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Author: Kate Macdonald
Publisher: Routledge
ISBN: 1317319842
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Considered a quintessentially 'popular' author, John Buchan was a writer of fiction, journalism, philosophy and Scottish history. By examining his engagement with empire, psychoanalysis and propaganda, the contributors to this volume place Buchan at the centre of the debate between popular culture and the modernist elite.
Author: Kate Macdonald
Publisher: Routledge
ISBN: 1317319842
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Considered a quintessentially 'popular' author, John Buchan was a writer of fiction, journalism, philosophy and Scottish history. By examining his engagement with empire, psychoanalysis and propaganda, the contributors to this volume place Buchan at the centre of the debate between popular culture and the modernist elite.
Author: Nathan Waddell
Publisher: Cambridge Scholars Publishing
ISBN: 9781443813709
Category :
Languages : en
Pages : 0
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Book Description
This book offers an introduction to the breadth and diversity of the literary and non-literary work of John Buchan (1875â "1940). It stakes a claim for him as an engaged interpreter of twentieth-century modernity, and provides evaluative readings of his output. In addition to demonstrating how Buchanâ (TM)s work complicates the reductive view of early twentieth-century literature as neatly cordoned-off into â oelowâ and â oehighâ forms of production, this book discusses his theories of empire and imperialism, his account of historiography, and his response to the First World War. In addition to his many roles as a journalist, propagandist, war reporter, editor, civil servant, and statesman, Buchan was a committed literary critic, philosopher, and writer of history. This book explores the many connections between his work and such modernists as Joseph Conrad, Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis, and it situates Buchan as an intellectual figure who provided a distinctive set of readings of his modern times. Running throughout is a consideration of Buchanâ (TM)s fascination with binaries, doubles, and duality, which his work variously upholds and investigates. It ends with a discussion of Buchanâ (TM)s most famous workâ "The Thirty-Nine Steps (1915)â "in relation to paranoia and pathology.
Author: Nathan Waddell
Publisher: Cambridge Scholars Publishing
ISBN: 1527556557
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
This book offers an introduction to the breadth and diversity of the literary and non-literary work of John Buchan (1875–1940). It stakes a claim for him as an engaged interpreter of twentieth-century modernity, and provides evaluative readings of his output. In addition to demonstrating how Buchan’s work complicates the reductive view of early twentieth-century literature as neatly cordoned-off into “low” and “high” forms of production, this book discusses his theories of empire and imperialism, his account of historiography, and his response to the First World War. In addition to his many roles as a journalist, propagandist, war reporter, editor, civil servant, and statesman, Buchan was a committed literary critic, philosopher, and writer of history. This book explores the many connections between his work and such modernists as Joseph Conrad, Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis, and it situates Buchan as an intellectual figure who provided a distinctive set of readings of his modern times. Running throughout is a consideration of Buchan’s fascination with binaries, doubles, and duality, which his work variously upholds and investigates. It ends with a discussion of Buchan’s most famous work—The Thirty-Nine Steps (1915)—in relation to paranoia and pathology.
Author: Gill Plain
Publisher: Bucknell University Press
ISBN: 1611487773
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
What did war look like in the cultural imagination of 1914? Why did men in Scotland sign up to fight in unprecedented numbers? What were the martial myths shaping Scottish identity from the aftermath of Bannockburn to the close of the nineteenth century, and what did the Scottish soldiers of the First World War think they were fighting for? Scotland and the First World War: Myth, Memory and the Legacy of Bannockburn is a collection of new interdisciplinary essays interrogating the trans-historical myths of nation, belonging and martial identity that shaped Scotland’s encounter with the First World War. In a series of thematically linked essays, experts from the fields of literature, history and cultural studies examine how Scotland remembers war, and how remembering war has shaped Scotland.
Author: Alan Burton
Publisher: Rowman & Littlefield
ISBN: 1442255870
Category : Performing Arts
Languages : en
Pages : 534
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Book Description
The Historical Dictionary of British Spy Fiction is a detailed overview of the rich history and achievements of the British espionage story in literature, cinema and television. It provides detailed yet accessible information on numerous individual authors, novels, films, filmmakers, television dramas and significant themes within the broader field of the British spy story. It contains a wealth of facts, insights and perspectives, and represents the best single source for the study and appreciation of British spy fiction. British spy fiction is widely regarded as the most significant and accomplished in the world and this book is the first attempt to bring together an informed survey of the achievements in the British spy story in literature, cinema and television. The Historical Dictionary of British Spy Fiction contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on individual authors, stories, films, filmmakers, television shows and the various sub-genres of the British spy story. This book is an excellent access point for students, researchers, and anyone wanting to know more about British spy fiction.
Author: James Machin
Publisher: Springer
ISBN: 3319905279
Category : Social Science
Languages : en
Pages : 259
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Book Description
This book is the first study of how ‘weird fiction’ emerged from Victorian supernatural literature, abandoning the more conventional Gothic horrors of the past for the contemporary weird tale. It investigates the careers and fiction of a range of the British writers who inspired H. P. Lovecraft, such as Arthur Machen, M. P. Shiel, and John Buchan, to shed light on the tensions between ‘literary’ and ‘genre’ fiction that continue to this day. Weird Fiction in Britain 1880–1939 focuses on the key literary and cultural contexts of weird fiction of the period, including Decadence, paganism, and the occult, and discusses how these later impacted on the seminal American pulp magazine Weird Tales. This ground-breaking book will appeal to scholars of weird, horror and Gothic fiction, genre studies, Decadence, popular fiction, the occult, and Fin-de-Siècle cultural history.
Author: Jake Poller
Publisher: Routledge
ISBN: 0429590288
Category : Literary Collections
Languages : en
Pages : 474
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Book Description
The twentieth century saw an unprecedented spike in the study of altered states of consciousness. New ASCs, such as those associated with LSD and psilocybin mushrooms, were cultivated and studied, while older ASCs were given new classifications: out-of-body experiences, near-death experiences, psychokinesis, extrasensory perception. Altered Consciousness in the Twentieth Century analyses these different approaches and methodologies, and includes exciting new research into neglected areas. This volume investigates the representation of ASCs in the culture of the twentieth century and examines the theoretical models that attempt to explain them. The international contributors critically examine a variety of ASCs, including precognition, near-death experiences, telepathy, New Age ‘channelling’, contact with aliens and UFOs, the use of alcohol and entheogens, analysing both the impact of ASCs on the culture and how cultural and technological changes influenced ASCs. The contributors are drawn from the fields of English and American literature, religious studies, Western esotericism, film studies, sociology and history of art, and bring to bear on ASCs their own disciplinary and conceptual perspectives, as well as a broader interdisciplinary knowledge of the subject. The collection represents a vital contribution to the growing body of work on both ASCs and the wider academic engagement with millennialism, entheogens, occulture and the paranormal.
Author: Kate Macdonald
Publisher: Springer
ISBN: 1137457724
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Novelists Against Social Change studies the writing of John Buchan, Dornford Yates and Angela Thirkell to show how these conservative authors put their fears and anxieties into their best-selling fiction. Resisting the threats of change in social class, politics, the freedom of women, and professionalization produced their strongest works.
Author: Mark William Padilla
Publisher: Rowman & Littlefield
ISBN: 1498563511
Category : Philosophy
Languages : en
Pages : 412
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Book Description
This book treats six beloved films of Hitchcock: The 39 Steps, Saboteur, and North by Northwest, plus Dial M for Murder, Rear Window, and To Catch a Thief. Padilla reviews their production histories with an eye to classical influences, and then analyzes their links with Greek art, poetry, and philosophy.
Author: Patrick Scott Belk
Publisher: Routledge
ISBN: 1317185048
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
At the turn of the twentieth century, the publishing industries in Britain and the United States underwent dramatic expansions and reorganization that brought about an increased traffic in books and periodicals around the world. Focusing on adventure fiction published from 1899 to 1919, Patrick Scott Belk looks at authors such as Joseph Conrad, H.G. Wells, Conan Doyle, and John Buchan to explore how writers of popular fiction engaged with foreign markets and readers through periodical publishing. Belk argues that popular fiction, particularly the adventure genre, developed in ways that directly correlate with authors’ experiences, and shows that popular genres of the late nineteenth and early twentieth centuries emerged as one way of marketing their literary works to expanding audiences of readers worldwide. Despite an over-determined print space altered by the rise of new kinds of consumers and transformations of accepted habits of reading, publishing, and writing, the changes in British and American publishing at the turn of the twentieth century inspired an exciting new period of literary invention and experimentation in the adventure genre, and the greater part of that invention and experimentation was happening in the magazines.
