The Fifty Worst Films of All Time PDF Download
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Author: Harry Medved
Publisher: Grand Central Pub
ISBN: 9780446381192
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Author: Harry Medved
Publisher: Grand Central Pub
ISBN: 9780446381192
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Author: Harry Medved
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Author: Michael Medved
Publisher: Fawcett Books
ISBN: 9780449041390
Category : Performing Arts
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
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Book Description
Author: Michael Sauter
Publisher: Citadel Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
In this volume, entertainment journalist Michael Sauter exposes cinematic blunders.
Author: Harry Medved
Publisher:
ISBN: 9789080038530
Category :
Languages : en
Pages : 0
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Book Description
Author: John Wilson
Publisher: Grand Central Publishing
ISBN: 9780446510080
Category : Humor
Languages : en
Pages : 400
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Book Description
A paperback guide to 100 of the funniest bad movies ever made, this book covers a wide range of hopeless Hollywood product, and also including rare Razzie ceremony photos and a complete history of everything ever nominated for Tinsel Town's Tackiest Trophy.
Author: Roger Ebert
Publisher: Andrews McMeel Publishing
ISBN: 0740792156
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex & Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.
Author: Harry Medved
Publisher: TarcherPerigee
ISBN:
Category : Fiction
Languages : en
Pages : 244
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Book Description
More information to be announced soon on this forthcoming title from Penguin USA.
Author: Garry Mulholland
Publisher: Orion
ISBN: 1409112209
Category : Music
Languages : en
Pages : 320
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Book Description
Hugely acclaimed author of THIS IS UNCOOL and FEAR OF MUSIC turns his attention to rock 'n' roll movies. From BLACKBOARD JUNGLE to QUADROPHENIA, from 8 MILE to ABBA: THE MOVIE, no one has seriously looked at the strange phenomenon that is the rock 'n' roll movie. Garry Mulholland turns his focus away from classic records to the best, the worst, the weird and the completely deranged from the world of the rock movie. Part serious critical appreciation, part celebration of B-movie trash, Garry Mulholland's inclusive approach is the key to his success. He is as comfortable deconstructing the likes of PERFORMANCE, GIMME SHELTER or JUBILEE as he is celebrating FOOTLOOSE or JAILHOUSE ROCK. As he writes: '... Anyone who rejects the joy that the likes of GREASE or DIRTY DANCING or FAME have brought millions of people without even attempting to engage with why such unapologetic trash works can't really be that interested in filmgoers at all.'
