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Author: Forrest Izard
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 188
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Book Description
"Heroines of the Modern Stage" by Forrest Izard. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Forrest Izard
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 188
Get Book
Book Description
"Heroines of the Modern Stage" by Forrest Izard. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Rina Walthaus
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 282
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Book Description
The essays in this collection focus on early modern women's contributions to theatrical production in Spain and England, as inspirations for characters, as dramatic performers and as playwrights. While the possibilities for Spanish and English women's active engagement with either public or private theatricals were different in many respects, the themes covered by these women dramatists as well as the roles performed by women from the two nations reveal interesting similarities. In spite of decrees that intended to forbid woman's public performance, women conquered the stage in Spain from the late sixteenth century onwards. The unconventional, assertive female, the mujer varonil, became a favourite character in Spanish Golden Age drama. Moreover, women hit the Spanish stage as actresses, in the public theatres as well as in the enclosed ambience of the convent, as leaders of theatre companies and as playwrights. While plays by English writers equally questioned ideas about traditional femininity, staging strong and assertive women who reject submission as well as silent domesticity, women's active role in the English public theatre could only begin after the Restoration in 1660. However, English women found alternative ways of manifesting themselves as actresses or dramatists through household theatricals and through the genre of closet drama. As a comparative study this volume shows how on both Golden Age stages theatrical activity was bound up with gender subversion. The volume contains contributions by María del Carmen Alarcón Román, Marguérite Corporaal, Alison Findlay, José Manuel González Fernández, María J. Pando Canteli, Maite Pascual Bonis, Barbara Ravelhofer, Rina Walthaus, Helen Wilcox, Amy R. Williamsen and Marion Wynne-Davies.
Author: Forrest Izard
Publisher:
ISBN:
Category : Actresses
Languages : en
Pages : 0
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Book Description
Author: Forrest Izard
Publisher: Palala Press
ISBN: 9781356298372
Category :
Languages : en
Pages : 430
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Grace Barnes
Publisher: McFarland
ISBN: 0786498617
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
Audiences for musical theater are predominantly women, yet shows are frequently created and produced by men. Onstage, female characters are depicted as victims or sex objects and lack the complexity of their male counterparts. Offstage, women are under-represented among writers, directors, composers and choreographers. While other areas of the arts rally behind gender equality, musical theater demonstrates a disregard for women and an authentic female voice. If musical theater reflects prevailing societal attitudes, what does the modern musical tell us about the place of women in contemporary America, the UK and Australia? Are women deliberately kept out of musical theater by men jealously guarding their territory or is the absence of women a result of the modernization of the genre? Based on interviews with successful female performers, writers, directors, choreographers and executives, this book offers a unique female viewpoint on musical theater today.
Author: Paul Fryer
Publisher: McFarland
ISBN: 147660102X
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
This collection of new essays explores the role played by women practitioners in the arts during the period often referred to as the Belle Epoque, a turn of the century period in which the modern media (audio and film recording, broadcasting, etc.) began to become a reality. Exploring the careers and creative lives of both the famous (Sarah Bernhardt) and the less so (Pauline Townsend) across a remarkable range of artistic activity from composition through oratory to fine art and film directing, these essays attempt to reveal, in some cases for the first time, women's true impact on the arts at the turn of the 19th century.
Author: Siyuan Liu
Publisher: Routledge
ISBN: 1317278852
Category : Performing Arts
Languages : en
Pages : 875
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Book Description
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
Author: Tanya Pollard
Publisher: Oxford University Press
ISBN: 0192511602
Category : Literary Collections
Languages : en
Pages : 320
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Book Description
Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
Author: M. A. Katritzky
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754650843
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Drawing on a comprehensive range of early modern British, German and other European images and texts, this study offers the first interdisciplinary gendered assessment of early modern performing itinerant quacks. The contribution of women is taken as the focus for an investigation of the nature of the links between the theatrical and the medical, in the activities of quack troupes as they went about curing, selling and, above all, performing.
Author: Gail Marshall
Publisher: Cambridge University Press
ISBN: 9780521620161
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.
