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Author: Reina Lewis
Publisher: Routledge
ISBN: 1136164758
Category : Social Science
Languages : en
Pages : 332
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Book Description
In contrast to most cultural histories of imperialism, which analyse Orientalist images of rather than by women, Gendering Orientalism focuses on the contributions of women themselves. Drawing on the little-known work of Henriette Browne, other `lost' women Orientlist artists and the literary works of George Eliot, Reina Lewis challenges masculinist assumptions relating to the stability and homogeneity of the Orientalist gaze. Gendering Orientalism argues that women did not have a straightforward access to an implicitly nale position of western superiority, Their relationship to the shifting terms of race, nation and gender produced positions from which women writers and artists could articulate alternative representations of racial difference. It is this different, and often less degrading, gaze on the Orientalized `Other' that is analysed in this book. By revealing the extent of women's involvement in the popular field of visual Orientalism and highlighting the presence of Orientalist themes in the work of Browne, Eliot and Charlotte Bronte, reina Lewis uncovers women's roles in imperial culture and discourse. Gendering Orientalism will appeal to students, lecturers and researchers in cultural studies, literature, art history, women's studies and anthropology.
Author: Reina Lewis
Publisher: Routledge
ISBN: 1136164758
Category : Social Science
Languages : en
Pages : 332
Get Book
Book Description
In contrast to most cultural histories of imperialism, which analyse Orientalist images of rather than by women, Gendering Orientalism focuses on the contributions of women themselves. Drawing on the little-known work of Henriette Browne, other `lost' women Orientlist artists and the literary works of George Eliot, Reina Lewis challenges masculinist assumptions relating to the stability and homogeneity of the Orientalist gaze. Gendering Orientalism argues that women did not have a straightforward access to an implicitly nale position of western superiority, Their relationship to the shifting terms of race, nation and gender produced positions from which women writers and artists could articulate alternative representations of racial difference. It is this different, and often less degrading, gaze on the Orientalized `Other' that is analysed in this book. By revealing the extent of women's involvement in the popular field of visual Orientalism and highlighting the presence of Orientalist themes in the work of Browne, Eliot and Charlotte Bronte, reina Lewis uncovers women's roles in imperial culture and discourse. Gendering Orientalism will appeal to students, lecturers and researchers in cultural studies, literature, art history, women's studies and anthropology.
Author: Reina Lewis
Publisher: Routledge
ISBN: 1136164677
Category : Social Science
Languages : en
Pages : 321
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Book Description
In contrast to most cultural histories of imperialism, which analyse Orientalist images of rather than by women, Gendering Orientalism focuses on the contributions of women themselves. Drawing on the little-known work of Henriette Browne, other `lost' women Orientlist artists and the literary works of George Eliot, Reina Lewis challenges masculinist assumptions relating to the stability and homogeneity of the Orientalist gaze. Gendering Orientalism argues that women did not have a straightforward access to an implicitly nale position of western superiority, Their relationship to the shifting terms of race, nation and gender produced positions from which women writers and artists could articulate alternative representations of racial difference. It is this different, and often less degrading, gaze on the Orientalized `Other' that is analysed in this book. By revealing the extent of women's involvement in the popular field of visual Orientalism and highlighting the presence of Orientalist themes in the work of Browne, Eliot and Charlotte Bronte, reina Lewis uncovers women's roles in imperial culture and discourse. Gendering Orientalism will appeal to students, lecturers and researchers in cultural studies, literature, art history, women's studies and anthropology.
Author: Reina Lewis
Publisher: Psychology Press
ISBN: 9780415124904
Category : Art
Languages : en
Pages : 332
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Book Description
To what extent did white European women contribute to the imperial cultures of the second half of the nineteenth century?
Author: Maryam Khalid
Publisher: Taylor & Francis
ISBN: 1315514044
Category : Political Science
Languages : en
Pages : 176
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Book Description
This book offers an accessible and timely analysis of the ‘War on Terror’, based on an innovative approach to a broad range of theoretical and empirical research. It uses ‘gendered orientalism’ as a lens through which to read the relationship between the George W. Bush administration, gendered and racialized military intervention, and global politics. Khalid argues that legitimacy, power, and authority in global politics, and the ‘War on Terror’ specifically, are discursively constructed through representations that are gendered and racialized, and often orientalist. Looking at the ways in which ‘official’ US ‘War on Terror’ discourse enabled military intervention into Afghanistan and Iraq, the book takes a postcolonial feminist approach to broaden the scope of critical analyses of the ‘War on Terror’ and reflect on the gendered and racial underpinnings of key relations of power within contemporary global politics. This book is a unique, innovative and significant analysis of the operation of race, orientalism, and gender in global politics, and the ‘War on Terror’ specifically. It will be of great interest to scholars and graduates interested in gender politics, development, humanitarian intervention, international (global) relations, Middle East politics, security, and US foreign policy.
Author: Reina Lewis
Publisher: Bloomsbury Publishing
ISBN: 0857716344
Category : Political Science
Languages : en
Pages : 314
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Book Description
The oppressed yet highly sexualized woman of the Muslim harem is arguably the pivotal figure of Western orientalism. Yet, as Reina Lewis demonstrates, while orientalist thinking had recently been challenged, Western understandings of Middle Eastern culture remain limited. This book presents alternative dialogues between Ottoman and Western women. Lewis examines, from the position of cultural theory, the published autobiographical accounts about segregated life of self-identified "Oriental" women Demetra Vaka Brown, Halide Edib, Zeyneb Hanum, Melek Hanum and Grace Ellison. Bringing her subjects vividly to life, Lewis uses these texts to challenge the Western orientalist stereotypes that have become commonplace within postcolonial theory.
Author: Geoffrey P. Nash
Publisher: Cambridge University Press
ISBN: 1108585566
Category : Literary Criticism
Languages : en
Pages : 670
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Book Description
Orientalism and Literature discusses a key critical concept in literary studies and how it assists our reading of literature. It reviews the concept's evolution: how it has been explored, imagined and narrated in literature. Part I considers Orientalism's origins and its geographical and multidisciplinary scope, then considers the major genres and trends Orientalism inspired in the literary-critical field such as the eighteenth-century Oriental tale, reading the Bible, and Victorian Oriental fiction. Part II recaptures specific aspects of Edward Said's Orientalism: the multidisciplinary contexts and scholarly discussions it has inspired (such as colonial discourse, race, resistance, feminism and travel writing). Part III deliberates upon recent and possible future applications of Orientalism, probing its currency and effectiveness in the twenty-first century, the role it has played and continues to play in the operation of power, and how in new forms, neo-Orientalism and Islamophobia, it feeds into various genres, from migrant writing to journalism.
Author: Lynne M. Swarts
Publisher: Bloomsbury Publishing USA
ISBN: 1501336150
Category : Art
Languages : en
Pages : 401
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Book Description
Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius.
Author: Joseph A. Boone
Publisher: Columbia University Press
ISBN: 0231521820
Category : Literary Criticism
Languages : en
Pages : 537
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Book Description
One of the largely untold stories of Orientalism is the degree to which the Middle East has been associated with "deviant" male homosexuality by scores of Western travelers, historians, writers, and artists for well over four hundred years. And this story stands to shatter our preconceptions of Orientalism. To illuminate why and how the Islamicate world became the locus for such fantasies and desires, Boone deploys a supple mode of analysis that reveals how the cultural exchanges between Middle East and West have always been reciprocal and often mutual, amatory as well as bellicose. Whether examining European accounts of Istanbul and Egypt as hotbeds of forbidden desire, juxtaposing Ottoman homoerotic genres and their European imitators, or unlocking the homoerotic encoding in Persian miniatures and Orientalist paintings, this remarkable study models an ethics of crosscultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today. A contribution to studies in visual culture as well as literary and social history, The Homoerotics of Orientalism draws on primary sources ranging from untranslated Middle Eastern manuscripts and European belles-lettres to miniature paintings and photographic erotica that are presented here for the first time.
Author: Ako Inuzuka
Publisher: Rowman & Littlefield
ISBN: 1498598382
Category : Social Science
Languages : en
Pages : 259
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Book Description
Non-Western Colonization, Orientalism, and the 'Comfort Women: The Collective Memory of Sexual Slavery under the Japanese Imperial Military examines the collective memory of sexual slavery under the Japanese Imperial Military in Japan over the past seventy-five years. Euphemistically known as the "comfort women," tens of thousands of young females were forced into sexual servitude for Japanese soldiers during the Asia-Pacific War. The majority of these women are believed to have been deceitfully or forcibly taken from Korea, a former Japanese colony. The ways in which sexual slavery has been remembered in Japan lies at the root of a long-standing diplomatic conflict between Japan and South Korea and has fueled a "memory war" among Japanese scholars and activists. The author argues that Korean "comfort women" have been exoticized in the collective memory similarly to "Oriental" women's presentations by Western Orientalists. This book is a comprehensive analysis of the memory of sexual slavery in Japan, examining various artifacts produced since the end of the Asia-Pacific War, including nonfiction books, novels, newspaper articles, popular and documentary films, and a commemorative museum. It provides novel insights into a decade old international and domestic controversy.
Author: Madeleine Dobie
Publisher: Stanford University Press
ISBN: 9780804751001
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Building on the critical foundations established by Edward Said in Orientalism, Foreign Bodies examines the relationship between the Orientalist tradition in French art and literature and France's colonial history. It focuses on a central dimension of this exchange: the prevalent figure of the "oriental woman," and the interplay of race and gender in both domestic and colonial history. It also offers a genealogy of contemporary French attitudes to Islamic culture, in which beliefs about sexuality and gender relations continue to occupy a privileged place. The author examines the extent to which the rhetorical status and political implications of Orientalism register the changing circumstances of French colonial activity, tracing the convergence, or divergence, of colonial practice and the literary record. She also argues against the tendency, in both historical and theoretical writing on colonialism, to divide center from margins, metropolitan from colonial. Instead, she shows how colonial products and ideas permeated the domestic culture and shaped its evolution. Finally, the book proposes that the feminine figures of Orientalist texts are often interwoven with representations of language, and more specifically with representations of language as an alien and resistant codesomething other than the transparent medium of ideas. It suggests that in promoting awareness that language is not simply the neutral medium of thought and experience, these veiled figures of language function as "foreign bodies," creating disruptive effects within an economy orchestrated toward the production of knowledge of the other. However, the book also argues against the view, espoused by certain critics, that the self-reflexivity of Orientalist writing fully counteracts its polarizing political effects, arguing instead for a process of "double reading" that acknowledges both the geopolitical power encoded within Orientalist representation and the ways in which specific texts resist this power.
