Author: George Melnyk
Publisher: University of Alberta
ISBN: 0888645287
Category : Performing Arts
Languages : en
Pages : 488
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Book Description
Great Canadian Film Directors is the first major study that reflects the cultural and linguistic diversity of Canada’s most dynamic film directors. The 19 essays in this collection focus on each filmmaker’s ability to create a vision that both reveals and redefines our national cultures. Together, these essays, by established and emerging scholars, highlight the diversity, imaginative power, and talent of Canadian filmmakers. This collection’s value is in its contemporary analysis of major figures as well as critical discussions of the work of women directors and young filmmakers. Filmographies and selected bibliographies for each director provide film students and the movie-going public with an unrivalled study of a cinema that now garners world attention.
Author: George Melnyk
Publisher: University of Alberta
ISBN: 0888644795
Category : History
Languages : en
Pages : 489
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Book Description
Film directors articulate creative visions that provide insights into national cultures. 18 essays highlight Canada's prominent Anglophone and Francophone filmmakers.
Author: George Melnyk
Publisher: Athabasca University Press
ISBN: 1927356598
Category : Social Science
Languages : en
Pages : 319
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Book Description
Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls “the nationalist-realist project,” a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as economic and technological centers. No longer primarily defined through the lens of rural nostalgia, Canadian urban identity is instead polyphonic, diverse, constructed through multiple discourses and mediums, an exchange rather than a strict orientation. Taking on the urban as setting and subject, filmmakers are ideally poised to create and reflect multiple versions of a single city. Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Drawing on film and urban studies and building upon issues of identity formation in Canadian studies, Melnyk considers how filmmakers, films, and urban audiences experience, represent, and interpret urban spatiality, visuality, and orality. In this way, Film and the City argues that Canadian narrative film of the postmodern period has aided in articulating a new national identity.
Author: Brenda Austin-Smith
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554582717
Category : Performing Arts
Languages : en
Pages : 445
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Book Description
This book is the first major study of Canadian women filmmakers since the groundbreaking Gendering the Nation (1999). The Gendered Screen updates the subject with discussions of important filmmakers such as Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, Léa Pool, and Patricia Rozema, whose careers have produced major bodies of work. It also introduces critical studies of newer filmmakers such as Andrea Dorfman and Sylvia Hamilton and new media video artists. Feminist scholars are re-examining the ways in which authorship, nationality, and gender interconnect. Contributors to this volume emphasize a diverse feminist study of film that is open, inclusive, and self-critical. Issues of hybridity and transnationality as well as race and sexual orientation challenge older forms of discourse on national cinema. Essays address the transnational filmmaker, the queer filmmaker, the feminist filmmaker, the documentarist, and the video artist—just some of the diverse identities of Canadian women filmmakers working in both commercial and art cinema today.
Author: Randy Ray
Publisher: Dundurn
ISBN: 1459725492
Category : Games & Activities
Languages : en
Pages : 332
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Book Description
Who were Canada's ten most romantic couples of the twentieth century? What were this country's worst disasters, its ten best beers, and its most controversial works of art in the past one hundred years? Where will you find the most haunted places in Canada and who are Canada's greatest heroes, its most accomplished athletes, and its most despised criminals? The Great Canadian Book of Lists chronicles a century of achievements, trends, important and influential people, and fascinating events that have shaped this country as it heads into a new millennium. Award-winning writers Mark Kearney and Randy Ray, who have delighted readers with their bestselling books The Great Canadian Trivia Book and The Great Canadian Trivia Book 2, turn the spotlight on the twentieth century to determine the best, worst, and most significant happenings in our lives. Not content with supplying a shopping list of items about Canada, Kearney and Ray provide plenty of details to support why certain people and events are included on the lists. And their statistical snapshots comparing a variety of societal trends over different years show readers how Canada has changed in the course of the past century. You'll also learn how experts from the worlds of science, sports, lifestyle, literature, and politics rate the personalities and events that have made Canada what it is today. And several guest celebrities weigh in with lists they've created exclusively for The Great Canadian Book of Lists. Enlightening, controversial and fun, The Great Canadian Book of Lists is bound to start as many arguments as it settles. Was Guy Lafleur a better hockey player than Rocket Richard? Why are rower Silken Laumann and actress Margot Kidder on the same list? What were the best Canadian novels of the twentieth century? And what are some key milestones achieved by Canadian women, medical doctors, inventors, and musicians? Innovations and flops, successes and failures, comebacks and breakthroughs, record setters and trend setters: You'll find them all in The Great Canadian Book of Lists.
Author: George Melnyk
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554584337
Category : Performing Arts
Languages : en
Pages : 150
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Book Description
The Young, the Restless, and the Dead captures the spirit of Canadian filmmakers through interviews with the most accomplished and dynamic of yesterday’s, today’s, and tomorrow’s film greats. Funny, provocative, and enlightening, the filmmakers reflect on their careers and explore with the interviewers the issues that challenge them. This book features an interview with a late director (Jean-Claude Lauzon) whose work is recognized in the canon as outstanding; interviews with filmmakers who are accomplished in their fields and have to their credit a sizeable body of work (Blake Corbet, Andrew Currie, Brent Carlson, Guy Maddin, Lynne Stopkewich, Anne Wheeler, Gary Burns, and Mina Shum); and an interview with a young director new to the field (Michael Dowse). Together these players in the Canadian film scene capture the energy, success, and tribulations of a fascinating cultural industry. The Young, the Restless, and the Dead is the first volume in a series of interviews with key cultural creators in the field of cinema. It seeks to bring to a wide audience the insights and emotions, the trials and achievements of significant figures in Canadian film. George Melnyk talks about The Young, the Restless, and the Dead with Eric Volmers of the Calgary Herald. Read the interview online.
Author: Eugene P. Walz
Publisher: Rodopi
ISBN: 9789042012097
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Long recognized for outstanding National Film Board documentaries and innovative animated movies, Canada has recently emerged from the considerable shadow of the Hollywood elephant with a series of feature films that have captured the attention of audiences around the world. This is the first anthology to focus on Canada's feature films - those acknowledged as its very best. With essays by senior academics and leading scholars from across the country as well as some fresh new voices, Canada's Best Features offers penetrating analyses of fifteen award-winning films. Internationally acclaimed directors David Cronenberg, Atom Egoyan, Denys Arcand, and Claude Jutra are represented here. Noteworthy films include Mon oncle Antoine, often cited as Canada's number one film of all time, such Cannes Festival favourites as Le déclin de l'empire américain and Exotica, and cult films Careful by Guy Maddin and Masala by Srinivas Krishna. The essays offer the latest word on these films and filmmakers, done from a variety of perspectives. Some of the films have never been examined in-depth before. Complete filmographies and bibliographies accompany each essay. A contextualizing introduction by Professor Gene Walz provides the necessary overview. An annotated bibliography of books on the Canadian film industry completes this impressive package.
Author: George Melnyk
Publisher: University of Toronto Press
ISBN: 9780802084446
Category : Performing Arts
Languages : en
Pages : 378
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Book Description
Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
Author: John Hofsess
Publisher:
ISBN: 9780070821903
Category : Motion picture producers and directors
Languages : en
Pages : 171
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Book Description
Author: Jim Leach
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773567917
Category : Performing Arts
Languages : en
Pages : 319
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Book Description
Through close readings of Jutra's major films, Jim Leach analyses their distinctive cinematic qualities and discusses the responses they have received from reviewers and critics. He focuses both on the films and the historical and cultural contexts in which they were made, arguing that critics have frequently used inappropriate criteria to judge them and that these misunderstandings reveal much about attitudes to Canadian cinema in general. Jutra's films are shown to reflect the instability of their cinematic and cultural contexts and raise important questions about nationhood. Jutra always identified himself as a separatist and his films were shaped by the rapid changes in Quebec society during the Quiet Revolution and by the political tensions of the sixties and seventies. At the same time his work was often appreciated by English Canadian critics and audiences and was affected by federal film policy and institutions. Although Jutra died in 1986, his films and career still have much to tell us about Canadian cinema and media production, and about the complex cultural contexts that underlie the ongoing debates on Canadian and Quebec nationhood.
