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Author: Barrie Scardino Bradley
Publisher: University of Texas Press
ISBN: 1477329978
Category : Architecture
Languages : en
Pages : 401
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Book Description
Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions—charming and witty but also self-centered, caustic, and abusive—who shaped new settings that were imbued, at once, with spatial calm and emotional intensity. Making Houston Modern explores the provocative architect’s life and work, not only through the lens of his architectural practice but also by delving into his personal life, class identity, and connections to the artists, critics, collectors, and museum directors who forged Houston’s distinctive culture in the postwar era. Edited by three renowned voices in the architecture world, this volume situates Barnstone within the contexts of American architecture, modernism, and Jewish culture to unravel the legacy of a charismatic personality whose imaginative work as an architect, author, teacher, and civic commentator helped redefine architecture in Texas.
Author: Barrie Scardino Bradley
Publisher: University of Texas Press
ISBN: 1477329978
Category : Architecture
Languages : en
Pages : 401
Get Book
Book Description
Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions—charming and witty but also self-centered, caustic, and abusive—who shaped new settings that were imbued, at once, with spatial calm and emotional intensity. Making Houston Modern explores the provocative architect’s life and work, not only through the lens of his architectural practice but also by delving into his personal life, class identity, and connections to the artists, critics, collectors, and museum directors who forged Houston’s distinctive culture in the postwar era. Edited by three renowned voices in the architecture world, this volume situates Barnstone within the contexts of American architecture, modernism, and Jewish culture to unravel the legacy of a charismatic personality whose imaginative work as an architect, author, teacher, and civic commentator helped redefine architecture in Texas.
Author: Austin Porter
Publisher: Bloomsbury Publishing
ISBN: 1350186368
Category : Art
Languages : en
Pages : 288
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Book Description
Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production. By bracketing MoMA's early history from its later reputation, this book explores the ways the Museum acted as a laboratory to set an ambitious agenda for the exhibition of a multidisciplinary idea of modern art. Between its founding in 1929 and its 20th anniversary in 1949, MoMA created the first museum departments of architecture and design, film, and photography in the country, marshaled modern art as a political tool, and brought consumer culture into a versatile yet institutional context. Encompassing 14 essays that investigate the diversity of modern art, this volume demonstrates how MoMA's programming shaped a version of modern art that was not elitist but fundamentally intertwined with all levels of cultural production.
Author: Susan Benjamin
Publisher: The Monacelli Press, LLC
ISBN: 1580935265
Category : Architecture
Languages : en
Pages : 346
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Book Description
The first survey of the classic twentieth-century houses that defined American Midwestern modernism. Famed as the birthplace of that icon of twentieth-century architecture, the skyscraper, Chicago also cultivated a more humble but no less consequential form of modernism--the private residence. Modern in the Middle: Chicago Houses 1929-75 explores the substantial yet overlooked role that Chicago and its suburbs played in the development of the modern single-family house in the twentieth century. In a city often associated with the outsize reputations of Frank Lloyd Wright and Ludwig Mies van der Rohe, the examples discussed in this generously illustrated book expand and enrich the story of the region's built environment. Authors Susan Benjamin and Michelangelo Sabatino survey dozens of influential houses by architects whose contributions are ripe for reappraisal, such as Paul Schweikher, Harry Weese, Keck & Keck, and William Pereira. From the bold, early example of the "Battledeck House" by Henry Dubin (1930) to John Vinci and Lawrence Kenny's gem the Freeark House (1975), the generation-spanning residences discussed here reveal how these architects contended with climate and natural setting while negotiating the dominant influences of Wright and Mies. They also reveal how residential clients--typically middle-class professionals, progressive in their thinking--helped to trailblaze modern architecture in America. Though reflecting different approaches to site, space, structure, and materials, the examples in Modern in the Middle reveal an abundance of astonishing houses that have never been collected into one study--until now.
Author: Pete Gershon
Publisher: Texas A&M University Press
ISBN: 1623496322
Category : Art
Languages : en
Pages : 482
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Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
Author: Mark Swenarton
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848222045
Category : Architecture
Languages : en
Pages : 0
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Book Description
"The housing projects built in Camden in the 1960s and 1970s when Sydney Cook was borough architect are widely regarded as the most important urban housing built in the UK in the past 100 years. Cook recruited some of the brightest talent available in London at the time and the schemes, which included Alexandra Road, Branch Hill, Fleet Road, Highgate New Town and Maiden Lane, set out a model of housing that continues to command interest and admiration from architects to this day. The Camden projects represented a new type of urban housing based on a return to streets with front doors. In place of tower blocks, the Camden architects showed how the required densities could be achieved without building high, creating a new kind of urbanism that integrated with, rather than broke from, its cultural and physical context. This book examines how Cook and his team created this new kind of housing, what it comprised, and what lessons it offers for today. New colour photographs combine with original black and white photography to give a fascinating 'then and now' portrayal not just of the buildings but also of the homes within and the people who live there."--Site web de l'éidteur.
Author: Daniel A. Barber
Publisher: Princeton University Press
ISBN: 0691248656
Category : Architecture
Languages : en
Pages : 328
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Book Description
How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today’s zero-carbon design.
Author: Barrie Scardino Bradley
Publisher: University of Texas Press
ISBN: 9781477320198
Category : Architecture
Languages : en
Pages : 0
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Book Description
Winner, Good Brick Award, Preservation Houston, 2020 Just over 180 years ago, the city of Houston was nothing more than an alligator-infested swamp along the Buffalo Bayou that spread onto a flat, endless plain. Today, it is a sprawling, architecturally and culturally diverse metropolis. How did one transform into the other in such a short period? Improbable Metropolis uses the built environment as a guide to explore the remarkable evolution that Houston has undergone from 1836 to the present. Houston’s architecture, an indicator of its culture and prosperity, has been inconsistent, often predictable, sometimes bizarre, and occasionally extraordinary. Industries from cotton, lumber, sugar, and rail and water transportation, to petroleum, healthcare, biomedical research, and aerospace have each in turn brought profit and attention to Houston. Each created an associated building boom, expanding the city’s architectural sophistication, its footprint, and its cultural breadth. Providing a template for architectural investigations of other American cities, Improbable Metropolis is an important addition to the literature on Texas history.
Author: Henry Ossawa Tanner
Publisher: Univ of California Press
ISBN: 0520270746
Category : Art
Languages : en
Pages : 312
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Book Description
“This book constitutes a very welcome contribution to the public appreciation and scholarly study of Henry Ossawa Tanner, a painter of considerable significance in both Europe and America, and one whose religious imagery merits careful consideration. These well-researched essays by an international team of scholars offer substantial reflections on complex issues of race and religion, and situate the artist’s work and career within the context of his life and times. This is a robust framing of Tanner as a cultural phenomenon and one that readers will find quite rewarding.”—David Morgan, Professor of Religion at Duke University and author of The Embodied Eye: Religious Visual Culture and the Social Life of Feeling “Henry Ossawa Tanner has finally been recognized as an important artist in the last twenty years, and is now firmly part of the American canon as the first major African American painter to emerge from the academy. This book enriches our understanding of Tanner’s historic place in American art by considering his work as an early modernist religious artist—a status entwined with his race, but not defined by it. These essays, by an impressive collection of scholars, are full of substantially new material, and succeed in broadening our conception of Tanner’s life and work.”—Bruce Robertson, Professor of Art and Architecture at the University of California, Santa Barbara.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 186
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Book Description
Author: Anna Mod
Publisher: Arcadia Publishing
ISBN: 9780738585246
Category : History
Languages : en
Pages : 132
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Book Description
Founded in 1836, Houston is now the country's fourth-largest city. In the early 20th century, Houston's economy shifted from agriculture to oil, fueling the city's explosive growth in the following decades. Houston grabbed the reins and saw a building boom in commercial, residential, and civic architecture redefine the city and skyline. Modernism was a new and fresh architectural expression and the perfect complement to the city's can-do entrepreneurial spirit. The 1960s brought ground-breaking ceremonies for the National Aeronautics and Space Administration's (NASA) headquarters, while residents and tourists alike lined up to tour the revolutionary new Astrodome. Building Modern Houston tells the story of Houston's architecture during its transformation from "Bayou City" to "Space City."
