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Author: Bar Hebraeus
Publisher: Gorgias PressLlc
ISBN: 9781593330163
Category : Fiction
Languages : en
Pages : 404
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Book Description
This is the first complete edition containing 727 "laughable stories," of Bar-Hebraeus's humorous stories. It was "the child of the compiler's old age," and says much for the broadmindedness and versatility of the learned Bar-Hebraeus.
Author: Bar Hebraeus
Publisher: Gorgias PressLlc
ISBN: 9781593330163
Category : Fiction
Languages : en
Pages : 404
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Book Description
This is the first complete edition containing 727 "laughable stories," of Bar-Hebraeus's humorous stories. It was "the child of the compiler's old age," and says much for the broadmindedness and versatility of the learned Bar-Hebraeus.
Author: Janetta Rebold Benton
Publisher: Sutton Publishing
ISBN: 9780750927734
Category : Art
Languages : en
Pages : 161
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Book Description
This collection of some of the most delightful examples of medieval visual humour will amuse and entertain anyone with a sense of the ridiculous.
Author: Kleio Pethainou
Publisher: Trivent Publishing
ISBN: 6156405712
Category : Art
Languages : en
Pages : 173
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Book Description
Simultaneously pervasive and evasive, rebellious and oppressive, transgressive and socially specific, humour is a vast and interdisciplinary field of research. Seeking to rethink this quintessentially human expression, this volume is bringing together established and emerging directions of medieval humour research. Each contribution explores different artistic expressions, receptions and functions of humour and identifies a series of problems in researching humour historically. Medieval Humour: Expressions, Receptions and Functions dissects humour in art and thought, literature and drama, society and culture, contributing to a deeper understanding of our cultural past.
Author: Martha Bayless
Publisher: Bloomsbury Publishing
ISBN: 1350187615
Category : History
Languages : en
Pages : 233
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Book Description
Comedy and humor flourished in manifold forms in the Middle Ages. This volume, covering the period from 1000 to 1400 CE, examines the themes, practice, and effects of medieval comedy, from the caustic morality of principled satire to the exuberant improprieties of many wildly popular tales of sex and trickery. The analysis includes the most influential authors of the age, such as Chaucer, Boccaccio, Juan Ruiz, and Hrothswitha of Gandersheim, as well as lesser-known works and genres, such as songs of insult, nonsense-texts, satirical church paintings, topical jokes, and obscene pilgrim badges. The analysis touches on most of the literatures of medieval Europe, including a discussion of the formal attitudes toward humor in Christian, Jewish, and Islamic traditions. The volume demonstrates the many ways in which medieval humor could be playful, casual, sophisticated, important, subversive, and even dangerous. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter, and ethics.
Author: Guy Halsall
Publisher: Cambridge University Press
ISBN: 1139434241
Category : History
Languages : en
Pages : 224
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Book Description
Although the topic of humour has been dealt with for other eras, early medieval humour remains largely neglected. These essays go some way towards filling the gap, examining how early medieval writers deliberately employed humour to make their cases. The essays range from the late Roman empire through to the tenth century, and from Byzantium to Anglo-Saxon England. The subject matter is diverse, but a number of themes link them together, notably the use of irony, ridicule and satire as political tools. Two chapters serve as an extended introduction to the topic, while the following six chapters offer varied treatments of humour and politics, looking at different times and places, but at the Carolingian world in particular. Together, they raise important and original issues about how humour was employed to articulate concepts of political power, perceptions of kingship, social relations and the role of particular texts.
Author: Daniel Derrin
Publisher: Springer Nature
ISBN: 3030566463
Category : History
Languages : en
Pages : 538
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Book Description
This handbook addresses the methodological problems and theoretical challenges that arise in attempting to understand and represent humour in specific historical contexts across cultural history. It explores problems involved in applying modern theories of humour to historically-distant contexts of humour and points to the importance of recognising the divergent assumptions made by different academic disciplines when approaching the topic. It explores problems of terminology, identification, classification, subjectivity of viewpoint, and the coherence of the object of study. It addresses specific theories, together with the needs of specific historical case-studies, as well as some of the challenges of presenting historical humour to contemporary audiences through translation and curation. In this way, the handbook aims to encourage a fresh exploration of methodological problems involved in studying the various significances both of the history of humour and of humour in history.
Author: Louise D'Arcens
Publisher: Boydell & Brewer Ltd
ISBN: 1843843803
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
The role of laughter and humour in the postmedieval citation, interpretation or recreation of the middle ages has hitherto received little attention, a gap in scholarship which this book aims to fill. Examining a wide range of comic texts and practices across several centuries, from Don Quixote and early Chaucerian modernisation through to Victorian theatre, the Monty Python films, television and the experience of visiting sites of "heritage tourism" such as the Jorvik Viking Museum at York, it identifies what has been perceived as uniquely funny about the Middle Ages in different times and places, and how this has influenced ideas not just about the medieval but also about modernity. Tracing the development and permutations of its various registers, including satire, parody, irony, camp, wit, jokes, and farce, the author offers fresh and amusing insight into comic medievalism as a vehicle for critical commentary on the present as well as the past, and shows that for as long as there has been medievalism, people have laughed at and with the middle ages. Louise D'Arcens is Associate Professor in English Literatures at the University of Wollongong.
Author: Sarah Gordon
Publisher: Purdue University Press
ISBN: 9781557534309
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Culinary Comedy in Medieval French Literature focuses on the intersection of food and humor across several medieval narrative genres. This book is a part of the Purdue Studies in Romance Literature Series.
Author: Lisa Renée Perfetti
Publisher: University of Michigan Press
ISBN: 9780472113217
Category : Comedy
Languages : en
Pages : 308
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Book Description
Portrays a range of medieval heroines to ascertain how humor might have been used and enjoyed by medieval women
Author: Jonathan Wilcox
Publisher: University of Toronto Press
ISBN: 1487545703
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
Humour in Old English Literature deploys modern theories of humour to explore the style and content of surviving writing from early medieval England. The book analyses Old English riddles, wisdom literature, runic writing, the deployment of rhymes, and humour in heroic poetry, hagiography, and romance. Drawing on a fine-tuned understanding of literary technique, the book presents a revisionist view of Old English literature, partly by reclaiming often-neglected texts and partly by uncovering ironies and embarrassments within well-established works, including Beowulf. Most surprisingly, Jonathan Wilcox engages the large body of didactic literature, pinpointing humour in two anonymous homilies along with extensive use in saints’ lives. Each chapter ends by revealing a different audience that would have shared in the laughter. Wilcox suggests that the humour of Old English literature has been scantily covered in past scholarship because modern readers expect a dour and serious corpus. Humour in Old English Literature aims to break that cycle by highlighting works and moments that are as entertaining now as they were then.
