Italian Women's Autobiographical Writings in the Twentieth Century PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Italian Women's Autobiographical Writings in the Twentieth Century PDF full book. Access full book title Italian Women's Autobiographical Writings in the Twentieth Century by Ursula Fanning. Download full books in PDF and EPUB format.
Author: Ursula Fanning
Publisher: Rowman & Littlefield
ISBN: 1683930320
Category : Literary Criticism
Languages : en
Pages : 261
Get Book
Book Description
This book highlights the centrality of the autobiographical enterprise to Italian women’s writing through the twentieth century—a century that has frequently been referred to as the century of the self. Ursula Fanning addresses the thorny issue of essentialism potentially involved in underlining links between women’s writing and autobiographical modes, and ultimately rejects it in favor of an argument based on the cultural, linguistic, and literary marginalization of women writers within the Italian context. It is concerned with Italian women writers’ various ways of grappling with constructions of subjectivity throughout the century and sets out to explore them. Fanning reads autobiographical writing as subject to many of the same constraints as fiction and, in doing so, draws attention to the significance of the recurring use of the terms “pure” and “impure” in many critical and theoretical discussions of the autobiographical (where “pure” is used to suggest a truthful representation of a life, while “impure” suggests the messy undertaking of mixing lived experience with fiction). Recurring patterns and paradigms are found in the works of the various writers considered (eighteen in all), and these paradigms are analyzed through close readings of their works. These close readings offer insights into approaches to the constructions of subjectivity in the narratives and are informed by feminist theories. The chapters focus on selves in relationship, taking their lead from the patterns unfolding in the writers’ work, hence the subjects are constructed as daughters (with different views of the self in relation to fathers and mothers), within the confines of the romantic relationship (which involves reconsiderations and rewritings of the romance plot), as maternal subjects, and as writers (with an eye on their relationship to the literary canon, as well as to the relationship with readers). This book argues that there is such a thing as gendered subjectivity and that its constructions may be traced through the texts analyzed.
Author: Ursula Fanning
Publisher: Rowman & Littlefield
ISBN: 1683930320
Category : Literary Criticism
Languages : en
Pages : 261
Get Book
Book Description
This book highlights the centrality of the autobiographical enterprise to Italian women’s writing through the twentieth century—a century that has frequently been referred to as the century of the self. Ursula Fanning addresses the thorny issue of essentialism potentially involved in underlining links between women’s writing and autobiographical modes, and ultimately rejects it in favor of an argument based on the cultural, linguistic, and literary marginalization of women writers within the Italian context. It is concerned with Italian women writers’ various ways of grappling with constructions of subjectivity throughout the century and sets out to explore them. Fanning reads autobiographical writing as subject to many of the same constraints as fiction and, in doing so, draws attention to the significance of the recurring use of the terms “pure” and “impure” in many critical and theoretical discussions of the autobiographical (where “pure” is used to suggest a truthful representation of a life, while “impure” suggests the messy undertaking of mixing lived experience with fiction). Recurring patterns and paradigms are found in the works of the various writers considered (eighteen in all), and these paradigms are analyzed through close readings of their works. These close readings offer insights into approaches to the constructions of subjectivity in the narratives and are informed by feminist theories. The chapters focus on selves in relationship, taking their lead from the patterns unfolding in the writers’ work, hence the subjects are constructed as daughters (with different views of the self in relation to fathers and mothers), within the confines of the romantic relationship (which involves reconsiderations and rewritings of the romance plot), as maternal subjects, and as writers (with an eye on their relationship to the literary canon, as well as to the relationship with readers). This book argues that there is such a thing as gendered subjectivity and that its constructions may be traced through the texts analyzed.
Author: Graziella Parati
Publisher: U of Minnesota Press
ISBN: 0816626065
Category : Literary Criticism
Languages : en
Pages : 207
Get Book
Book Description
In this important volume, Graziella Parati examines the ways in which Italian women writers articulate their identities through autobiography - a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth century to the present, Parati draws important connections between self-writing and the debate over women's roles, both traditional and transgressive. Parati considers the first prose autobiography written by an Italian woman - Camilla Faa Gonzaga's 1622 memoir - as her beginning point, citing it as a central "pre-text". Parati then examines the autobiographies of Enif Robert, Fausta Cialente, Rita Levi Montalcini, and Luisa Passerini. Through her discussion of these women's writings, she demonstrates the complex negotiations over identity contained within them, negotiations that challenge dichotomies between male and female, maternal and paternal, and private and public. Public History, Private Stories is a compelling exploration of the disparate identities created by these women through the act of writing autobiography.
Author: Fabiana Cecchini
Publisher: Cambridge Scholars Publishing
ISBN: 1443828343
Category : Biography & Autobiography
Languages : en
Pages : 180
Get Book
Book Description
The essays included in this collection examine issues such as identity and ideology which are at play in the female autobiography practice, along with the problematicity that these trigger in terms of self-representation and traditional formal boundaries. The women writers analyzed here through mainly historical, literary, feminist and psychoanalytic lenses cover a long period in the history of Italy, spanning from the Fascist era to our time. In an attempt to organize and connect these texts which are chronologically far apart, we have divided our contributions into two main parts. The first, “Shapes of Ideology,” includes authors interacting primarily with political ideology in a way that eventually entails the challenge of the official “technologies of gender” (De Lauretis, 1987) and implicitly, a reflection on the gendered identity. In the second part, “Reconsidering ideology, negotiating autobiography,” while the political ideology is not completely excluded, it becomes however something more internalized and relevant to the writers’ quest for identity. Such process bears consequences with respect to the canon of autobiography, as authors experiment with new forms of autobiographical narratives and readers become more and more an integral component of this personal endeavor.
Author: Daniela Bini
Publisher: Fairleigh Dickinson University Press
ISBN: 1683932587
Category : Literary Criticism
Languages : en
Pages : 267
Get Book
Book Description
The power exercised by the mother on the son in Mediterranean cultures has been amply studied. Italy is a special case in the Modern Era and the phenomenon of Mammismo italiano is indeed well known. Scholars have traced this obsession with the mother figure to the Catholic cult of the Virgin Mary, but in fact, it is more ancient. What has not been adequately addressed however, is how Mammismo italiano has been manifested in complex ways in various modern artistic forms. Portrait of the Artist and His Mother in Twentieth-Century Italian Culture focuses on case studies of five prominent creative personalities, representing different, sometimes overlapping artistic genres (Luigi Pirandello, Pier Paolo Pasolini, Dino Buzzati, Carlo Levi, Federico Fellini). The author examines how the mother-son relationship not only affected, but actually shaped their work. Although the analysis uses mainly a psychological and psychoanalytical critical approach, the belief of the author, substantiated by historians, anthropologists and sociologists, is that historical and cultural conditions contributed to and reinforced the Italian character. This book concludes with an analysis of some examples of Italian film comedies, such as Fellini's and Monicelli's where mammismo/vitellonismo is treated with a lighter tone and a pointed self irony.
Author: Claire Marrone
Publisher: Praeger
ISBN: 031330727X
Category : Literary Criticism
Languages : en
Pages : 0
Get Book
Book Description
In this study of 19th- and 20th-century French and Italian women's autobiography, the author illustrates how the protagonists' development unfolds through separation from oppressive social and familial structures. Reading the selected life stories as bildungsromane and drawing on an array of both canonical and noncanonical texts in the various autobiographical subgenres, Marrone concludes that the heroines' movements away from oppressive structures are not limited to particular historical periods but are motivated by historical and cultural circumstances. She thoughtfully traces the reasons why a 19th-century protagonist might leave her country, a turn-of-the century heroine might flee her family, and a modern female character might separate from her mother, carefully examining their motivations and their goals. In telling their stories, she concludes, women writers continually challenge existing autobiographical conventions. Marrone finds that postmodern texts prove that the journey toward selfhood may be an ongoing one, one that unfolds through the creation of multiple life stories. The author begins her study with a consideration of the tradition of women's autobiography in French and Italian literature of the 19th- and 20th-centuries. Using several examples from various genres, she brings issues of gender oppression, marital abuse, sexuality, and motherhood to the forefront of the discussion. She continues by analyzing the genres of autobiography and bildungsroman—where they overlap and where they diverge, specifically in women's writing. Turning to specific authors and their works, Marrone moves on to an analysis of the writings of Cristina Trivulzio di Belgiojoso, C^D'eleste Mogador, Sibilla Aleramo, Oriana Fallaci, Marie Cardinal, and Annie Ernaux. In examining the works of these writers, the author concludes that women writers continue to attempt to define themselves in their own voices. Marrone finds that postmodern writers participate in innovative experimentation in life writing: hybrid texts, creative auto/biographies, and collective life stories. This clearly written, engaging volume is a pivotal addition to the growing field of literature on autobiography.
Author: Giorgio Linguaglossa
Publisher: Rowman & Littlefield
ISBN: 1683932706
Category : Literary Criticism
Languages : en
Pages : 119
Get Book
Book Description
In this keen examination of Alfredo de Palchi’s lyrical oeuvre, Giorgio Linguaglossa refers to de Palchi as the missing link in Italian poetry in the second half of the twentieth century. From page one of this study, de Palchi’s voice is in constant dialogue with the Italian poets of his time. Linguaglossa gives us a complete picture of the relationship between de Palchi’s asymptomatic creative paradigm and what was taking place around him. While the majority of de Palchi’s life was spent outside of Italy, he continued to engage with Italy in his poetry, in translating Italian poets into English and for close to fifty years as co-editor, with Sonia Raiziss, of Chelsea magazine, a biannual that published a significant number of translations of twentieth-century Italian poets. Through Chelsea magazine de Palchi also became a conduit, bringing Italian poetry to non-Italian-speaking poetry aficionados in the United States. It is especially his own verse, written outside the geocultural boundaries that we know as Italy, which makes this study by Giorgio Linguaglossa all the more important.
Author: Maria Ornella Marotti
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637715
Category : Feminism and literature
Languages : en
Pages : 268
Get Book
Book Description
This volume is an exploration of the innovative ways in which three generations of women writers in modern Italy have dealt with history - both as narration of events and the events themselves. The essays challenge traditional historiography and foster a rereading of history based on the tenets of feminist historicism. They also claim a central role for fiction in the construction of women's history and in a rereading of Italian history.
Author: Theodora D. Patrona
Publisher: Rowman & Littlefield
ISBN: 1611479959
Category : Literary Criticism
Languages : en
Pages : 209
Get Book
Book Description
This book is a comparative study of six Italian American and Greek American literary works written in the three last decades of the 20th century and examined in pairs. Based on the common theme of the authors' return, either metaphorical or literal to the country of origin and its culture, Return Narratives explores the common motifs of mythology, ritual, and storytelling where the third generation writers resort to in their quest for self-definition. With a common historical and cultural background in the old neighboring countries, Greece and Italy, and a similar reception in the new world facilitating a comparative approach, the ethnic writers of the two literatures, clearly envisage ethnic space as a site of resilience and empowerment.
Author: Raymond Angelo Belliotti
Publisher: Rowman & Littlefield
ISBN: 1683932765
Category : Philosophy
Languages : en
Pages : 274
Get Book
Book Description
Values, Virtues, and Vices, Italian Style illustrates the story of the evolution of Italian values, virtues, and vices is a narrative of longing, exhilaration, and devastation, a journey of the spirit that all human beings necessarily undertake but navigate with varying degrees of success. The lives of Caesar, Dante, Machiavelli, and Garibaldi demonstrate how we can lead staunchly meaningful lives even within an inherently meaningless universe. The ambition of this work is nothing more, nothing less, than entangling, through a careful examination of the values, virtues, and vices of four famous historical figures, a host of overlapping but distinct concepts, such as pride, honor, justification, excuse, repentance, and forgiveness that frame human existence. Belliotti’s objective is that by conducting such an interdisciplinary inquiry we might better position ourselves to craft our characters within the limitations enjoined by our cosmic circumstances. As always, however, we must deliberate, choose, and act under conditions of inescapable uncertainty; assume responsibility for the people we are becoming; and, hopefully, depart the planet with honor and merited pride. Along the way, we might even magnify our link in the generational chain that defines our identity.
Author: Sharon Wood
Publisher: Rowman & Littlefield
ISBN: 168393007X
Category : Literary Criticism
Languages : en
Pages : 312
Get Book
Book Description
Annie Chartres Vivanti: Transnational Politics, Identity, and Culture explores the work of British Italian writer Annie Chartres Vivanti (1866-1942). This volume provides a multidisciplinary approach to the study of Vivanti in order to analyze the diverse and complex writing experiences in which she engaged. Essays examine Vivanti’s work through multiple perspectives, taking into account her politics and her career as journalist, writer, and singer as well as her literary works.
