Author: British Museum. Department of Prints and Drawings
Publisher: London, British Museum
ISBN:
Category : British Museum-catalogues
Languages : en
Pages : 668
Book Description
Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum
Author: British Museum. Department of Prints and Drawings
Publisher: London, British Museum
ISBN:
Category : British Museum-catalogues
Languages : en
Pages : 668
Book Description
Publisher: London, British Museum
ISBN:
Category : British Museum-catalogues
Languages : en
Pages : 668
Book Description
Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum
Author: William Anderson
Publisher: Franklin Classics Trade Press
ISBN: 9780343876272
Category :
Languages : en
Pages : 666
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Franklin Classics Trade Press
ISBN: 9780343876272
Category :
Languages : en
Pages : 666
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum (Classic Reprint)
Author: William Anderson
Publisher: Forgotten Books
ISBN: 9780484692229
Category : Art
Languages : en
Pages : 662
Book Description
Excerpt from Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum Tm: paintings and drawings described in the following pages were brought together in the course of a residence of over six years in Japan, for the purpose of illustrating an ancient and remarkable phase of art in its historical, intellectual, and technical develop ments, and the principal motives by which it has been inspired. The great majority of the works are Japanese, but a number of ancient and modern Chinese pictures have been added to demon strate the relationship between the arts of the sister empires. In the construction of the catalogue it has been judged advisable, in view of the novelty of the subject to Western readers, to give a larger amount of general explanation than would be necessary in a similar work on European art: the pictures have been classified according to schools, and to each group is prefixed an account of the main facts in the history of the school, with a list of the principal artists whose names have found a place in native biographical records; and, lastly, the legendary and other motives have been dealt with more or less in detail. It was originally pro posed to introduce a preliminary sketch of the. History, technique, forms, and characteristics of sinico-japanese painting, together with a review of the various applications of pictorial design; but as such an essay would have led to an inconvenient increase in the bulk and expense of the volume, and was judged to be more suitable to a private undertaking, I have therefore made it a separate work, incorporating with it such extracts from the catalogue as might be necessary to give completeness to the historical section, and illustrating it with reproductions of the more typical examples of the art. It is now in course of publication by Messrs. Sampson Low 6: Cc., under the title of The Pictorial Arts of J apan. The present collection, although comprising representative speci mens of all the various schools, must be regarded only as a nucleus. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780484692229
Category : Art
Languages : en
Pages : 662
Book Description
Excerpt from Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum Tm: paintings and drawings described in the following pages were brought together in the course of a residence of over six years in Japan, for the purpose of illustrating an ancient and remarkable phase of art in its historical, intellectual, and technical develop ments, and the principal motives by which it has been inspired. The great majority of the works are Japanese, but a number of ancient and modern Chinese pictures have been added to demon strate the relationship between the arts of the sister empires. In the construction of the catalogue it has been judged advisable, in view of the novelty of the subject to Western readers, to give a larger amount of general explanation than would be necessary in a similar work on European art: the pictures have been classified according to schools, and to each group is prefixed an account of the main facts in the history of the school, with a list of the principal artists whose names have found a place in native biographical records; and, lastly, the legendary and other motives have been dealt with more or less in detail. It was originally pro posed to introduce a preliminary sketch of the. History, technique, forms, and characteristics of sinico-japanese painting, together with a review of the various applications of pictorial design; but as such an essay would have led to an inconvenient increase in the bulk and expense of the volume, and was judged to be more suitable to a private undertaking, I have therefore made it a separate work, incorporating with it such extracts from the catalogue as might be necessary to give completeness to the historical section, and illustrating it with reproductions of the more typical examples of the art. It is now in course of publication by Messrs. Sampson Low 6: Cc., under the title of The Pictorial Arts of J apan. The present collection, although comprising representative speci mens of all the various schools, must be regarded only as a nucleus. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Beyond Boundaries
Author: Michelle Ying Ling Huang
Publisher: Cambridge Scholars Publishing
ISBN: 1443839361
Category : Art
Languages : en
Pages : 260
Book Description
Beyond Boundaries: East and West Cross-Cultural Encounters is a collection of essays which span several countries, centuries and disciplines in their exploration of East-West cultural exchanges and interactions. The chapters are arranged in chronological and thematic order, and encompass the cutting edge research of a diverse group of international scholars. The subjects range from archaeology, art history and photography, to conservation, sociology and cultural studies, with cross-disciplinary examples of classical, modern and contemporary periods. The book seeks to inspire new ideas and stimulate further scholarly debate on the convergence, dissimilarities and mutual influences of the visual arts and material culture of Asia, the Middle East, Europe and the United States. The volume will be of interest to scholars and students working in the fields of art and cultural history as well as intercultural studies. It will be equally useful to collectors, artists and curators of global art and world cultures.
Publisher: Cambridge Scholars Publishing
ISBN: 1443839361
Category : Art
Languages : en
Pages : 260
Book Description
Beyond Boundaries: East and West Cross-Cultural Encounters is a collection of essays which span several countries, centuries and disciplines in their exploration of East-West cultural exchanges and interactions. The chapters are arranged in chronological and thematic order, and encompass the cutting edge research of a diverse group of international scholars. The subjects range from archaeology, art history and photography, to conservation, sociology and cultural studies, with cross-disciplinary examples of classical, modern and contemporary periods. The book seeks to inspire new ideas and stimulate further scholarly debate on the convergence, dissimilarities and mutual influences of the visual arts and material culture of Asia, the Middle East, Europe and the United States. The volume will be of interest to scholars and students working in the fields of art and cultural history as well as intercultural studies. It will be equally useful to collectors, artists and curators of global art and world cultures.
Catalogue of the Printed Books in the Library of the British Museum
Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 756
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 756
Book Description
Bibliographie Von Japan
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
Book Description
Vol. for 1859-1893 includes a facsimile reprint of: Léon Pagès, Bibliographie japonaise dated 1859; vol. for 1894-1906 includes a supplement to Léon Pagès' Bibliographie japonaise and a list of the Swedish literature on Japan by Miss Valfrid Palmgren.
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
Book Description
Vol. for 1859-1893 includes a facsimile reprint of: Léon Pagès, Bibliographie japonaise dated 1859; vol. for 1894-1906 includes a supplement to Léon Pagès' Bibliographie japonaise and a list of the Swedish literature on Japan by Miss Valfrid Palmgren.
Catalogue of Books
Author: Perth (W.A.). Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
Book Description
Catalogue of Books in the Public Library of Western Australia
Author: Western Australia. Public Library, Perth
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 608
Book Description
... Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 752
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 752
Book Description
The Reception of Chinese Art Across Cultures
Author: Michelle Ying Ling Huang
Publisher: Cambridge Scholars Publishing
ISBN: 1443868558
Category : Art
Languages : en
Pages : 355
Book Description
The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.
Publisher: Cambridge Scholars Publishing
ISBN: 1443868558
Category : Art
Languages : en
Pages : 355
Book Description
The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.