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Author: Roy Howat
Publisher: Yale University Press
ISBN: 0300159773
Category : Music
Languages : en
Pages : 543
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Book Description
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Fauré and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat’s direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime’s scholarship with practical experience of teaching and the concert platform
Author: Roy Howat
Publisher: Yale University Press
ISBN: 0300159773
Category : Music
Languages : en
Pages : 543
Get Book
Book Description
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Fauré and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat’s direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime’s scholarship with practical experience of teaching and the concert platform
Author: Dr Lesley A Wright
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472423569
Category : Music
Languages : en
Pages : 228
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Book Description
Perspectives on the Performance of French Piano Music offers a range of approaches central to the performance of French piano music of the nineteenth and twentieth centuries. The contributors include scholars and active performers who see performance not as an independent activity but as a practice enriched by a wealth of historical and analytical approaches. To underline the usefulness of contextual understanding for performance, each author highlights the choices performers must confront with examples drawn from particular repertoires and composers. Topics explored include editorial practice, the use of early recordings, emergent disciplines such as analysis-and-performance, and traditions passed down from teacher to student. Themes that emerge demonstrate the importance of editions as a form of communication, the challenges of notation, the significance of detail and of deeper continuity, the importance of performing and teaching traditions, and the influence of cross disciplinary frameworks. A link to a set of performed examples on the frenchpianomusic.com website allows readers to hear and compare performances and interpretations of the music discussed. The volume will appeal to musicologists and analysts interested in performance, performers, students, and piano teachers.
Author: Siglind Bruhn
Publisher: Pendragon Press
ISBN: 9780945193951
Category : Juvenile Nonfiction
Languages : en
Pages : 464
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Book Description
In our visually-oriented society, music appears to stand apart from other arts. Yet just as a poet can write a poem whose focus is a painting, so musicians have composed scores based on poems, paintings, and other non-musical art forms. In instrumental music such reinterpretations are especially intriguing as the verbal or visual stimulus does not appear in performance but is rendered in musical form. In this study, Siglind Bruhn investigates how three French composers of the twentieth century, Claude Debussy, Maurice Ravel, and Olivier Messiaen, express extra-musical subtexts in their piano works. She shows how the relation between the subtexts and the musical works can be broadly catagorized in terms of pictoriality and interiority. In all cases, Bruhn analyzes each musical piece and each source text in its entirety and in depth, drawing on her broad background in both literary and musical interpretation of the twentieth century. For pianists who seek to better understand an individual work, for scholars in the growing field of musical hermeneutics, and for lovers of music in general, this volume explores and makes explicit connections between music and other arts.
Author: Barbara Meister
Publisher: Indiana University Press
ISBN: 9780253112347
Category : Music
Languages : en
Pages : 196
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Book Description
Music Musique is a study of American and French composers active in the late 19th through early 20th centuries and the influence of jazz on their compositional styles. Starting with a look at the formation of American and French styles of composition, Meister discusses the jazz influence on American composers such as Ives, Copland, and Seeger, and their reception in France. She then takes a parallel look at the jazz influence on prominent French composers such as Ravel, Milhaud, and Messiaen, with a conclusion that briefly outlines post--World War II musical developments. Considerable attention is paid to the social and political worlds in which these artists lived and created. Of particular interest is the community of Afro-American jazz musicians who settled in Paris after World War I, and their influence on the likes of Ravel, Milhaud, Satie, and other artists with New Orleans--based styles. Meister also discusses the more famous coteries of American writers who lived and worked in Paris during the 1920s and 1930s. The stories of these two groups of Americans in Paris form a fascinating background to the main topic of the book. Music Musique is intended for amateurs and experts alike; it provides ideas about repertoire as well as information about compositions that are likely to be heard in performance. The emphasis of the text is always on the piano solo literature or other piano music -- song accompaniments, piano duets, or internal orchestral piano parts.
Author: Nancy Faber
Publisher:
ISBN: 9781616776398
Category : Piano
Languages : en
Pages : 0
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Book Description
(Faber Piano Adventures ). Good sightreading skill is a powerful asset for the developing musician. Carefully composed variations of the Level 2B Lesson Book pieces help the student see the "new" against the backdrop of the "familiar." Fun, lively characters instruct students and motivate sightreading with a spirit of adventure and fun.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
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Book Description
Author: Isidore Philipp
Publisher: Courier Corporation
ISBN: 0486233812
Category : Music
Languages : en
Pages : 195
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Book Description
This splendid anthology of French piano music spans the 17th to 20th centuries, presenting 44 short works by 28 composers. Contents include Rameau's "The Hen," Gossec's "Gavotte," Saint-Saëns's "Song Without Words," Lully's "Courante in E Minor," Couperin's "Les Papillons," plus melodies by Daquin, Alkan, Delibes, Bizet, Massenet, and many others.
Author: Roy Howat
Publisher: Yale University Press
ISBN: 0300145470
Category : Music
Languages : en
Pages : 417
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Book Description
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Faur� and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat’s direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime’s scholarship with practical experience of teaching and the concert platform
Author: Lesley A. Wright
Publisher: Routledge
ISBN: 1317081641
Category : Music
Languages : en
Pages : 235
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Book Description
Perspectives on the Performance of French Piano Music offers a range of approaches central to the performance of French piano music of the nineteenth and twentieth centuries. The contributors include scholars and active performers who see performance not as an independent activity but as a practice enriched by a wealth of historical and analytical approaches. To underline the usefulness of contextual understanding for performance, each author highlights the choices performers must confront with examples drawn from particular repertoires and composers. Topics explored include editorial practice, the use of early recordings, emergent disciplines such as analysis-and-performance, and traditions passed down from teacher to student. Themes that emerge demonstrate the importance of editions as a form of communication, the challenges of notation, the significance of detail and of deeper continuity, the importance of performing and teaching traditions, and the influence of cross disciplinary frameworks. A link to a set of performed examples on the frenchpianomusic.com website allows readers to hear and compare performances and interpretations of the music discussed. The volume will appeal to musicologists and analysts interested in performance, performers, students, and piano teachers.
Author: Norman Demuth
Publisher: London : Museum Press
ISBN:
Category : Piano music
Languages : en
Pages : 202
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Book Description
"'No country's composers', says the author, 'have so sedulously cultivated the piano as those of France.' In this book he surveys the whole panorama of French piano music, terminating with music written and published as late as 1936. In addition to discussing those composers whose names are now household words, Norman Demuth draws attention to many who, although duly recognised in France, do not often appear in piano programmes in this country. Among these we may single out Pierre de Bréville, Déodat de Séverac, Gustave Samazeuilh, André Jolivet, Henri Dutilleux, Abel Decaux, Jean-Jacques Grunenwald, Henry Barraud, and Pierre Boulez. Olivier Messiaen is given sympathetic and understanding consideration. His remarks on interpretation will be found to be stimulating and challenging and will, it is hoped, save many players from falling into traps laid by custom. The publishers are confident that the volume will supply a long-felt need since nothing of this nature and little on this subject has previously appeared in this country." --Dust jacket flap.
