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Author: Chris Bourke
Publisher: Auckland University Press
ISBN: 1775589471
Category : Music
Languages : en
Pages : 308
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Book Description
They left their Southern Lands, They sailed across the sea; They fought the Hun, they fought the Turk For truth and liberty. Now Anzac Day has come to stay, And bring us sacred joy; Though wooden crosses be swept away – We'll never forget our boys. – Jane Morison, ‘We'll never forget our boys', 1917 Be it ‘Tipperary' or ‘Pokarekare', the morning reveille or the bugle's last post, concert parties at the front or patriotic songs at home, music was central to New Zealand's experience of the First World War. In Good-Bye Maoriland, the acclaimed author of Blue Smoke: The Lost Dawn of New Zealand Popular Music introduces us the songs and sounds of World War I in order to take us deep inside the human experience of war.
Author: Chris Bourke
Publisher: Auckland University Press
ISBN: 1775589471
Category : Music
Languages : en
Pages : 308
Get Book
Book Description
They left their Southern Lands, They sailed across the sea; They fought the Hun, they fought the Turk For truth and liberty. Now Anzac Day has come to stay, And bring us sacred joy; Though wooden crosses be swept away – We'll never forget our boys. – Jane Morison, ‘We'll never forget our boys', 1917 Be it ‘Tipperary' or ‘Pokarekare', the morning reveille or the bugle's last post, concert parties at the front or patriotic songs at home, music was central to New Zealand's experience of the First World War. In Good-Bye Maoriland, the acclaimed author of Blue Smoke: The Lost Dawn of New Zealand Popular Music introduces us the songs and sounds of World War I in order to take us deep inside the human experience of war.
Author: Chris Bourke
Publisher:
ISBN: 9781869408718
Category : Music
Languages : en
Pages : 0
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Book Description
They left their Southern Lands,They sailed across the sea;They fought the Hun, they fought the TurkFor truth and liberty.Now Anzac Day has come to stay,And bring us sacred joyThough wooden crosses be swept away -We'll never forget our boys.- Jane Morison, `We'll never forget our boys', 1917Be it `Tipperary' or `Pokarekare', the morning reveille or the bugle's last post, concert parties at the front or patriotic songs at home, music was central to New Zealand's experience of the First World War. In Good-Bye Maoriland, the acclaimed author of Blue Smoke: The Lost Dawn of New Zealand Popular Music introduces us the songs and sounds of World War I in order to take us deep inside the human experience of war.
Author: Santanu Das
Publisher: Routledge
ISBN: 1351622730
Category : History
Languages : en
Pages : 290
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Book Description
This volume gathers an international cast of scholars to examine the unprecedented range of colonial encounters during the First World War. More than four million men of color, and an even greater number of white Europeans and Americans, crisscrossed the globe. Others, in occupied areas, behind the warzone or in neutral countries, were nonetheless swept into the maelstrom. From local encounters in New Zealand, Britain and East Africa to army camps and hospitals in France and Mesopotamia, from cafes and clubs in Salonika and London, to anticolonial networks in Germany, the USA and the Dutch East Indies, this volume examines the actions and experiences of a varied company of soldiers, medics, writers, photographers, and revolutionaries to reconceptualize this conflict as a turning point in the history of global encounters. How did people interact across uneven intersections of nationality, race, gender, class, religion and language? How did encounters – direct and mediated, forced and unforced – shape issues from cross-racial intimacy and identity formation to anti-colonial networks, civil rights movements and visions of a post-war future? The twelve chapters delve into spaces and processes of encounter to explore how the conjoined realities of war, race and empire were experienced, recorded and instrumentalized.
Author: Annie Robina Butler
Publisher:
ISBN:
Category : Māori (New Zealand people)
Languages : en
Pages : 288
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Book Description
Author: John Mullen
Publisher: Routledge
ISBN: 1351068660
Category : Music
Languages : en
Pages : 260
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Book Description
What did popular song mean to people across the world during the First World War? For the first time, song repertoires and musical industries from countries on both sides in the Great War as well as from neutral countries are analysed in one exciting volume. Experts from around the world, and with very different approaches, bring to life the entertainment of a century ago, to show the role it played in the lives of our ancestors. The reader will meet the penniless lyricist, the theatre chain owner, the cross-dressing singer, fado composer, stage Scotsman or rhyming soldier, whether they come from Serbia, Britain, the USA, Germany, France, Portugal or elsewhere, in this fascinating exploration of showbiz before the generalization of the gramophone. Singing was a vector for patriotic support for the war, and sometimes for anti-war activism, but it was much more than that, and expressed and constructed debates, anxieties, social identities and changes in gender roles. This work, accompanied by many links to online recordings, will allow the reader to glimpse the complex role of popular song in people’s lives in a period of total war.
Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 396
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Book Description
Author: Hamilton Grieve
Publisher:
ISBN:
Category : Maori (New Zealand people)
Languages : en
Pages : 168
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Book Description
"For five years the author lived in a remote part of the 'Far North' of New Zealand, running a native school ... The daily life, the unexpected adventures and excitements are all vividly recorded."--Jacket.
Author: Henry Lawson
Publisher: Sydney University Press
ISBN: 1743320094
Category : Fiction
Languages : en
Pages : 451
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Book Description
Fifty-two of Henry Lawson's stories and sketches that he had first published in newspapers and magazines from 1888 onwards were gathered in his collection While the Billy Boils (Angus & Robertson, 1896). Lawson was not responsible for their ordering and he had to give ground on their texts, especially on his idiosyncratic presentation of wordings that helped to breathe life into his characters and situations. The present edition dismantles the fait accompli of 1896 by presenting the individual items in the chronological order of their first publication and with their original newspaper texts. This will allow a new appreciation of Lawson's writing, one that is attentive to his developing powers. The edition also facilitates a close study of Lawson's collaboration with the producers of the collection in 1896, in particular with his copy-editor Arthur W. Jose and publisher George Robertson. Facsimile images (available online) of the printer's copy that they prepared for While the Billy Boils supplement the edition's listing of the alterations that each of them made, revealing the textual history of each story or sketch.
Author: Mervyn McLean
Publisher: Auckland University Press
ISBN: 1775582264
Category : Music
Languages : en
Pages : 620
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Book Description
This classic study of indigenous Polynesian music, conducted in the 1960s, includes a survey of traditional songs in different styles that embody the fundamental values of Maori culture in New Zealand. Musical transcriptions, Maori texts, English translations, and extensive notes on more than 50 traditional Maori songs are included. Common ceremonial songs are represented, including elaborate laments, love songs, war chants, songs of welcome, and witty occasional songs.
Author: Sandy Callister
Publisher: Auckland University Press
ISBN: 1869406451
Category : Photography
Languages : en
Pages : 321
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Book Description
By the time the First World War broke out in 1914, photography had become affordable and popular. Many of the 100,000 New Zealanders who went overseas to fight carried cameras with them, determined to capture their part in the 'great adventure'. And soldiers were not the only ones to take photographs: cameras were also used by officials, journalists and medical staff. The Face of War is the first book to examine the photographs, many previously unknown, of New Zealand's First World War experience, tracing a sometimes shocking, often moving visual history through soldiers' snapshots, keepsake portraits, battlefield panoramas, photographic medical records and rolls of honour. Sandy Callister discusses how photography was used to capture and narrate, memorialise and observe, romanticise and bear witness to the experiences of New Zealanders at home and overseas. Her study is the first to argue for the importance of New Zealand photography to the history of war, but also examines in depth the contradictions of this photography: as a site of remembrance and forgetting, of nation and sacrifice, of mourning and mythology, of subjectivity and identity. Both authoritative and insightful, The Face of War superbly illuminates an often overlooked aspect of New Zealand's First World War history.
