Author: Carol June Bradley
Publisher: Routledge
ISBN: 1135381208
Category : Music
Languages : en
Pages : 1008
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Index to Poetry in Music
Author: Carol June Bradley
Publisher: Routledge
ISBN: 1135381208
Category : Music
Languages : en
Pages : 1008
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135381208
Category : Music
Languages : en
Pages : 1008
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Basic Music Reference
Author: Alan Green
Publisher: A-R Editions, Inc.
ISBN: 0895797453
Category : Music
Languages : en
Pages : 141
Book Description
Basic Music Reference is a quick-start guide designed to introduce library employees to the basic tools and techniques involved in answering questions related to music. As in every specialist subject area, music has its own terminology, but unlike most, it also has a multitude of formatson paper and other materialsas well as special notation and frequent use of foreign languages in titles and texts. These features make it particularly difficult for library employees to answer users questions and thus a guide such as this one is essential. Not all libraries with a music collection can afford to hire a music reference librarian. Even libraries with such a specialist rely on support staff and student employees to answer questions when the music librarian is not available. Whatever the scenario, this volume will serve as a helpful training tool for library employees to learn about the basic music reference tools, and to develop the techniques of greatest use when answering the most common types of music-related questions
Publisher: A-R Editions, Inc.
ISBN: 0895797453
Category : Music
Languages : en
Pages : 141
Book Description
Basic Music Reference is a quick-start guide designed to introduce library employees to the basic tools and techniques involved in answering questions related to music. As in every specialist subject area, music has its own terminology, but unlike most, it also has a multitude of formatson paper and other materialsas well as special notation and frequent use of foreign languages in titles and texts. These features make it particularly difficult for library employees to answer users questions and thus a guide such as this one is essential. Not all libraries with a music collection can afford to hire a music reference librarian. Even libraries with such a specialist rely on support staff and student employees to answer questions when the music librarian is not available. Whatever the scenario, this volume will serve as a helpful training tool for library employees to learn about the basic music reference tools, and to develop the techniques of greatest use when answering the most common types of music-related questions
The Muse is Music
Author: Meta DuEwa Jones
Publisher: University of Illinois Press
ISBN: 0252036212
Category : Language Arts & Disciplines
Languages : en
Pages : 306
Book Description
This wide-ranging, ambitiously interdisciplinary study traces jazz's influence on African American poetry from the Harlem Renaissance to contemporary spoken word poetry. Examining established poets such as Langston Hughes, Ntozake Shange, and Nathaniel Mackey as well as a generation of up-and-coming contemporary writers and performers, Meta DuEwa Jones highlights the intersections of race, gender, and sexuality within the jazz tradition and its representation in poetry. Applying prosodic analysis to emphasize the musicality of African American poetic performance, she examines the gendered meanings evident in collaborative performances and in the criticism, images, and sounds circulating within jazz cultures. Jones also considers poets who participated in contemporary venues for black writing such as the Dark Room Collective and the Cave Canem Foundation, including Harryette Mullen, Elizabeth Alexander, and Carl Phillips. Incorporating a finely honed discussion of the Black Arts Movement, the poetry-jazz fusion of the late 1950s, and slam and spoken word performance milieus such as Def Poetry Jam, she focuses on jazz and hip hop-influenced performance artists including Tracie Morris, Saul Williams, and Jessica Care Moore. Through attention to cadence, rhythm, and structure, The Muse is Music fills a gap in literary scholarship by attending to issues of gender in jazz and poetry and by analyzing recordings of poets both with and without musical accompaniment. Applying the methodology of textual close reading to a critical "close listening" of American poetry's resonant soundscape, Jones's analyses include exploring the formal innovation and queer performance of Langston Hughes's recorded collaboration with jazz musicians, delineating the relationship between punctuation and performance in the post-soul John Coltrane poem, and closely examining jazz improvisation and hip-hop stylization. An elaborate articulation of the connections between jazz, poetry and spoken word, and gender, The Muse Is Music offers valuable criticism of specific texts and performances and a convincing argument about the shape of jazz and African-American poetic performance in the contemporary era.
Publisher: University of Illinois Press
ISBN: 0252036212
Category : Language Arts & Disciplines
Languages : en
Pages : 306
Book Description
This wide-ranging, ambitiously interdisciplinary study traces jazz's influence on African American poetry from the Harlem Renaissance to contemporary spoken word poetry. Examining established poets such as Langston Hughes, Ntozake Shange, and Nathaniel Mackey as well as a generation of up-and-coming contemporary writers and performers, Meta DuEwa Jones highlights the intersections of race, gender, and sexuality within the jazz tradition and its representation in poetry. Applying prosodic analysis to emphasize the musicality of African American poetic performance, she examines the gendered meanings evident in collaborative performances and in the criticism, images, and sounds circulating within jazz cultures. Jones also considers poets who participated in contemporary venues for black writing such as the Dark Room Collective and the Cave Canem Foundation, including Harryette Mullen, Elizabeth Alexander, and Carl Phillips. Incorporating a finely honed discussion of the Black Arts Movement, the poetry-jazz fusion of the late 1950s, and slam and spoken word performance milieus such as Def Poetry Jam, she focuses on jazz and hip hop-influenced performance artists including Tracie Morris, Saul Williams, and Jessica Care Moore. Through attention to cadence, rhythm, and structure, The Muse is Music fills a gap in literary scholarship by attending to issues of gender in jazz and poetry and by analyzing recordings of poets both with and without musical accompaniment. Applying the methodology of textual close reading to a critical "close listening" of American poetry's resonant soundscape, Jones's analyses include exploring the formal innovation and queer performance of Langston Hughes's recorded collaboration with jazz musicians, delineating the relationship between punctuation and performance in the post-soul John Coltrane poem, and closely examining jazz improvisation and hip-hop stylization. An elaborate articulation of the connections between jazz, poetry and spoken word, and gender, The Muse Is Music offers valuable criticism of specific texts and performances and a convincing argument about the shape of jazz and African-American poetic performance in the contemporary era.
Song Index
Author: Minnie Earl Sears
Publisher:
ISBN:
Category : Songs
Languages : en
Pages : 696
Book Description
Publisher:
ISBN:
Category : Songs
Languages : en
Pages : 696
Book Description
Song Index
Author: Phyllis Crawford
Publisher: New York : H.W. Wilson Company
ISBN:
Category : Songs
Languages : en
Pages : 692
Book Description
Publisher: New York : H.W. Wilson Company
ISBN:
Category : Songs
Languages : en
Pages : 692
Book Description
German Poetry in Song
Author: Lawrence D. Snyder
Publisher: Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 762
Book Description
This book is a practical index of 9,800 Lieder composed after 1770, primarily for one voice and piano. The book centers around the poetry from which composers drew their initial inspirations, rather than around the composers themselves. --book jacket.
Publisher: Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 762
Book Description
This book is a practical index of 9,800 Lieder composed after 1770, primarily for one voice and piano. The book centers around the poetry from which composers drew their initial inspirations, rather than around the composers themselves. --book jacket.
Poetry and Music in Seventeenth-Century England
Author: Diane Kelsey McColley
Publisher: Cambridge University Press
ISBN: 9780521593632
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
An exploration of the relationship between poetry and music in the seventeenth century.
Publisher: Cambridge University Press
ISBN: 9780521593632
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
An exploration of the relationship between poetry and music in the seventeenth century.
Music & Poetry in the Early Tudor Court
Author: John Stevens
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 504
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 504
Book Description
Illustrations of the lyric poetry and music of Scotland
Author: William Stenhouse
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 922
Book Description
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 922
Book Description
A Checklist of Music Bibliographies (in Progress and Unpublished)
Author: Music Library Association. Publications Committee
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 16
Book Description