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Author: Hauke Lehmann
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110580764
Category : Social Science
Languages : en
Pages : 284
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Book Description
How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history – the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences – to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, Affect Poetics of the New Hollywood projects an original conception of film history: as an affective history which can be re-written up to the present day.
Author: Hauke Lehmann
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110580764
Category : Social Science
Languages : en
Pages : 284
Get Book
Book Description
How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history – the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences – to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, Affect Poetics of the New Hollywood projects an original conception of film history: as an affective history which can be re-written up to the present day.
Author: Anne Ganzert
Publisher: Springer Nature
ISBN: 3030352722
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
This book provides an in-depth study of pinboards in contemporary television series and develops the interdisciplinary and innovative concept of Serial Pinboarding. Pinboards are character attributes; they visualize thought processes; are used for conspiracy theories, as murder walls, or for complex cases in any genre. They significantly condition, and are conditioned by, seriality. This book discusses how the pinboards in Castle, Homeland, Flash Forward, and Heroes connect evidence, knowledge, and seriality and how through transmediality and fan practices an “age of pinboarding” has formed. Serial Pinboarding in Contemporary Television will appeal to TV enthusiasts, professionals and researchers, and students of TV and production studies, fan studies, media studies, and art theory.
Author: Joanna Godlewicz-Adamiec
Publisher: V&R unipress
ISBN: 3737014701
Category : Language Arts & Disciplines
Languages : en
Pages : 206
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Book Description
In his 1978 book Nelson Goodman coined the term “worldmaking.” The new-materialistic approach to the potential for meaning of extra-human materiality and its multidimensional entanglements and the intraconnectedness shifts the concept of world-making into new perspectives of interpretation. In the categories of Karen Barad’s “agential realism,” it applies to practices of knowledge production and to a diffractive (re)configuration of the world’s matter and its meaning. “World-making” gains a further specific expression in Donna Haraway’s concept of “worlding” which shows the intraactive entanglement of matter, substance, meaning, storytelling and thinking on the fundamental level of the polysemic linguistic tissue itself.
Author: Inge Hinterwaldner
Publisher: MIT Press
ISBN: 0262549646
Category : Computers
Languages : en
Pages : 393
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Book Description
A new conceptualization of the relationship between the systemic and the iconic in real-time simulations that distinguishes among four levels of forming. Computer simulations conceive objects and situations dynamically, in their changes and progressions. In The Systemic Image, Inge Hinterwaldner considers not only the technical components of dynamic computer simulations but also the sensory aspects of the realization. Examining the optic, the acoustic, the tactile, and the sensorimotor impressions that interactive real-time simulations provide, she finds that iconicity plays a dominant yet unexpected role. Based on this, and close readings of a series of example works, Hinterwaldner offers a new conceptualization of the relationship between systemic configuration and the iconic aspects in these calculated complexes. Hinterwaldner discusses specifications of sensorialization, necessary to make the simulation dynamic perceivable. Interweaving iconicity with simulation, she explores the expressive possibilities that can be achieved under the condition of continuously calculated explicit changes. She distinguishes among four levels of forming: the systems perspective, as a process and schema that establishes the most general framework of simulations; the mathematical model, which marks off the boundaries of the simulation's actualization; the iconization and its orientation toward the user; and interaction design, necessary for the full unfolding of the simulation. The user makes manifest what is initially latent. Viewing the simulation as an interface, Hinterwaldner argues that not only does the sensorially designed aspect of the simulation seduce the user but the user also makes an impact on the simulation—on the dynamic and perhaps on the iconization, although not on the perspectivation. The influence is reciprocal.
Author: Immanuel Kant
Publisher:
ISBN:
Category : Metaphysics
Languages : en
Pages : 644
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Book Description
Author: Beatrice Schuchardt
Publisher: Böhlau Verlag Köln Weimar
ISBN: 9783412320058
Category : Literary Criticism
Languages : de
Pages : 418
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Book Description
Auf der Suche nach den Spuren einer algerischen Identität taucht die mehrfach preisgekrönte algerische Schriftstellerin, Historikerin und Filmemacherin Assia Djebar in ihren Romanen, Kurzgeschichten und Filmen in die Tiefen eines postkolonialen Raumes ein. Dieser ist ebenso geprägt durch dunkle und abgelagerte Schichten des lange Vergessenen, wie er zugleich die Oberfläche der Gegenwart im Sprung auf die Zukunft hin tangiert. Djebar spürt einer paradoxen Hassliebe der Kulturen nach, die aus der kolonialen Situation entsprungen ist und sowohl die algerische als auch die französische Identität prägt. Ihre postkoloniale Literatur entwirft einen Raum zwischen den Kulturen, innerhalb dessen sie ihr Schreiben über Geschichte praktiziert. Geschichtsarbeit ist hier sowohl Dekonstruktion bekannter Geschichtsbilder wie innovative Montage. Das Buch umspannt die Schaffensperiode der Autorin von 1980 bis 2003 und thematisiert unter anderem die algerische Kolonialgeschichte sowie die politischen Spannungen der 1990er Jahre zwischen Islamismus und Nationalstaat.
Author:
Publisher:
ISBN:
Category : Astronomy
Languages : de
Pages : 458
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Book Description
Author: Lunds universitet. Observatoriet
Publisher:
ISBN:
Category : Astronomy
Languages : en
Pages : 650
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Author:
Publisher:
ISBN:
Category : Astronomy
Languages : en
Pages : 652
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Author: Gotthard Oswald Marbach
Publisher:
ISBN:
Category : Physics
Languages : en
Pages : 1038
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Book Description
