Author: Lydia Hamlett
Publisher:
ISBN:
Category : Mural painting and decoration, British
Languages : en
Pages : 0
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Book Description
This book illuminates the original meanings of seventeenth and early eighteenth-century mural paintings in Britain. At the time, these were called 'histories'. Throughout the eighteenth century, though, the term became directly associated with easel painting and, as 'history painting' achieved the status of a sublime genre, any link with painted architectural interiors was lost. Whilst both genres contained historical figures and narratives, it was the ways of viewing them that differed. Lydia Hamlett emphasises the way that mural paintings were experienced by spectators within their architectural settings. New iconographical interpretations and theories of effect and affect are considered an important part of their wider historical, cultural and social contexts. This book is intended to be read primarily by specialists, graduate and undergraduate students with an interest in new approaches to British art of the seventeenth and eighteenth centuries"
Author: Clare A. P. Willsdon
Publisher: Oxford University Press, USA
ISBN: 9780198175155
Category : Art
Languages : en
Pages : 730
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Book Description
This survey sets state, civic, commercial, church, private and other murals in their historical and cultural contexts. The book covers work by over 400 artists and numerous murals never previously documented or illustrated.
Author: Lydia Hamlett
Publisher: Routledge
ISBN: 1315466155
Category : Art
Languages : en
Pages : 293
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Book Description
This book illuminates the original meanings of seventeenth- and early-eighteenth-century mural paintings in Britain. At the time, these were called ‘histories’. Throughout the eighteenth century, though, the term became directly associated with easel painting and, as ‘history painting’ achieved the status of a sublime genre, any link with painted architectural interiors was lost. Whilst both genres contained historical figures and narratives, it was the ways of viewing them that differed. Lydia Hamlett emphasises the way that mural paintings were experienced by spectators within their architectural settings. New iconographical interpretations and theories of effect and affect are considered an important part of their wider historical, cultural and social contexts. This book is intended to be read primarily by specialists, graduate and undergraduate students with an interest in new approaches to British art of the seventeenth and eighteenth centuries.
Author: Christina Strunck
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110750775
Category : Art
Languages : en
Pages : 528
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Book Description
This monograph examines the most prestigious political paintings created in Britain during the High Baroque age. It investigates a period characterized by numerous social, political, and religious crises, in the years between the restoration of the Stuart monarchy (1660) and the death of the first British monarch from the House of Hanover (1727). On the basis of hitherto unpublished documents, the book elucidates the creation and reception of nine major commissions that involved the court, private aristocratic patrons, and/or civic institutions. The ground-breaking new interpretations of these works focus on strategies of conflict resolution, the creation of shared cultural memories, processes of cultural translation, the performative context of the murals and the interaction of painted images and architectural spaces.
Author: Isabelle Baudino
Publisher: Taylor & Francis
ISBN: 1000843386
Category : Art
Languages : en
Pages : 248
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Book Description
Extending the scholarly discussion of visual history, this book examines eighteenth-century engraved book illustrations in order to outline the genealogy of the modern visualisation of the past in Britain. This study is based on a body of more than a hundred engraved historical plates designed in the second half of the eighteenth century in Britain and published in more than a dozen pictorial histories. Focusing on these previously unstudied engravings, this work contributes to the study of eighteenth-century visual culture and is informed by current interdisciplinary approaches at the intersection of visual and book studies. Eighteenth-Century Engravings and Visual History in Britain is about the urge to envision the past and about the establishment of the new relationship between visual media, visuality, and history in eighteenth-century Britain. The book will be of interest to scholars working in art history, British history, book studies, and visual culture.
Author: Eilish Gregory
Publisher: Springer Nature
ISBN: 3031388135
Category : History
Languages : en
Pages : 379
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Book Description
This book gathers contributions on the later Stuart queens and queen consorts. It seeks to re-insert Henrietta Maria, Catherine of Braganza, Mary of Modena, Mary II, Anne, and Maria Clementina Sobieska into the mainstream of Stuart and early Georgian studies, concentrating on the later Stuart queens from the restoration of King Charles II (who married Catherine of Braganza in 1662) until the death of Maria Clementina Sobieska in 1735, who was married to James Francis Edward Stuart, the titular King James III, otherwise known as the Old Pretender. It showcases these women’s roles as queen consorts and as ruling queens in Britain and Europe, and reveals how their positions allowed them to act as power-brokers, diplomats, patrons, and religious trendsetters during their lifetimes. It also explores their impact in early modern Britain and Europe by assessing their influence in religion, political culture, and the promotion of patronage.
Author: Jacqueline Riding
Publisher: Profile Books
ISBN: 178283611X
Category : Art
Languages : en
Pages : 496
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Book Description
THE SUNDAY TIMES ART BOOK OF THE YEAR A Sunday Times Best Paperback of 2022 Christie's Best Art Books of the Year 'Deft and richly detailed ... rescues the artist from John Bull caricature' - Michael Prodger, Sunday Times 'Marvellous ... a vivid and compelling reconstruction of the settings of Hogarth's life and artistic achievements, and of the nature of the man' - Professor Linda Colley, author of The Gun, the Ship, and the Pen 'Full of richness, originality and considered humour, unafraid to shock with thrilling new insight ... terrific' - Dr Gus Casely-Hayford, Director of V&A Stratford & Sky Arts 'The full technicolour panorama of Georgian life laid out in a huge and passionate book' - Lucy Worsley, Chief Curator at Historic Royal Palaces and author of Courtiers: The Secret History of the Georgian Court On a late spring night in 1732, a boisterous group of friends set out from their local pub. They are beginning a journey, a 'peregrination' that will take them through the gritty streets of Georgian London and along the River Thames as far as the Isle of Sheppey. And among them is an up-and-coming engraver and painter, just beginning to make a name for himself: William Hogarth. Hogarth's vision, to a vast degree, still defines the eighteenth century. In this, the first biography for over twenty years, Jacqueline Riding brings him to vivid life, immersing us in the world he inhabited and from which he drew inspiration. At the same time, she introduces us to an artist who was far bolder and more various than we give him credit for: an ambitious self-made man, a devoted husband, a sensitive portraitist, an unmatched storyteller, philanthropist, technical innovator and author of a seminal work of art theory. Following in his own footsteps from humble beginnings to professional triumph (and occasional disaster), Hogarth illuminates the work and life of a great artist who embraced the highest principles even while charting humanity's lowest vices.
Author: Amy Boyington
Publisher: Bloomsbury Publishing
ISBN: 1350358630
Category : Architecture
Languages : en
Pages : 335
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Book Description
An enduring myth of Georgian architecture is that it was purely the pursuit of male architects and their wealthy male patrons. History states that it was men who owned grand estates and houses, who commissioned famous architects, and who embarked upon elaborate architectural schemes. Hidden Patrons dismantles this myth - revealing instead that women were at the heart of the architectural patronage of the day, exerting far more influence and agency than has previously been recognised. Architectural drawing and design, discourse, and patronage were interests shared by many women in the eighteenth century. Far from being the preserve of elite men, architecture was a passion shared by both sexes, intellectually and practically, as long as they possessed sufficient wealth and autonomy. In an accessible, readable account, Hidden Patrons uncovers the role of women as important patrons and designers of architecture and interiors in eighteenth-century Britain and Ireland. Exploring country houses, Georgian townhouses, villas, estates, and gardens, it analyses female patronage from across the architectural spectrum, and examines the work of a range of pioneering women from grand duchesses to businesswomen to lowly courtesans. Re-examining well-known Georgian masterpieces alongside lesser-known architectural gems, Hidden Patrons unearths unseen archival material to provide a fascinating new view of the role of women in the architecture of the Georgian era.
Author: Philip Hardie
Publisher: Princeton University Press
ISBN: 0691233306
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artists Between the late sixteenth century and early nineteenth century, the British imagination—poetic, political, intellectual, spiritual and religious—displayed a pronounced fascination with images of ascent and flight to the heavens. Celestial Aspirations explores how British literature and art during that period exploited classical representations of these soaring themes—through philosophical, scientific and poetic flights of the mind; the ascension of the disembodied soul; and the celestial glorification of the ruler. From textual reachings for the heavens in Spenser, Marlowe, Shakespeare, Donne and Cowley, to the ceiling paintings of Rubens, Verrio and Thornhill, Philip Hardie focuses on the ways that the history, ideologies and aesthetics of the postclassical world received and transformed the ideas of antiquity. In England, narratives of ascent appear on the grandest scale in Milton’s Paradise Lost, an epic built around a Christian plot of falling and rising, and one of the most intensely classicizing works of English poetry. Examining the reception of flight up to the Romanticism of Wordsworth and Tennyson, Hardie considers the Whig sublime, as well as the works of Alexander Pope and Edward Young. Throughout, he looks at motivations both public and private for aspiring to the heavens—as a reward for political and military achievement on the one hand, and as a goal of individual intellectual and spiritual exertion on the other. Celestial Aspirations offers an intriguing look at how creative minds reworked ancient visions of time and space in the early modern era.
Author: Luís Urbano Afonso
Publisher: Cambridge Scholars Publishing
ISBN: 1527566358
Category : Art
Languages : en
Pages : 430
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Book Description
The subject of this book arises from recent developments in the inventory, preservation and study of mural paintings from the Middle Ages and the Renaissance, particularly those from what can be considered the periphery of Europe. The aim of this book is to demonstrate the vitality that the study of wall painting in peripheral regions can bring to the discipline of Art History. The articles collected in this book are overwhelmingly about wall paintings that would be hard pressed to be considered part of the master narrative of Art History. They are studies regarding regions and themes that are rarely present in the mainstream of the discipline, but their common thread is their focus on the functional dimension of mural paintings and on the complex interrelation between image, audience, social context and everyday life. From Denmark to Portugal, from graffiti to secular painting, from the orthodox monasteries of Moldavia to the noble residences of Tirol, from Giotto to anonymous and sometimes almost amateur painters, the studies gathered in this book place very distinct artistic realities side by side offering complementary perspectives and insights. The book will make a valuable contribution to the literature on Medieval and Renaissance mural painting, combining theoretical essays with others more descriptive. As the eighteen studies collected in this book deal with paintings from a range of European regions, from Denmark to Portugal and Romania, the book will find its way in Europe and abroad, both in the field of art history and that of Medieval and Early Modern history. The wealth of plates and figures will make the book also accessible to a broad audience interested in the history of painting, architecture and cultural heritage.
