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Author: Stuart Bender
Publisher: Cambridge Scholars Publishing
ISBN: 1443865494
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
Film Style and the World War II Combat Genre is a detailed examination of the stylistic means by which filmmakers depict stories of combat. The work furthers contemporary discussions by analyzing a range of World War II combat films to a degree of detail which has previously escaped critical attention. This substantial examination of cinematography, sound, editing and acting in a range of movies including Saving Private Ryan, Windtalkers, Bataan, and Objective Burma! demonstrates the importance of close attention to the textual construction of these films specifically, as well as cinematic texts more generally. The work advances the original analytic descriptions of “controlled spontaneity” and “reported realism” as theoretical concepts which explain why viewers regard certain stylistic techniques as realistic. This notion of realism is then further understood through reference to a body of research in cognitive psychology to argue that the density of audio-visual information in contemporary combat films is a significant factor in creating a sense of realism.
Author: Stuart Bender
Publisher: Cambridge Scholars Publishing
ISBN: 1443865494
Category : Performing Arts
Languages : en
Pages : 340
Get Book
Book Description
Film Style and the World War II Combat Genre is a detailed examination of the stylistic means by which filmmakers depict stories of combat. The work furthers contemporary discussions by analyzing a range of World War II combat films to a degree of detail which has previously escaped critical attention. This substantial examination of cinematography, sound, editing and acting in a range of movies including Saving Private Ryan, Windtalkers, Bataan, and Objective Burma! demonstrates the importance of close attention to the textual construction of these films specifically, as well as cinematic texts more generally. The work advances the original analytic descriptions of “controlled spontaneity” and “reported realism” as theoretical concepts which explain why viewers regard certain stylistic techniques as realistic. This notion of realism is then further understood through reference to a body of research in cognitive psychology to argue that the density of audio-visual information in contemporary combat films is a significant factor in creating a sense of realism.
Author: Jeanine Basinger
Publisher:
ISBN: 9780317384468
Category : Motion pictures
Languages : en
Pages : 373
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Book Description
Author: Tanine Allison
Publisher: Rutgers University Press
ISBN: 0813597528
Category : Performing Arts
Languages : en
Pages : 261
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Book Description
The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality. Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself.
Author: Jeanine Basinger
Publisher: Wesleyan University Press
ISBN: 9780819566232
Category : History
Languages : en
Pages : 402
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Book Description
Lively, comprehensive analysis of World War II movies.
Author: John Whiteclay Chambers II Professor of History Rutgers University
Publisher: Oxford University Press, USA
ISBN: 0199728739
Category : Electronic books
Languages : en
Pages : 208
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Book Description
Author: Tanine Allison
Publisher: Rutgers University Press
ISBN: 0813597501
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality. Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself.
Author: Sheri Chinen Biesen
Publisher: JHU Press
ISBN: 9780801882180
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
Sheri Chinen Biesen challenges conventional thinking on the origins of film noir and finds the genre's roots in the political, social and historical conditions of Hollywood during the Second World War.
Author: Robert Fyne
Publisher: Scarecrow Press
ISBN: 9780810833104
Category : History
Languages : en
Pages : 272
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Book Description
During the Second World War, over 300 Hollywood motion pictures were produced that, in one way or another, bore the propaganda imprimatur. These popular movies -- and they consistently glorified the achievements of the American fighting man while vilifying all the members of the Axis pact -- and fostered morale on the Home Front and stood as tangible reminders that Old Glory, mom, apple pie, and the St. Louis Browns would emerge victorious from this global conflict. But how successful was Hollywood's effort? Citing numerous examples of flag-waving dialogue, Professor Fyne has produced an in-depth study that examines these WWII movies, analyzing many motifs, stereotypes, fiction-as-fact, distortions, and prevarications that permeate this genre. His book lists the ten best titles of the war and discusses such topics as the World War I influence, the different approaches toward the Italian, German, and Japanese military machines, the glorification of the Soviet forces, the image of the Chinese nationals, the light-hearted B-comedies, musicals, and Westerns, plus the American GI's inner frustration with his fabricated photoplay image. For historians, film watchers, or social commentators, this book, complete with elaborate filmography, offers important information about Hollywood's role in shaping the Home Front mores.
Author: Yvonne Tasker
Publisher: Duke University Press
ISBN: 0822348470
Category : History
Languages : en
Pages : 330
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Book Description
A comprehensive analysis of the changing representations of military women in American and British movies and TV programs from the Second World War to the present.
Author: Barry Langford
Publisher:
ISBN:
Category : Film genres
Languages : en
Pages : 328
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Book Description
This book provides a detailed account of genre history and contemporary trends in film genre, alongside the critical debates they have provoked.
