's Volkslied in 1971, this book traces the successive attempts of Dutch avant-garde musicians to reconcile the era's evolving social agendas with their own adventurous musical practice.
