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Author: Alexandra Munroe
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
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Book Description
This provocative book, the first in English on Japanese avant-garde art after 1945, is the catalogue of the most ambitious exhibition of its kind. It surveys some 200 works--from painting and sculpture to performance and video--by more than 100 artists. The exhibition comes to the Guggenheim Museum, New York, in September. Over 445 illustrations, 200 in full color.
Author: Alexandra Munroe
Publisher: Harry N. Abrams
ISBN: 9780810925939
Category : Art
Languages : en
Pages : 416
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Book Description
The exhibition, 'Japanese Art After 1945: Scream Against the Sky, ' is an interpretive survey of the last fifty years of Japanese avant-garde art. It is a great pleasure for The Japan Foundation to be co-organizer of the American tour, which travels to the Guggenheim Museum SoHo, New York and the San Francisco Museum of Modern Art in association with the Center for the Arts at Yerba Buena Gardens.
Author: Alexandra Munroe
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
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Book Description
This provocative book, the first in English on Japanese avant-garde art after 1945, is the catalogue of the most ambitious exhibition of its kind. It surveys some 200 works--from painting and sculpture to performance and video--by more than 100 artists. The exhibition comes to the Guggenheim Museum, New York, in September. Over 445 illustrations, 200 in full color.
Author: Kitazawa Noriaki
Publisher: Leuven University Press
ISBN: 946270354X
Category : Art
Languages : en
Pages : 410
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Book Description
English edition of key essays on Japanese art history History of Japanese Art after 1945 surveys the development of art in Japan since WWII. The original Japanese work, which has become essential reading for those with an interest in modern and contemporary Japanese art and is a foundational resource for students and researchers, spans a period of 150 years, from the 1850s to the 2010s. Each chapter is dedicated to a specific period and written by a specialist. The English edition first discusses the formation and evolution of Japanese contemporary art from 1945 to the late 1970s, subsequently deals with the rise of the fine-art museum from the late 1970s to the 1990s, and concludes with an overview of contemporary Japanese art dating from the 1990s to the 2010s. These three parts are preceded by a new introduction that contextualizes both the original Japanese and the English editions and introduces the reader to the emergence of the concept of art (bijutsu) in modern Japan. This English-language edition provides valuable reading material that offers a deeper insight into contemporary Japanese art. With an introduction by Kajiya Kenji. Contributors: Kitazawa Noriaki (editor), Mori Hitoshi (editor), Sato Doushin (editor), Tom Kain (translation editor), Alice Kiwako Ashiwa (translator), Kenneth Masaki Shima (translator), Ariel Acosta (translator), and Sara Sumpter (translator) Translated from the original Japanese edition published with Tokyo Bijutsu, 2014 In cooperation with Art Platform Japan / The Agency for Cultural Affairs, Government of Japan Art Platform Japan is an initiative by the Agency for Cultural Affairs, Government of Japan, to maintain the sustainable development of the contemporary art scene in Japan.
Author: KITAZAWA. NORIAKI
Publisher:
ISBN: 9789461665034
Category : Art and state
Languages : en
Pages : 0
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Book Description
Author: Asato Ikeda
Publisher: University of Hawaii Press
ISBN: 0824872126
Category : Art
Languages : en
Pages : 165
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Book Description
This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.
Author: Justin Jesty
Publisher: Cornell University Press
ISBN: 1501715062
Category : Art
Languages : en
Pages : 357
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Book Description
Highlighting the transformational nature of the early postwar, Jesty deftly contrasts it with the relative stasis, consolidation, and homogenization of the 1960s.
Author: Doryun Chong
Publisher: Moma Primary Documents
ISBN: 9780822353683
Category : Art
Languages : en
Pages : 0
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Book Description
"Brings together critical historical documents, many of which are translated into English for the first time, in Japanese arts from the end of World War II through the next four and a half decades."--Page 14.
Author: Lena Fritsch
Publisher:
ISBN: 9780500297629
Category :
Languages : en
Pages : 0
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Book Description
An accessible and visually rich study of Japanese photography since 1945 by an experienced curator specializing in Japanese art and culture.From the severity of post-war Realism to the diversity and technical ingenuity of the present, via movements and groups such as Vivo in the 1960s and 'girls' photography' in the 1990s, this visually bold and richly volume traces the development of Japanese photography since 1945. Interleaved are new interviews with some of the most influential practitioners in photographic history, from Moriyama Daido to Araki Nobuyoshi and Kawauchi Rinko.Lena Fritsch writes with imagination and clarity, interrogating a cross-section of photographic movements and works against the vivid, shifting backdrop of Japanese social, cultural and political history. The result is both an accessible introduction and an illuminating work of analysis for general readers and aficionados alike.
Author: Kendall H. Brown
Publisher: University of Washington Press
ISBN: 9780883971574
Category : Art
Languages : en
Pages : 319
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Book Description
Catalog of an exhibition held at the Japan Society Gallery, New York, N.Y., Mar. 16-June 17, 2012, the John and Mable Ringing Museum, Sarasota, Fla., July 14- Sept. 30, 2012, and the Society of the Four Arts, Palm Beach, Fla., Nov. 9-Jan. 19, 2014.
Author: Mark Howard Sandler
Publisher: University of Washington Press
ISBN: 9780295976464
Category : Art
Languages : en
Pages : 112
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Book Description
Six contributors discuss the state of Japanese arts during the allied occupation after the second World War. Topics include missteps by occupation censors, caution and experimentation on the part of nine artists of the era, the preservation of cultural property, and the conflicted roles of women and
