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Author: Leen Engelen
Publisher: Rowman & Littlefield
ISBN: 1442229608
Category : Performing Arts
Languages : en
Pages : 214
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Book Description
The past three decades have seen the rise of a transnational European cinema, not only in terms of production, but also in terms of a growing focus on multi-ethnic themes within the European context. The collapse of the Iron Curtain and the subsequent (and on-going) enlargement of the European Union have played a major role in this shift from national to trans-European filmmaking. Its most obvious on-screen manifestation is the increased visibility of immigrant groups from former communist countries, ranging from Krzysztof Kies ́lowski’s Blanc (1994) and Pawel Pawlikowski’s Last Resort (2000) to Hans-Christian Schmid’s Lichter (2003), Ken Loach’s It is a Free World (2007) and Bobby Paunescu’s Francesca (2009). Through its focus on cinematic representations of post-1989 migration from the former Eastern Bloc to Western Europe, When East and West Meet seeks to examine what these films reveal about the cultures producing and consuming these migration narratives and to what extent these images function as a site for new (trans)regional, (trans)national and European identities. When East Meets West explicitly crosses the boundaries of national cinemas and sets out to uncover an array of common tropes and narrative devices that characterize the influences and portrayals of immigration from the former Eastern Bloc.
Author: Leen Engelen
Publisher: Rowman & Littlefield
ISBN: 1442229608
Category : Performing Arts
Languages : en
Pages : 214
Get Book
Book Description
The past three decades have seen the rise of a transnational European cinema, not only in terms of production, but also in terms of a growing focus on multi-ethnic themes within the European context. The collapse of the Iron Curtain and the subsequent (and on-going) enlargement of the European Union have played a major role in this shift from national to trans-European filmmaking. Its most obvious on-screen manifestation is the increased visibility of immigrant groups from former communist countries, ranging from Krzysztof Kies ́lowski’s Blanc (1994) and Pawel Pawlikowski’s Last Resort (2000) to Hans-Christian Schmid’s Lichter (2003), Ken Loach’s It is a Free World (2007) and Bobby Paunescu’s Francesca (2009). Through its focus on cinematic representations of post-1989 migration from the former Eastern Bloc to Western Europe, When East and West Meet seeks to examine what these films reveal about the cultures producing and consuming these migration narratives and to what extent these images function as a site for new (trans)regional, (trans)national and European identities. When East Meets West explicitly crosses the boundaries of national cinemas and sets out to uncover an array of common tropes and narrative devices that characterize the influences and portrayals of immigration from the former Eastern Bloc.
Author: L. Rivi
Publisher: Springer
ISBN: 0230609287
Category : History
Languages : en
Pages : 195
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Book Description
The book examines cinema in post-1989 Europe by looking at how the new post-Cold War cinematographic co-productions articulate the political and cultural objectives of a new Europe as they redefine a European identity.
Author: Rosalind Galt
Publisher: Columbia University Press
ISBN: 9780231137171
Category : History
Languages : en
Pages : 310
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Book Description
Rosalind Galt offers innovative readings of some of the most popular and influential European films of the 1990s, including Emir Kusturica's 'Underground', Lars Von Trier's 'Zentropa', and Giuseppe Tornatore's 'Cinema Paradiso'.
Author: Michael Gott
Publisher:
ISBN: 9781474420921
Category : Motion pictures
Languages : en
Pages : 320
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Book Description
Review: "World's leading scholars in the field assemble to consider the ways in which notions such as East and West, national and transnational, central and marginal are being rethought and reframed in contemporary European cinema. Assessing the state of post-1989 European cinema, from (co)production and reception trends to filmic depictions of migration patterns, economic transformation and socio-political debates over the past and the present, they address, increasingly interwined cinema industries that are both central (France, Germany) and marginal (Romania, Bulgaria, Lithuania) in Europe."
Author: Rosemary Stott
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783039119448
Category : Foreign films
Languages : en
Pages : 0
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Book Description
More than twenty years after its collapse in 1989, the Berlin Wall remains a symbol of the vigour with which communist East Germany kept out the 'corrupting influences' of neighbouring West Germany. However, despite the restrictions, a surprising number of artistic works, including international films, did 'cross the Wall' and reach audiences in the wide network of cinemas in East Germany. This book takes a fresh look at cinema as a social and cultural phenomenon in the German Democratic Republic (GDR) and analyses the transnational film relations between East Germany and the rest of the world. Drawing on a range of new archival material, the author explores which films were imported from the West, what criteria were applied in their selection, how they were received by the national press and film audiences, and how these imports related to DEFA (East German) cinema. The author places DEFA films alongside the international films exhibited in the GDR and argues that film in East Germany was actually more transnational in character than previously thought.
Author: Mike Wayne
Publisher: Intellect Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
This title raises issues that question European culture and the nature of national cinema, including: the cultural relationship with Hollywood, debates over cultural plurality and diversity; and postcolonial travels and the hybridization of the national formation.
Author: Daniela Berghahn
Publisher: Manchester University Press
ISBN: 9780719061721
Category : History
Languages : en
Pages : 312
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Book Description
Daniela Berghahn demonstrates that East German cinema occupies an ambivalent position between German national cinema on the one hand and East European and Soviet cinema on the other. The book includes a wide-ranging exploration of post-unification cinemafrom East Germany.
Author: Ewa Mazierska
Publisher: Wallflower Press
ISBN: 9781904764670
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Although a long-established and influential genre, this is the first comprehensive study of the European road cinema. Crossing New Europe investigates this tradition, its relationship with the American road movie and its aesthetic forms. This movement examines such crucial issues as individual and national identity crises, and phenomena such as displacement, diaspora, exile, migration, nomadism, and tourism in postmodern, post-Berlin Wall Europe. Drawing on the work of Said, Hall, Shields, Urry, Bauman, Deleuze and Guattari and other critical theorists, Crossing New Europe adopts a broad interpretation of "Europe" and discusses directors and films who have long been associated with the road movie, such as Wim Wenders (Alice in the Cities, Lisbon Story) and Aki Kaurismäki (Leningrad Cowboys Go America!), and other more recent contributions such as Run Lola Run, Dear Diary and The Last Resort.
Author: Rosalind Galt
Publisher: Columbia University Press
ISBN: 0231510322
Category : Performing Arts
Languages : en
Pages : 470
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Book Description
New European Cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990s. Made around the time of the revolutions of 1989 but set in post-World War II Europe, these films grapple with the reunification of Germany, the disintegration of the Balkans, and a growing sense of historical loss and disenchantment felt across the continent. They represent a period in which national borders became blurred and the events of the mid-twentieth-century began to be reinterpreted from a multinational European perspective. Featuring in-depth case studies of films from Italy, Germany, eastern Europe, and Scandinavia, Rosalind Galt reassesses the role that nostalgia, melodrama, and spectacle play in staging history. She analyzes Giuseppe Tornatore's Cinema Paradiso, Michael Radford's Il Postino, Gabriele Salvatores's Mediterraneo, Emir Kusturica's Underground, and Lars von Trier's Zentropa, and contrasts them with films of the immediate postwar era, including the neorealist films of Roberto Rossellini and Vittorio De Sica, socialist realist cinema in Yugoslavia, Billy Wilder's A Foreign Affair, and Carol Reed's The Third Man. Going beyond the conventional focus on national cinemas and heritage, Galt's transnational approach provides an account of how post-Berlin Wall European cinema inventively rethought the identities, ideologies, image, and popular memory of the continent. By connecting these films to political and philosophical debates on the future of Europe, as well as to contemporary critical and cultural theories, Galt redraws the map of European cinema.
Author: Barbara Mennel
Publisher: University of Illinois Press
ISBN: 0252050967
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment. Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe.
