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Author: Mark Alznauer
Publisher: State University of New York Press
ISBN: 1438483384
Category : Philosophy
Languages : en
Pages : 361
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Book Description
No philosopher has treated the subject of tragedy and comedy in as original and searching a manner as G. W. F. Hegel. His concern with these genres runs throughout both his early and late works and extends from aesthetic issues to questions in the history of society and religion. Hegel on Tragedy and Comedy is the first book to explore the full extent of Hegel's interest in tragedy and comedy. The contributors analyze his treatment of both ancient and modern drama, including major essays on Sophocles, Aristophanes, Shakespeare, Goethe, and the German comedic tradition, and examine the relation of these genres to political, religious, and philosophical issues. In addition, the volume includes several essays on the role tragedy and comedy play in Hegel's philosophy of history. This book will not only be valuable to those who wish for a general overview of Hegel's treatment of tragedy and comedy but also to those who want to understand how his treatment of these genres is connected to the rest of his thought.
Author: Mark Alznauer
Publisher: State University of New York Press
ISBN: 1438483384
Category : Philosophy
Languages : en
Pages : 361
Get Book
Book Description
No philosopher has treated the subject of tragedy and comedy in as original and searching a manner as G. W. F. Hegel. His concern with these genres runs throughout both his early and late works and extends from aesthetic issues to questions in the history of society and religion. Hegel on Tragedy and Comedy is the first book to explore the full extent of Hegel's interest in tragedy and comedy. The contributors analyze his treatment of both ancient and modern drama, including major essays on Sophocles, Aristophanes, Shakespeare, Goethe, and the German comedic tradition, and examine the relation of these genres to political, religious, and philosophical issues. In addition, the volume includes several essays on the role tragedy and comedy play in Hegel's philosophy of history. This book will not only be valuable to those who wish for a general overview of Hegel's treatment of tragedy and comedy but also to those who want to understand how his treatment of these genres is connected to the rest of his thought.
Author: Mark William Roche
Publisher: SUNY Press
ISBN: 9780791435465
Category : Philosophy
Languages : en
Pages : 476
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Book Description
The first evaluation and critique of Hegel's theory of tragedy and comedy, this book also develops an original theory of both genres.
Author: Will D. Desmond
Publisher: Oxford University Press
ISBN: 0192575732
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
Hegel's Antiquity aims to summarize, contextualize, and criticize Hegel's understanding and treatment of major aspects of the classical world, approaching each of the major areas of his historical thinking in turn: politics, art, religion, philosophy, and history itself. The discussion excerpts relevant details from a range of Hegel's works, with an eye both to the ancient sources with which he worked, and the contemporary theories (German aesthetic theory, Romanticism, Kantianism, Idealism (including Hegel's own), and emerging historicism) which coloured his readings. What emerges is that Hegel's interest in both Greek and Roman antiquity was profound and is essential for his philosophy, arguably providing the most important components of his vision of world-history: Hegel is generally understood as a thinker of modernity (in various senses), but his modernity can only be understood in essential relation to its predecessors and 'others', notably the Greek world and Roman world whose essential 'spirit' he assimilates to his own notion of Geist.
Author: Lydia Amir
Publisher: Springer Nature
ISBN: 3030326713
Category : Philosophy
Languages : en
Pages : 314
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Book Description
This book presents an original worldview, Homo risibilis, wherein self-referential humor is proposed as the path leading from a tragic view of life to a liberating embrace of human ridicule. Humor is presented as a conceptual tool for holding together contradictions and managing the unresolvable conflict of the human condition till Homo risibilis resolves the inherent tension without epistemological cost. This original approach to the human condition allows us to effectively address life’s ambiguities without losing sight of its tragic overtones and brings along far-ranging personal and social benefits. By defining the problem that other philosophies and many religions attempt to solve in terms we can all relate to, Homo risibilis enables an understanding of the Other that surpasses mere tolerance. Its egalitarian vision roots an ethic of compassion without requiring metaphysical or religious assumptions and liberates the individual for action on others’ behalf. It offers a new model of rationality which effectively handles and eventually resolves the tension between oneself, others, and the world at large. Amir’s view of the human condition transcends the field of philosophy of humor. An original worldview that fits the requirements of traditional philosophy, Homo risibilis is especially apt to answer contemporary concerns. It embodies the minimal consensus we need in order to live together and the active role philosophy should responsibly play in a global world. Here developed for the first time in a complete way, the Homo risibilis worldview is not only liberating in nature, but also illuminates the shortcomings of other philosophies in their attempts to secure harmony in a disharmonious world for a disharmonious human being.
Author: Peter Wake
Publisher: Indiana University Press
ISBN: 0253012619
Category : Religion
Languages : en
Pages : 272
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Book Description
“Wake argues, the young Hegel experimented with using tragedy as a diagnostic tool to explain the rise and fall of religions and even history itself.” —Hegel Bulletin Tragedy plays a central role in Hegel’s early writings on theology and politics. Hegel’s overarching aim in these texts is to determine the kind of mythology that would best complement religious and political freedom in modernity. Peter Wake claims that, for Hegel at this early stage, ancient Greek tragedy provided the model for such a mythology and suggested a way to oppose the rigid hierarchies and authoritarianism that characterized Europe of his day. Wake follows Hegel as he develops his idea of the essence of Christianity and its relation to the distinctly tragic expression of beauty found in Greek mythology. “Elegant. Combines the virtues of close reading of extraordinary subtlety with a wide-angle scope not only to Hegel’s work as a whole, but also to the enduring value of the early work.” —Cyril J. O’Regan, University of Notre Dame “Wake’s book is provocative and helpful because it sharpens appreciation of the complexity of the material in the ETW; it brings into focus tensions and contradictions in the texts. It contributes to the recognition of the subtlety and enduring importance of this early work.” —Notre Dame Philosophical Reviews
Author: Greg A. Graham
Publisher: Routledge
ISBN: 131544450X
Category : Political Science
Languages : en
Pages : 150
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Book Description
A ground-breaking work in Africana political thought that links the plight of progressive political endeavors in Africa with those in the Diaspora and beyond, Democratic Tragedy in the Postcolony engages with two of the defining political sagas of the postcolonial era. The book presents Michael Manley of Jamaica and Nelson Mandela of South Africa as tragic political leaders at the helm of popular democratic projects that run aground in the face of the constraints that a subordinate position in the global economy presents for such endeavors. Jamaica’s experiment with democratic socialism as an alternative path to development at the height of the cold war is considered alongside post-Apartheid South Africa’s search for a development model consistent with the demand for civic empowerment and equitable distribution of social goods in the aftermath of Apartheid. Democratic Political Tragedy in the Postcolony theorizes the defining tragic impasse and the telling vacillations by which the postcolonies in question are brought to the neoliberal catastrophes that currently prevail.
Author: Brian Larsen
Publisher: Bloomsbury Publishing
ISBN: 056767648X
Category : Religion
Languages : en
Pages : 232
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Book Description
Employing Northrop Frye's system of archetypal literary criticism - the use of romance, tragedy, irony and satire, and comedy - Brian Larsen offers a compelling summary of the essential governing framework and means of exchange between literature and theology. Characters in the Fourth Gospel are examined through a specific archetype, and, reciprocally, these characters illuminate and inform important theological aspects of their respective archetypes: Jesus and romance (hero story); Pilate and tragedy; the Jews and Thomas and irony; and Peter and comedy. This volume further clarifies the understanding of Frye's archetypesand identifies the key variable between each one: the relationship between (1) a belief or ideal and (2) experience or reality. Helping to advance dialogue between literature, biblical studies and theology, and providing insightful readings for a number of Fourth Gospel characters and texts, Larsen's examination will appeal to those seeking a new perspective on the themes of the New Testament or those seeking theological insights into literature.
Author: Jamila M. H. Mascat
Publisher: Springer Nature
ISBN: 3030277429
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
What is the object of comedy? What makes us laugh and why? Is comedy subversive, restorative or reparative? What is at stake politically, socially and metaphysically when it comes to comedic performances? This book investigates not only the object of comedy but also its objectives – both its deliberate goals and its unintended side effects. In researching the object of comedy, the contributions gathered here encounter comedy as a philosophical object: instead of approaching comedy as a genre, the book engages with it as a language, a medium, an artifice, a weapon, a puzzle or a trouble, a vocation and a repetition. Thus philosophy meets comedy at the intersection of various fields (e.g. psychoanalysis, film studies, cultural studies, and performance studies) –regions that comical practices and theories in fact already traverse.
Author: Martin Harries
Publisher: Stanford University Press
ISBN: 9780804736213
Category : Philosophy
Languages : en
Pages : 236
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Book Description
This book argues that moments of allusion to the supernatural in Shakespeare are occasions where Karl Marx and John Maynard Keynes register the perseverance of haunted structures in modern culture. This "reenchantment," at the heart of modernity and of literary and political works central to our understanding of modernity, is the focus of this book. The author shows that allusion to supernatural moments in Shakespeare ("scare quotes") allows writers to both acknowledge and distance themselves from the supernatural phenomena that challenge their disenchanted understanding of the social world. He also uses these modern appropriations of Shakespeare as provocations to reread some of his works, notably Hamlet and Macbeth. Two pairs of linked chapters form the center of the book. One pair joins a reading of Marx, concentrating on The Eighteenth Brumaire, to Hamlet; the other links a reading of Keynes, focusing on The Economic Consequences of the Peace, to Macbeth. The chapters on Marx and Keynes trace some of the strange circuits of supernatural rhetoric in their work, Marx's use of ghosts and Keynes's fascination with witchcraft. The sequence linking Marx to Hamlet, for example, has as its anchor the Frankfurt School's concept of the phantasmagoria, the notion that it is in the most archaic that one encounters the figure of the new. Looking closely at Marx's association of the Ghost in Hamlet with the coming revolution in turn illuminates Hamlet's association of the Ghost with the supernatural beings many believed haunted mines. An opening chapter discusses Henry Dircks, a nineteenth-century English inventor who developedand then lost his claim toa phantasmagoria or machine to project ghosts on stage. Dircks resorted to magical rhetoric in response to his loss, which is emblematic for the book as a whole, charting ways the scare quote can, paradoxically, continue the work of enlightenment.
Author: Patrick Downey
Publisher: Lexington Books
ISBN: 9780739101162
Category : Literary Criticism
Languages : en
Pages : 510
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Book Description
The question of how seriously to take literature has vexed philosophers throughout the centuries. Are the stories we write merely noble lies told to hold society together? A means of comic detachment from a tragic world? Mimicry of transcendent truths? Potent acts of self-realization? From the Socratics to the Romantics, all of these opinions and more have been offered. In a pop-culture age in which we live out of the stories we tell, our culture needs a clear answer. In this masterful overview of the Western literary tradition, Patrick Downey traces how seriously philosophers and writers across the centuries, from Plato to Kierkegaard, have taken humanity’s attempts at self-authorship in tragedy and comedy. These attempts, Downey argues, only find resolution in history’s most significant work of literature: the Bible. Setting all other literature in its right place, the Bible and the gospel it proclaims take us beyond literature to the true story of reality, providing what the philosophers and poets have sought for all along: a serious comedy.
