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Author: Jane P. Davidson
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 386
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Book Description
Devils, ghosts, poltergeists, werewolves, and witches are all covered in this book about the "dark side" of supernatural beliefs in early modern Europe, tapping period literature, folklore, art, and scholarly writings in its investigation. The dark side of early modern European culture could be deemed equal in historical significance to Christianity based on the hundreds of books that were printed about the topic between 1400 and 1700. Famous writers and artists like William Shakespeare and Albrecht Dürer depicted the dark side in their work, and some of the first printed books in Europe were about witches. The pervasive representation of these monsters and apparitions in period literature, folklore, and art clearly reflects their power to inspire fear and superstition, but also demonstrates how integral they were to early modern European culture. This unique book addresses topics of the supernatural within the context of the early modern period in Europe, covering "mythical" entities such as devils, witches, ghosts, poltergeists, and werewolves in detail and examining how they fit in with the emerging new scientific method of the time. This unique combination of cultural studies for the period is ideal for undergraduate students and general readers.
Author: Jane P. Davidson
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 386
Get Book
Book Description
Devils, ghosts, poltergeists, werewolves, and witches are all covered in this book about the "dark side" of supernatural beliefs in early modern Europe, tapping period literature, folklore, art, and scholarly writings in its investigation. The dark side of early modern European culture could be deemed equal in historical significance to Christianity based on the hundreds of books that were printed about the topic between 1400 and 1700. Famous writers and artists like William Shakespeare and Albrecht Dürer depicted the dark side in their work, and some of the first printed books in Europe were about witches. The pervasive representation of these monsters and apparitions in period literature, folklore, and art clearly reflects their power to inspire fear and superstition, but also demonstrates how integral they were to early modern European culture. This unique book addresses topics of the supernatural within the context of the early modern period in Europe, covering "mythical" entities such as devils, witches, ghosts, poltergeists, and werewolves in detail and examining how they fit in with the emerging new scientific method of the time. This unique combination of cultural studies for the period is ideal for undergraduate students and general readers.
Author: Ryan Curtis Friesen
Publisher: Liverpool University Press
ISBN: 1837641587
Category : Drama
Languages : en
Pages : 261
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Book Description
Brings together authors of fiction with philosophers and academics in Early Modern England and compares their ways of describing and understanding the world; Explores popular culture as well as the culture of the learned and elite; Examines the intellectual consequences of the Reformation and compares the spiritual and doctrinal practices of the occult to those of orthodoxy. Magic and the supernatural are common themes in the philosophy and fiction of the sixteenth and seventeenth centuries. Supernatural Fiction in Early Modern Drama and Culture explores varieties of scepticism and belief exhibited by a selection of philosophers and playwrights, including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas Middleton, explicating how each author defines the supernatural, whether he assumes magic to operate in the world, and how he uses occult principles to explain what can be known and what is ethical. Beliefs and claims concerning impossible phenomena and superhuman agency require literary historians to determine whether an occult system of magical operation is being described in a given text. Each chapter in this volume evaluates whether a chosen early modern author is endorsing magic as efficacious or divinely sanctioned, or criticizing it for being fraudulent or unholy. By examining works of fiction, it is possible to explore fantastic settings which were not intended to be synonymous with the early modern audiences everyday experience, settings where magic exists and operates according to the playwrights designs. This book also sets out to determine what historical sources provided given authors with knowledge of the occult and speculates on how aware an audience would have been of academic, classical, or popular contexts surrounding the text at hand.
Author: Julian Goodare
Publisher:
ISBN: 9781526134424
Category : History
Languages : en
Pages : 264
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Book Description
This book is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural.
Author: Gábor Klaniczay
Publisher:
ISBN: 9780691073774
Category : Brujería - Europa Central - Historia
Languages : en
Pages : 259
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Book Description
This book of essays is concerned with aspects of religion, magic, and witchcraft in medieval and early-modern Europe, with particular reference to Central Europe. Drawing on a range of theoretical and methodological work including that of Elias, Geertz, Bakhtin, and Turner, the author gives special attention to the history of the body and of gesture, of symbolism and representation, and shows how these dimensions can be related to religious and mystical beliefs and practices. Among the topics discussed are conflicts in twelfth-century Christianity and the tensions between popular religion and learned urban Christianity; heretical and nonconformist behavior in the twelfth and thirteenth centuries; the celestial courts of holy princesses in thirteenth-century Central Europe; shamanistic elements in Central European witchcraft; witch-beliefs and witch- hunting in Hungary in the early-modern period; and the decline of beliefs in witches and the rise of beliefs about vampires in the eighteenth-century Habsburg monarchy.
Author: Jennifer Spinks
Publisher: BRILL
ISBN: 9004299017
Category : Religion
Languages : en
Pages : 437
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Book Description
This volume brings together some of the most exciting current scholarship on these themes. This interdisciplinary and geographically broad-ranging volume pays tribute to the ground-breaking work of Charles Zika.
Author: Marcus Harmes
Publisher: Routledge
ISBN: 1317048377
Category : History
Languages : en
Pages : 250
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Book Description
For the people of early modern England, the dividing line between the natural and supernatural worlds was both negotiable and porous - particularly when it came to issues of authority. Without a precise separation between ’science’ and ’magic’ the realm of the supernatural was a contested one, that could be used both to bolster and challenge various forms of authority and the exercise of power in early modern England. In order to better understand these issues, this volume addresses a range of questions regarding the ways in which ideas, beliefs and constructions of the supernatural threatened and conflicted with authority, as well as how the power of the supernatural could be used by authorities (monarchical, religious, legal or familial) to reinforce established social norms. Drawing upon a range of historical, literary and dramatic texts the collection reveals intersecting early modern anxieties in relation to the supernatural, issues of control and the exercise of power at different levels of society, from the upper echelons of power at court to local and domestic spaces, and in a range of publication contexts - manuscript sources, printed prose texts and the early modern stage. Divided into three sections - ’Magic at Court’, ’Performance, Text and Language’ and ’Witchcraft, the Devil and the Body’ - the volume offers a broad cultural approach to the subject that reflects current research by a range of early modern scholars from the disciplines of history and literature. By bringing scholars into an interdisciplinary dialogue, the case studies presented here generate fresh insights within and between disciplines and different methodologies and approaches, which are mutually illuminating.
Author: Darren Oldridge
Publisher: Routledge
ISBN: 1317278208
Category : History
Languages : en
Pages : 176
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Book Description
The Supernatural in Tudor and Stuart England reflects upon the boundaries between the natural and the otherworldly in early modern England as they were understood by the people of the time. The book places supernatural beliefs and events in the context of the English Reformation to show how early modern people reacted to the world of unseen spirits and magical influences. It sets out the conceptual foundations of early modern encounters with the supernatural, and shows how occult beliefs penetrated almost every aspect of life. Darren Oldridge considers many of the spiritual forces that pervaded early modern England: an immanent God who sometimes expressed Himself through ‘signs and wonders’ and the various lesser inhabitants of the world of spirits including ghosts, goblins, demons and angels. He explores human attempts to comprehend, harness or accommodate these powers through magic and witchcraft, and the role of the supernatural in early modern science. This book presents a concise and accessible up-to-date synthesis of the scholarship of the supernatural in Tudor and Stuart England. It will be essential reading for students of early modern England, religion, witchcraft and the supernatural.
Author: Noriko T. Reider
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
This book is intended to assess the significance of kaidan, specifically its multi-dimensional reflection of an impact on Japanese culture in the Edo period. The legacy of Japan's cultural efflorescence in the late eighteenth century was far-reaching, its fruits often seen as epitomizing the entire Tokugawa period. In the years between the Kan'en era (1748-1751) and the chilling effects of the Kansei Reforms (1790), there was no dearth of innovative belletristic expression, but in the area of fiction, the yomihon of Ueda Akinari (1734-1809) eclipse all else. Professor Reider's outstanding study treats this unusual scion of a remarkable age, contextualizing his work from a unique perspective. Under various noms de plume, Akinari authored significant works in several genres of both poetry and prose, but his greatest opus is incontrovertibly his Ugetsu monogatari (Tales of Moonlight and Rain), a collection of nine stories that revolutionized tales of the supernatural, elevating the genre to unprecedented levels of style and sophistication. Such a work deserves - and has duly received - ample critical attention from scholars on both sides of the Pacific, resulting in a plethora of seco
Author: Victoria Bladen
Publisher:
ISBN: 9781315611327
Category : Authority
Languages : en
Pages : 237
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Book Description
Author: Nandini Das
Publisher: Routledge
ISBN: 1317290674
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.
