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Author: Grace Lees-Maffei
Publisher: Routledge
ISBN: 1000528790
Category : Art
Languages : en
Pages : 297
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Book Description
Design and Heritage provides the first extended study of heritage from the point of view of design history. Exploring the material objects and spaces that contribute to our experience of heritage, the volume also examines the processes and practices that shape them. Bringing together 18 case studies, written by authors from the United States, the United Kingdom, Canada, Brazil, Norway, India, South Africa, Australia and New Zealand, the book questions how design functions to produce heritage. Including provocative case studies of objects that reinterpret visual symbols of cultural identity and buildings and monuments that evoke feelings of national pride and historical memory, as well as landscapes embedded with trauma, contributors consider how we can work to develop adequate shared conceptual models of heritage and apply them to design and its histories. Exploring the distinction between tangible and intangible heritages, the chapters consider what these categories mean for design history and heritage. Finally, the book questions whether it might be possible to promote a truly equitable understanding of heritage that illuminates the social, cultural and economic roles of design. Design and Heritage demonstrates that design historical methods of inquiry contribute significantly to critical heritage studies. Academics, researchers and students engaged in the study of heritage, design history, material culture, folklore, art history, architectural history and social and cultural history will find much to interest them within the pages of the book.
Author: Grace Lees-Maffei
Publisher: Routledge
ISBN: 1000528790
Category : Art
Languages : en
Pages : 297
Get Book
Book Description
Design and Heritage provides the first extended study of heritage from the point of view of design history. Exploring the material objects and spaces that contribute to our experience of heritage, the volume also examines the processes and practices that shape them. Bringing together 18 case studies, written by authors from the United States, the United Kingdom, Canada, Brazil, Norway, India, South Africa, Australia and New Zealand, the book questions how design functions to produce heritage. Including provocative case studies of objects that reinterpret visual symbols of cultural identity and buildings and monuments that evoke feelings of national pride and historical memory, as well as landscapes embedded with trauma, contributors consider how we can work to develop adequate shared conceptual models of heritage and apply them to design and its histories. Exploring the distinction between tangible and intangible heritages, the chapters consider what these categories mean for design history and heritage. Finally, the book questions whether it might be possible to promote a truly equitable understanding of heritage that illuminates the social, cultural and economic roles of design. Design and Heritage demonstrates that design historical methods of inquiry contribute significantly to critical heritage studies. Academics, researchers and students engaged in the study of heritage, design history, material culture, folklore, art history, architectural history and social and cultural history will find much to interest them within the pages of the book.
Author: Stuart Cohen
Publisher:
ISBN: 9780989459334
Category :
Languages : en
Pages :
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Book Description
An illustrated overview of the architects, designers and planners who have influenced Evanston's design history.
Author: Marieke Kuipers
Publisher: Tu Delft
ISBN: 9789461868022
Category : Architecture
Languages : en
Pages : 138
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Book Description
Designing from Heritage deals with challenges architects are faced with when dealing with the conservation and reuse of built heritage, with a focus on Modern Movement Monuments. It discusses how to carry out a thorough analysis and evaluation of monuments upon which their conservation and transformation can be based. It is meant for MSc education, but may be of interest to architects in general. This book - the third in the Rondeltappe series - reflects the philosophy and didactic approach of Heritage and Architecture (H&A) section of the Faculty of Architecture and the Built Environment (Delft University of Technology). H&A has three chairs: Design, Cultural Value and Technology. They work in close cooperation to lay the foundations for the preservation and continuity of use of built heritage. Designing from Heritage is strongly connected to the first book in the Rondeltappe series which deals with durability and sustainability of monuments, and with the second which advocates freedom in heritage based design. It contains the contribution of Prof. Wessel de Jonge - the Chair of Heritage and Design and principle at Wessel de Jonge Architects - and Prof Marieke Kuipers - Chair of Culural Heritage in particular of the Architecture of the Twentieth Century and senior specialist of Twentieth Century Built Heritage at the Cultural Heritage Agency of the Netherlands (RCE). This book is meant as a tool for architectural education and conservation for which research is as integral part of the design strategy.
Author: Paul Meurs, TU Delft, Architecture and the Built Environment
Publisher: TU Delft
ISBN: 9461865929
Category : Architecture
Languages : en
Pages : 120
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Book Description
Heritage-based design concerns the relationship between design approaches and the cultural heritage essence of a monument. How to approach a design? How to get a grip on a site? How can a designer incorporate existing qualities of the heritage in the design? Chapter 1 describes the trends in the Netherlands, a development which has led to heritage policy becoming increasingly linked to spatial planning and development issues, and resulting in the fast growing importance of design for heritage. Chapter 2 focuses on the cultural heritage value - and in particular on the question of how a designer can achieve a translation of the cultural heritage essence of a site into concrete design principles. Chapter 3 shows how a designer can take a position by relating to the cultural heritage value and by subsequently reinterpreting this in his own way.
Author: Giuseppe Amoruso
Publisher: Springer
ISBN: 9783319862873
Category : Science
Languages : en
Pages : 0
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Book Description
This book gathers more than 150 peer-reviewed papers presented at the 5th INTBAU International Annual Event, held in Milan, Italy, in July 2017. The book represents an invaluable and up-to-date international exchange of research, case studies and best practice to confront the challenges of designing places, building cultural landscapes and enabling the development of communities. The papers investigate methodologies of representation, communication and valorization of historic urban landscapes and cultural heritage, monitoring conservation management, cultural issues in heritage assessment, placemaking and local identity enhancement, as well as reconstruction of settlements affected by disasters. With contributions from leading experts, including university researchers, professionals and policy makers, the book addresses all who seek to understand and address the challenges faced in the protection and enhancement of the heritage that has been created.
Author: Kenneth Williamson
Publisher: Routledge
ISBN: 1136948333
Category : Architecture
Languages : en
Pages : 214
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Book Description
This text provide readers with the skills to assess development potential from a holistic standpoint. The book offers the architect, developer or planner the rules and tools needed to gauge development prospects in an objective and comprehensive manner.
Author: Stefano Della Torre
Publisher: Springer Nature
ISBN: 303033256X
Category : Building
Languages : en
Pages : 386
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Book Description
This open access book explores the strategic importance and advantages of adopting multidisciplinary and multiscalar approaches of inquiry and intervention with respect to the built environment, based on principles of sustainability and circular economy strategies. A series of key challenges are considered in depth from a multidisciplinary perspective, spanning engineering, architecture, and regional and urban economics. These challenges include strategies to relaunch socioeconomic development through regenerative processes, the regeneration of urban spaces from the perspective of resilience, the development and deployment of innovative products and processes in the construction sector in order to comply more fully with the principles of sustainability and circularity, and the development of multiscale approaches to enhance the performance of both the existing building stock and new buildings. The book offers a rich selection of conceptual, empirical, methodological, technical, and case study/project-based research. It will be of value for all who have an interest in regeneration of the built environment from a circular economy perspective.
Author: David Joselit
Publisher: MIT Press
ISBN: 0262043696
Category : Art
Languages : en
Pages : 344
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Book Description
How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism. If European modernism was premised on the new—on surpassing the past, often by assigning it to the “traditional” societies of the Global South—global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage—from literati ink painting in China to Aboriginal painting in Australia—in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars. Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms “the curatorial episteme,” which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge—and can contribute to the dual projects of decolonization and deimperialization.
Author: Paul Meurs
Publisher:
ISBN: 9789462085718
Category : Architecture
Languages : en
Pages : 128
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Book Description
Where there are vacancies, there is room for new uses, such as housing and leisure and health-care facilities. This often results in surprising combinations, such as a school or a community centre in a factory complex, a shop in a church or a recreation area in a military zone.00'Reuse, Redevelop and Design' presents 20 inspiring redevelopment projects. The book addresses the story behind the success of redevelopment in essays on heritage policy, public-private partnerships, financing and design.00The creative way Dutch architecture offices deal with heritage is also catching on abroad, as evidenced by OMA?s projects in Italy and Germany, West 8?s in Russia, Mecanoo?s in the United States and Maurer?s in China.00This updated edition includes three new projects: LocHal Tilburg, Burgerweeshuis Amsterdam and Monastery Complex Mariënhage Eindhoven.
Author: Giles Velarde
Publisher: Routledge
ISBN: 1351569686
Category : Business & Economics
Languages : en
Pages : 220
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Book Description
Whether a world fair, an art gallery, a museum or trade show, all exhibitions deal with the same basic commodities, objects and informative space. The skill of the exhibition designer lies in using suitable techniques to ensure that the objects are explained in an accessible way to the widest audience. This guide deals with the whole range of exhibition design, describing both people and processes involved in briefing, mounting, maintaining and evaluating exhibitions. It provides the essential principles of designing an exhibition, whatever its nature and size, and serves as an introduction for the non-specialist and a guide to good practice for students and professionals alike.
