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Author: Patrick Cheney
Publisher: Oxford University Press, USA
ISBN:
Category : English poetry
Languages : en
Pages : 372
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Book Description
This text features 28 essays written by important international scholars on the major poems of the English Renaissance. It offers scholarship on subjects ranging from the invention of English verse, Petrarchism, pastoral, elegy, and satire, to women's religious verse, the place of homoeroticism and Cavalier poetry.
Author: Patrick Cheney
Publisher: Oxford University Press, USA
ISBN:
Category : English poetry
Languages : en
Pages : 372
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Book Description
This text features 28 essays written by important international scholars on the major poems of the English Renaissance. It offers scholarship on subjects ranging from the invention of English verse, Petrarchism, pastoral, elegy, and satire, to women's religious verse, the place of homoeroticism and Cavalier poetry.
Author: Jane Partner
Publisher: Springer
ISBN: 3319710176
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry’s own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the ‘inward’ life of the viewer and the ‘outward’ reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the ‘subjective’ and ‘objective’. This book will be of interest to literary scholars, art historians and historians of science.
Author: Molly Murray
Publisher: Cambridge University Press
ISBN: 0521113873
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
This book considers the poetry written by converts between Catholic and Protestant churches within post-Reformation England.
Author: Benedict S. Robinson
Publisher: Springer
ISBN: 0230607438
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
This book traces the process through which authors like Spenser, Shakespeare, and Milton adapted, rewrote, or resisted romance, mapping a world in which new cross-cultural contacts and religious conflicts demanded a rethinking of some of the most fundamental terms of early modern identity.
Author: Alex Wong
Publisher: D. S. Brewer
ISBN: 9781843844662
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
The "kissing-poem" genre was wide-spread in Renaissance literature; this book surveys its form and development.
Author: Camilla Caporicci
Publisher: Routledge
ISBN: 1000734838
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "picturing" in early modern English literature. The essays in this volume offer a comprehensive and varied picture of the relationship between visual and verbal in the early modern period, while also contributing to the understanding of the literary context in which Shakespeare wrote. Using different methodological approaches and taking into account a great variety of texts, including Elizabethan sonnet sequences, metaphysical poetry, famous as well as anonymous plays, and court masques, the book opens new perspectives on the literary modes of "picturing" and on the relationship between this creative act and the tense artistic, religious and political background of early modern Europe. The first section explores different modes of looking at works of art and their relation with technological innovations and religious controversies, while the chapters in the second part highlight the multifaceted connections between European visual arts and English literary production. The third section explores the functions performed by portraits on the page and the stage, delving into the complex question of the relationship between visual and verbal representation. Finally, the chapters in the fourth section re-appraise early modern reflections on the relationship between word and image and on their respective power in light of early-seventeenth-century visual culture, with particular reference to the masque genre.
Author: Jane Stevenson
Publisher: Oxford University Press, USA
ISBN: 9780199242573
Category : Literary Criticism
Languages : en
Pages : 644
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Book Description
This anthology represents a re-examination of its field, based on extensive archival research. Each woman's work is accompanied by a headnote which combines biographic information with some guidance as to the context, intended audience and genre.
Author: Katherine Acheson
Publisher: Routledge
ISBN: 1351875590
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
Early modern printed books are copiously illustrated with charts, diagrams, and other kinds of images that represent systems of thought and ways of doing things. Visual Rhetoric and Early Modern English Literature shows how these images fostered what Elizabeth Eisenstein called brainwork related to concepts of space, truth, art, and nature, and reveals their importance to poetry by Andrew Marvell and John Milton, and Aphra Behn’s Oroonoko. The genres of illustration considered in this book include military strategy and tactics, garden design, instrumentation, Bibles, scientific schema, drawing instruction, natural history, comparative anatomy, and Aesop’s Fables. The argument produces unique insights into the ways in which visual rhetoric affected verbal expression, and the book develops novel methods of using printed images as evidence in the interpretation of the rich, strange, and beautiful literature of early modern England.
Author: Tina Skouen
Publisher: Routledge
ISBN: 135140282X
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
The stigma of haste pervaded early modern English culture, more so than the so-called stigma of print. The period’s writers were perpetually short on time, but what does it mean for authors to present themselves as hasty or slow, or to characterize others similarly? This book argues that such classifications were a way to define literary value. To be hasty was, in a sense, to be irresponsible, but, in another sense, it signaled a necessary practicality. Expressions of haste revealed a deep conflict between the ideal of slow writing in classical and humanist rhetoric and the sometimes grim reality of fast printing. Indeed, the history of print is a history of haste, which carries with it a particular set of modern anxieties that are difficult to understand in the absence of an interdisciplinary approach. Many previous studies have concentrated on the period’s competing definitions of time and on the obsession with how to use time well. Other studies have considered time as a notable literary theme. This book is the first to connect ideas of time to writerly haste in a richly interdisciplinary manner, drawing upon rhetorical theory, book history, poetics, religious studies and early modern moral philosophy, which, only when taken together, provide a genuinely deep understanding of why the stigma of haste so preoccupied the early modern mind. The Value of Time in Early Modern English Literature surveys the period from ca 1580 to ca 1730, with special emphasis on the seventeenth century. The material discussed is found in emblem books, devotional literature, philosophical works, and collections of poetry, drama and romance. Among classical sources, Horace and Quintilian are especially important. The main authors considered are: Robert Parsons; Edmund Bunny; King James 1; Henry Peacham; Thomas Nash; Robert Greene; Ben Jonson; Margaret Cavendish; John Dryden; Richard Baxter; Jonathan Swift; Alexander Pope. By studying these writers’ expressions of time and haste, we may gain a better understanding of how authorship was defined at a time when the book industry was gradually taking the place of classical rhetoric in regulating writers’ activities.
Author: Charles Laurence Barber
Publisher: Westview Press
ISBN: 9780233962627
Category : Anglais (Langue) - 1500-1700 (Moderne) - Histoire
Languages : en
Pages : 360
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Book Description
Now in a completely revised edition, this book describes the English language between the years 1500 and 1700 - the different varieites of the language, the attitudes of its speakers towards it, and its pronunciation, vocabulary, and grammar. It will be useful to serious students of the history of English and takes full account of those readers who are mainly interested in the literature of the period by providing plenty of references to literary works and authors.
