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Author: Lisette Gebhardt
Publisher:
ISBN: 9783868931181
Category : Art
Languages : en
Pages : 120
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Book Description
Author: Lisette Gebhardt
Publisher:
ISBN: 9783868931181
Category : Art
Languages : en
Pages : 120
Get Book
Book Description
Author: Linda Flores
Publisher: Routledge
ISBN: 9781032258577
Category :
Languages : en
Pages : 0
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Book Description
This book analyses the social impact and literary works addressing Japan's 3.11 'Triple Disaster' - The Great East Japan earthquake, tsunami, and multiple meltdowns at the Fukushima Daiichi Nuclear Power Plant. Through an examination of the key works in the expanding corpus of 3.11 literature the book explores the ongoing dimensions of the disaster, demonstrating how it reframed both social reality and discourse, including trauma studies, ecocriticism, regional identity, food safety and civil society. The contributions discuss aspects of these perspectival shifts in the literary world, tracing the reshaping of Japanese identity in the years after the triple disaster. The cultural productions explored offer a glimpse into the public imaginary and demonstrate how disasters can fundamentally reshape our individual and shared conception of both history and the present moment. Contributing to a more comprehensive understanding of the post-disaster climate of Japanese society and adding new perspectives through literary analysis, this book will be of interest to scholars and students of Japanese and Asian Studies, Literary Studies, Environmental Humanities, as well as Cultural and Transcultural Studies.
Author: Barbara Geilhorn
Publisher: Routledge
ISBN: 1317208382
Category : Social Science
Languages : en
Pages : 230
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Book Description
The natural and man-made cataclysmic events of the 11 March 2011 disaster, or 3.11, have dramatically altered the status quo of contemporary Japanese society. While much has been written about the social, political, economic, and technical aspects of the disaster, this volume represents one of the first in-depth explorations of the cultural responses to the devastating tsunami, and in particular the ongoing nuclear disaster of Fukushima. This book explores a wide range of cultural responses to the Fukushima nuclear calamity by analyzing examples from literature, poetry, manga, theatre, art photography, documentary and fiction film, and popular music. Individual chapters examine the changing positionality of post-3.11 northeastern Japan and the fear-driven conflation of time and space in near-but-far urban centers; explore the political subversion and nostalgia surrounding the Fukushima disaster; expose the ambiguous effects of highly gendered representations of fear of nuclear threat; analyze the musical and poetic responses to disaster; and explore the political potentialities of theatrical performances. By scrutinizing various media narratives and taking into account national and local perspectives, the book sheds light on cultural texts of power, politics, and space. Providing an insight into the post-disaster Zeitgeist as expressed through a variety of media genres, this book will be of interest to students and scholars of Japanese Studies, Japanese Culture, Popular Culture, and Literature Studies.
Author: Barbara Geilhorn
Publisher: Routledge
ISBN: 1317208390
Category : Social Science
Languages : en
Pages : 246
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Book Description
The natural and man-made cataclysmic events of the 11 March 2011 disaster, or 3.11, have dramatically altered the status quo of contemporary Japanese society. While much has been written about the social, political, economic, and technical aspects of the disaster, this volume represents one of the first in-depth explorations of the cultural responses to the devastating tsunami, and in particular the ongoing nuclear disaster of Fukushima. This book explores a wide range of cultural responses to the Fukushima nuclear calamity by analyzing examples from literature, poetry, manga, theatre, art photography, documentary and fiction film, and popular music. Individual chapters examine the changing positionality of post-3.11 northeastern Japan and the fear-driven conflation of time and space in near-but-far urban centers; explore the political subversion and nostalgia surrounding the Fukushima disaster; expose the ambiguous effects of highly gendered representations of fear of nuclear threat; analyze the musical and poetic responses to disaster; and explore the political potentialities of theatrical performances. By scrutinizing various media narratives and taking into account national and local perspectives, the book sheds light on cultural texts of power, politics, and space. Providing an insight into the post-disaster Zeitgeist as expressed through a variety of media genres, this book will be of interest to students and scholars of Japanese Studies, Japanese Culture, Popular Culture, and Literature Studies.
Author: Saeko Kimura
Publisher: Rowman & Littlefield
ISBN: 1793605378
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
This seminal book is the first sustained critical work that engages with the varieties of literature following the triple disasters—the earthquake, tsunami, and meltdowns at the Fukushima nuclear plant.
Author: Tamaki Mihic
Publisher: ANU Press
ISBN: 176046354X
Category : History
Languages : en
Pages : 175
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Book Description
The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3.11’, the date of the earthquake), had a lasting impact on Japan’s identity and global image. In its immediate aftermath, mainstream media presented the country as a disciplined, resilient and composed nation, united in the face of a natural disaster. However, 3.11 also drew worldwide attention to the negative aspects of Japanese government and society, thought to have caused the unresolved situation at Fukushima. Spurred by heightened emotions following the triple disaster, the Japanese became increasingly polarised between these two views of how to represent themselves. How did literature and popular culture respond to this dilemma? Re-imagining Japan after Fukushima attempts to answer that question by analysing how Japan was portrayed in post-3.11 fiction. Texts are selected from the Japanese, English and French languages, and the portrayals are also compared with those from non-fiction discourse. This book argues that cultural responses to 3.11 had a significant role to play in re-imagining Japan after Fukushima.
Author: Kazuto Tatsuta
Publisher: Kodansha Comics
ISBN: 1682336050
Category : Comics & Graphic Novels
Languages : en
Pages : 566
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Book Description
On March 11, 2011, Japan suffered the largest earthquake in its modern history. The 9.0-magnitude quake threw up a devastating tsunami that wiped away entire towns, and caused, in the months afterward, three nuclear meltdowns at the Fukushima Daiichi Nuclear Plant. Altogether, it was the costliest natural disaster in human history. This is not the story of that disaster. This is the story of a man who took a job. Kazuto Tatsuta was an amateur artist who signed onto the dangerous task of cleaning up the Fukushima Daiichi Nuclear Plant, which the workers came to call "Ichi-F." This is the story of that challenging work, of the trials faced by the local citizens, and of the unique camaraderie that built up between the mostly blue-collar workers who had to face the devious and invisible threat of radiation on a daily basis. After six months, Tatsuta’s body had absorbed the maximum annual dose of radiation allowed by regulations, and he was forced to take a break from the work crew, giving him the time to create this unprecedented, unauthorized, award-winning view of daily life at Fukushima Daiichi.
Author: Roman Rosenbaum
Publisher: Taylor & Francis
ISBN: 1000878813
Category : History
Languages : en
Pages : 287
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Book Description
This book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearised world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that "all art is political" is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies.
Author: Rachel DiNitto
Publisher: University of Hawaii Press
ISBN: 0824879457
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Fukushima Fiction introduces readers to the powerful literary works that have emerged out of Japan’s triple disaster, now known as 3/11. The book provides a broad and nuanced picture of the varied literary responses to this ongoing tragedy, focusing on “serious fiction” (junbungaku), the one area of Japanese cultural production that has consistently addressed the disaster and its aftermath. Examining short stories and novels by both new and established writers, author Rachel DiNitto effectively captures this literary tide and names it after the nuclear accident that turned a natural disaster into an environmental and political catastrophe. The book takes a spatial approach to a new literary landscape, tracing Fukushima fiction thematically from depictions of the local experience of victims on the ground, through the regional and national conceptualizations of the disaster, to considerations of the disaster as history, and last to the global concerns common to nuclear incidents worldwide. Throughout, DiNitto shows how fiction writers played an important role in turning the disaster into a narrative of trauma that speaks to a broad readership within and outside Japan. Although the book examines fiction about all three of the disasters—earthquake, tsunami, and nuclear meltdowns—DiNitto contends that Fukushima fiction reaches its critical potential as a literature of nuclear resistance. She articulates the stakes involved, arguing that serious fiction provides the critical voice necessary to combat the government and nuclear industry’s attempts to move the disaster off the headlines as the 2020 Olympics approach and Japan restarts its idle nuclear power plants. Rigorous and sophisticated yet highly readable and relevant for a broad audience, Fukushima Fiction is a critical intervention of humanities scholarship into the growing field of Fukushima studies. The work pushes readers to understand the disaster as a global crisis and to see the importance of literature as a critical medium in a media-saturated world. By engaging with other disasters—from 9/11 to Chernobyl to Hurricane Katrina—DiNitto brings Japan’s local and national tragedy to the attention of a global audience, evocatively conveying fiction’s power to imagine the unimaginable and the unforeseen.
Author: Linda Flores
Publisher: Taylor & Francis
ISBN: 1000836282
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Literature after Fukushima examines how aesthetic representation contributes to a critical understanding of the 3.11 triple disaster – the Great East Japan earthquake, tsunami, and multiple meltdowns at the Fukushima Daiichi Nuclear Power Plant. Through an examination of key works in the expanding corpus of 3.11 literature the book explores how the disaster—both its immediate aftereffects and its continued unfolding—reframed discourse in various areas such as trauma studies, eco-criticism, regional identity, food safety, civil society, and beyond. Individual chapters discuss aspects of these perspectival shifts, tracing the reshaping of Japanese identity after the triple disaster. The cultural productions explored offer a glimpse into the public imaginary and demonstrate how disasters can fundamentally redefine our individual and shared conception of both history and the present moment. Literature after Fukushima is the first English-language book to provide an in-depth analysis of such a wide range of representative post-3.11 literature and its social ramifications. Contributing to a more comprehensive understanding of the post-disaster climate of Japanese society and adding new perspectives through literary analysis, this book will be of interest to scholars and students of Japanese and Asian Studies, Literary Studies, Environmental Humanities, as well as Cultural and Transcultural Studies.
