Author: Kristin Rygg
Publisher: Pendragon Press
ISBN: 9781576470732
Category : Ballet
Languages : en
Pages : 310
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Book Description
Exploring the English court masque as music theater, Rygg (musicology, Hedmark College, Norway) finds that particularly the Jonsonian masque of the first third of the 17th century carried within it a potential function as an early modern mystery with roots in the ancient Pythagorean school. It was a mystery, she says, in which poetry, music, and dance were prime vehicles of transcendence. No information is provided about the series the volumes seems to begin. Annotation copyrighted by Book News Inc., Portland, OR
Author: Kristin Rygg
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 0
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Book Description
Author: Katherine Butler
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : History
Languages : en
Pages : 273
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Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Author: Timothy D. Taylor
Publisher: Duke University Press
ISBN: 9780822339687
Category : Music
Languages : en
Pages : 332
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Book Description
DIVStudy of how systems of power and domination have shaped representations of otherness in music./div
Author: Richard Ramsbotham
Publisher: Temple Lodge Publishing
ISBN: 9781902636542
Category : Biography & Autobiography
Languages : en
Pages : 190
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Book Description
For years, a popular debate has been raging about whether Shakespeare was really the author of the many plays and poems published under his name. Doubters argue that Shakespeare could not have accomplished such a great feat, pointing instead to other well-known figures. Richard Ramsbotham offers a completely different perspective by reexamining the available evidence and by introducing unexplored aspects of Rudolf Steiner's spiritual-scientific research. The author discusses Shakespeare's life as an actor, mysteries of the debate such as the enigmatic Psalm 46, and the persistent question of Francis Bacon's connection with Shakespeare. Recently, a movement has been gaining ground that sees Bacon himself as the covert writer of the great works attributed to Shakespeare. Not content with this radical claim, that movement also wishes to place Bacon on the primary pedestal of British civilization, as a kind of patron saint of the modern scientific age. The author provides substantial confirmation of a definite connection between Shakespeare and Bacon, but one that radically challenges the conclusions of the Baconian movement. The author also opens remarkable new perspectives on King James I and his connections not only with Shakespeare and Bacon but also with Jakob Böhme, Rudolf II, Rosicrucianism, Freemasonry, and the original Globe Theatre. Published 400 years after the Hampton Court Conference of 1604, Who Wrote Bacon? offers a timely contribution to these themes, and shows how they remain critically important to our understanding of the twenty-first century. Includes eight pages of B/W plates.
Author: Patrick Curry
Publisher: Cambridge Scholars Publishing
ISBN: 1443810886
Category : Body, Mind & Spirit
Languages : en
Pages : 345
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Book Description
Seeing with Different Eyes: Essays in Astrology and Divination represents the cutting-edge of contemporary thought and research on divination. The thirteen authors come from a variety of academic disciplines, ranging from anthropology and classics to English literature and religious studies, and all address the question of divination, astrology and oracles in a spirit of critical but sympathetic inquiry. The emphasis is on a participatory and reflexive approach which is firmly post-positivist, seeking to understand the divinatory act on its own terms within widely varying contexts – ancient Greek and Chaldean philosophy and theurgy, Theravadan Buddhism, Biblical studies, Elizabethan Hermeticism, Jacobean drama, Heideggerian philosophy, Medieval scholasticism, 19th century occultism, contemporary Guatemalan divination and Western medical practice. The authors are all teachers or researchers in the area of divination and symbolism, which is a new disciplinary focus developing at the University of Kent, Canterbury under the aegis of the MA programme in the Cultural Study of Cosmology and Divination. The essays in this volume originally contributed to an international conference of the same name held there in April 2006.
Author: Robert David Sack
Publisher: JHU Press
ISBN: 0801876826
Category : Science
Languages : en
Pages : 174
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Book Description
"The connection between geography and progress is fundamental," writes Robert Sack in the introduction to the present volume. Touching on both moral and material progress, six of the world's leading geographers and environmental historians explore differing aspects of this connection. Thomas Vale discusses whether progress is discernible in the natural realm; Kenneth Olwig examines fundamental changes that occurred to the notion of progress with the rise of modernity, while David Lowenthal and Yi-Fu Tuan discuss recent geographical changes that have resulted in an increasing societal disenchantment and anxiety. Nicholas Entrikin looks at progress as "moral perfectibility, and its connection to democratic places," a theme which Robert Sack further explores by prescribing ways in which geographers and citizens can evaluate and create places that increase our awareness of reality in its variety and complexity. Contributors: J. Nicholas Entrikin, University of California-Los Angeles; David Lowenthal, University College, London; Kenneth Olwig, University in Trondheim, Norway; Robert David Sack, University of Wisconsin-Madison; Yi-Fu Tuan, University of Wisconsin-Madison; Thomas R. Vale, University of Wisconsin-Madison.
Author: Siglind Bruhn
Publisher: Pendragon Press
ISBN: 9781576470893
Category : Music
Languages : en
Pages : 330
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Book Description
The relationship between music and religion has long been a clearly delineated one. Up to the late Middle Ages, music employed for ritual expressions of faith in sacred contexts was contrasted with secular music, then mostly played in open spaces. The former was believed to aid in the communication of divine truths, while the latter was suspected of arousing sensuality and thus potentially leading away from the spiritual perspective of life. In subsequent centuries, music entered first the courtly salons, then the concert hall and the home. Such music, created for virtuoso performance or for the enjoyment in private chambers, occasionally made room for an expression of religious experiences outside the dedicated spaces of worship. This aspect is particularly intriguing in instrumental music, where allusions to extra-musical messages are at best hinted at in titles or explanatory notes, and in those cases of vocal music where it can be shown that the musical language adds significant nuances to the verbal text. On the basis of various case studies that transcend a music-analytical approach in the direction of the hermeneutic perspective, this volume explores in which ways the musical language in itself, independently of an explicitly sacred context, communicates the ineffable. The discussion focuses on the musical means and devices employed to this effect and on the question what the presence of religious messages in certain works of secular music tells us about the spirituality of an era.
Author: Christopher Cairns
Publisher: Routledge
ISBN: 0429780745
Category : Social Science
Languages : en
Pages : 206
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Book Description
First published in 1999, this volume examines iconography, nature, gardens, staging, tradition and innovation in the Renaissance theatre, continuing the growing interest in relationships between image and performance as a fertile field for theatre research. Papers explored areas including The Tempest, Elizabeth Cary, Antonia Pulci and Shakespeare’s Italian nature.
Author: Anna Leon
Publisher: transcript Verlag
ISBN: 3732861058
Category : Performing Arts
Languages : en
Pages : 426
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Book Description
From objects to sounds, choreography is expanding beyond dance and human bodies in motion. This book offers one of the rare systematic investigations of expanded choreography as it develops in contemporaneity, and is the first to consider expanded choreography from a trans-historical perspective. Through case studies on different periods of European dance history - ranging from Renaissance dance to William Forsythe's choreographic objects and from Baroque court ballets to digital choreographies - it traces a journey of choreography as a practice transcending its sole association with dancing, moving, human bodies.
