Author: David Williams
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773550364
Category : History
Languages : en
Pages :
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Book Description
Three and a half centuries after Paradise Lost and Paradise Regain’d were written, do Milton’s epic poems still resonate with contemporary concerns? In Milton’s Leveller God, David Williams advances a progressive and democratic interpretation of Milton’s epics to show they are more relevant than ever. Exploring two blind spots in the critical tradition – the failure to read Milton’s poetry as drama and to recognize his depictions of heaven’s political and social evolution – Williams reads Milton’s “great argument” as a rejection of social hierarchy and of patriarchal government that is more attuned to the radical political thought developed by the Levellers during the English Revolution. He traces echoes between Milton’s texts and thousands of pages of Leveller writings that advocated for popular rule, extended suffrage, and religious tolerance, arguing that Milton’s God is still the unacknowledged ground of popular sovereignty. Williams demonstrates that Milton’s Leveller sympathies, expressed in his early prose, conflicted with his official duties for Oliver Cromwell’s government in the 1650s, but his association with the journalist Marchamont Nedham later freed him to imagine an egalitarian republic. In a work that connects the great epic poet in new ways to the politics of his time and our own, Milton’s Leveller God shows how the political landscape of Milton’s work fundamentally unsettles ancient hierarchies of soul and body, man and woman, reason and will, and ruler and ruled.
Author: David Williams
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773550356
Category : History
Languages : en
Pages :
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Book Description
Three and a half centuries after Paradise Lost and Paradise Regain’d were written, do Milton’s epic poems still resonate with contemporary concerns? In Milton’s Leveller God, David Williams advances a progressive and democratic interpretation of Milton’s epics to show they are more relevant than ever. Exploring two blind spots in the critical tradition – the failure to read Milton’s poetry as drama and to recognize his depictions of heaven’s political and social evolution – Williams reads Milton’s “great argument” as a rejection of social hierarchy and of patriarchal government that is more attuned to the radical political thought developed by the Levellers during the English Revolution. He traces echoes between Milton’s texts and thousands of pages of Leveller writings that advocated for popular rule, extended suffrage, and religious tolerance, arguing that Milton’s God is still the unacknowledged ground of popular sovereignty. Williams demonstrates that Milton’s Leveller sympathies, expressed in his early prose, conflicted with his official duties for Oliver Cromwell’s government in the 1650s, but his association with the journalist Marchamont Nedham later freed him to imagine an egalitarian republic. In a work that connects the great epic poet in new ways to the politics of his time and our own, Milton’s Leveller God shows how the political landscape of Milton’s work fundamentally unsettles ancient hierarchies of soul and body, man and woman, reason and will, and ruler and ruled.
Author: Christopher Hill
Publisher: Verso Books
ISBN: 1788736842
Category : History
Languages : en
Pages : 516
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Book Description
In this remarkable book Christopher Hill used the learning gathered in a lifetime's study of seventeenth-century England to carry out a major reassessment of Milton as man, politician, poet, and religious thinker. The result is a Milton very different from most popular representations: instead of a gloomy, sexless "Puritan", we have a dashingly thinker, branded with the contemporary reputation of a libertine.
Author: Nicholas McDowell
Publisher: Princeton University Press
ISBN: 0691241732
Category : Biography & Autobiography
Languages : en
Pages : 512
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Book Description
A groundbreaking biography of Milton’s formative years that provides a new account of the poet’s political radicalization John Milton (1608–1674) has a unique claim on literary and intellectual history as the author of both Paradise Lost, the greatest narrative poem in English, and prose defences of the execution of Charles I that influenced the French and American revolutions. Tracing Milton’s literary, intellectual, and political development with unprecedented depth and understanding, Poet of Revolution is an unmatched biographical account of the formation of the mind that would go on to create Paradise Lost—but would first justify the killing of a king. Biographers of Milton have always struggled to explain how the young poet became a notorious defender of regicide and other radical ideas such as freedom of the press, religious toleration, and republicanism. In this groundbreaking intellectual biography of Milton’s formative years, Nicholas McDowell draws on recent archival discoveries to reconcile at last the poet and polemicist. He charts Milton’s development from his earliest days as a London schoolboy, through his university life and travels in Italy, to his emergence as a public writer during the English Civil War. At the same time, McDowell presents fresh, richly contextual readings of Milton’s best-known works from this period, including the “Nativity Ode,” “L’Allegro” and “Il Penseroso,” Comus, and “Lycidas.” Challenging biographers who claim that Milton was always a secret radical, Poet of Revolution shows how the events that provoked civil war in England combined with Milton’s astonishing programme of self-education to instil the beliefs that would shape not only his political prose but also his later epic masterpiece.
Author: William 1906- Empson
Publisher: Hassell Street Press
ISBN: 9781013739309
Category :
Languages : en
Pages : 288
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Blair Worden
Publisher: Oxford University Press
ISBN: 0191624411
Category : History
Languages : en
Pages :
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Book Description
The Puritan Revolution escaped the control of its creators. The parliamentarians who went to war with Charles I in 1642 did not want or expect the fundamental changes that would follow seven years later: the trial and execution of the king, the abolition of the House of Lords, and the creation of the only republic in English history. There were startling and unexpected developments, too, in religion and ideas: the spread of unorthodox doctrines; the attainment of a wide measure of liberty of conscience; and new thinking about the moral and intellectual bases of politics and society. God's Instruments centres on the principal instrument of radical change, Oliver Cromwell, and on the unfamiliar landscape of the decade he dominated, from the abolition of the monarchy in 1649 to the return of the Stuart dynasty in 1660. Its theme is the relationship between the beliefs or convictions of politicians and their decisions and actions. Blair Worden explores the biblical dimension of Puritan politics; the ways that a belief in the workings of divine providence affected political conduct; Cromwell's commitment to liberty of conscience and his search for godly reformation through educational reform; the constitutional premises of his rule and those of his opponents in the struggle for supremacy between parliamentary and military rule; and the relationship between conceptions of civil and religious liberty. The conflicts Worden reconstructs are placed in the perspective of long-term developments, of which many historians have lost sight. The final chapters turn to the guiding convictions of two writers at the heart of politics, John Milton and the royalist Edward Hyde, Earl of Clarendon. Material from previously published essays, much of it expanded and extensively revised, comes together with newly written chapters to bring fresh evidence and argument to a period of lively debate and interest.
Author: Mandy Green
Publisher: Routledge
ISBN: 1000375811
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
This volume of essays reconfigures the reception history of Milton and his works by bringing to the fore women reading, writing, and rewriting Milton, bringing together in conversation a range of voices from diverse historical, cultural, religious, and social contexts across the globe and through the centuries. The book encompasses a rich range of different literary genres, artistic media, and academic disciplines and draws on the research of established Milton scholars and new Miltonists. Like the female authors and artists whom they explore, the contributors take up a variety of standpoints. As well as revisiting the work of established figures, the volume brings new female creative artists, new subjects, and new approaches to the study of Milton.
Author: Sharon Achinstein
Publisher: Princeton University Press
ISBN: 1400863902
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
The English Revolution was a revolution in reading, with over 22,000 pamphlets exploding from the presses between 1640 and 1661. What this phenomenon meant to the political life of the nation is the subject of Sharon Achinsteins book. Considering a wide range of writers, from John Milton, Thomas Hobbes, John Lilburne, John Cleveland, and William Prynne to a host of anonymous scribblers of every political stripe, Achinstein shows how the unprecedented outpouring of opinion in mid-seventeenth-century England created a new class of activist readers and thus helped to bring about a revolution in the form and content of political debate. By giving particular attention to Miltons participation in this burst of publishing, she challenges critics to look at his literary practices as constitutive of the political culture of his age. Traditional accounts of the rise of the political subject have emphasized high political theory. Achinstein seeks instead to picture the political subject from the perspective of the street, where the noisy, scrappy, and always entertaining output of pamphleteers may have had a greater impact on political practice than any work of political theory. As she underscores the rhetorical, literary, and even utopian dimension of these writers efforts to politicize their readers, Achinstein offers us evidence of the kind of ideological conflict that historians of the period often overlook. A portrait of early modern propaganda, her work recreates the awakening of politicians to the use of the press to influence public opinion. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: David Williams
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773576525
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Of interest to historians, classicists, media and digital theorists, literary scholars, museologists, and archivists, Media, Memory, and the First World War is a comparative study that shows how the dominant mode of communication in a popular culture - from oral traditions to digital media - shapes the structure of memory within that culture.
Author: David Williams
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773570888
Category : Literary Collections
Languages : en
Pages : 280
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Book Description
In Imagined Nations David Williams explores works by authors such as Alistair MacLeod, Michael Ondaatje, and Timothy Findley, examining the ways in which these writers show how our sense of time and space and our sense of personal and national identities have been altered by changes in modes of communication. He discusses how they have dramatized a series of shifts from the oral clan to the nation of the book (Alistair MacLeod), from print-nationalism to radio-confederacy (Wayne Johnston), and from print-stasis to an electronic space of flows (Michael Ondaatje). Some writers have resisted the threat of filmic images to print-formed communities (Timothy Findley, Guy Vanderhaeghe), while others have sought release from the prison of print (Hubert Aquin), or attempted to infiltrate cyberspace in the border war against globalization (William Gibson). Building on the work of Harold Innis, Williams joins other Canadians such as Marshall McLuhan, Ronald Deibert, and Gerald Friesen in extending and clarifying our understanding of the way differing media environments predispose us to imagine unique forms of political community.
