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Author: Jadranka Skorin-Kapov
Publisher: Bloomsbury Publishing USA
ISBN: 1501306995
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Darren Aronofsky's Films and the Fragility of Hope offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Including Pi (1998), Requiem for a Dream (2000), The Fountain (2006), The Wrestler (2008), Black Swan (2010), and Noah (2014), Aronofsky's filmography is discussed with respect to his style and the themes of his films, making astute connections with the work of other directors, other movies and works of art, and connecting his films with other disciplines such as math, philosophy, psychology, and art history. Jadranka Skorin-Kapov deploys her background in philosophy and math to analyze an American filmmaker with an individual voice, working on both independent productions and big-budget Hollywood films. Aronofsky is revealed to be a philosopher's director, considering the themes of life and death, addiction and obsession, sacrifice, and the fragility of hope. Skorin-Kapov discusses his ability to visually present challenging intersections between art and philosophy. Concluding with a transcript of a conversation between the author and Aronofsky himself, Darren Aronofsky's Films and the Fragility of Hope is a much-needed study on this American auteur.
Author: Jadranka Skorin-Kapov
Publisher: Bloomsbury Publishing USA
ISBN: 1501306995
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Darren Aronofsky's Films and the Fragility of Hope offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Including Pi (1998), Requiem for a Dream (2000), The Fountain (2006), The Wrestler (2008), Black Swan (2010), and Noah (2014), Aronofsky's filmography is discussed with respect to his style and the themes of his films, making astute connections with the work of other directors, other movies and works of art, and connecting his films with other disciplines such as math, philosophy, psychology, and art history. Jadranka Skorin-Kapov deploys her background in philosophy and math to analyze an American filmmaker with an individual voice, working on both independent productions and big-budget Hollywood films. Aronofsky is revealed to be a philosopher's director, considering the themes of life and death, addiction and obsession, sacrifice, and the fragility of hope. Skorin-Kapov discusses his ability to visually present challenging intersections between art and philosophy. Concluding with a transcript of a conversation between the author and Aronofsky himself, Darren Aronofsky's Films and the Fragility of Hope is a much-needed study on this American auteur.
Author: Jadranka Skorin-Kapov
Publisher:
ISBN: 9781501307003
Category :
Languages : en
Pages :
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Book Description
Author: Tarja Laine
Publisher: Berghahn Books
ISBN: 1785335219
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator’s lived body. Aronofsky’s films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered “cerebral” because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audiovisual style. Bodies in Pain looks at how Aronofsky’s films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics.
Author: Jadranka Skorin-Kapov
Publisher: Springer
ISBN: 3319893335
Category : Business & Economics
Languages : en
Pages : 347
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Book Description
This book considers ethical issues arising in professional and business settings and the role of individuals making decisions and coping with moral dilemmas. Readers can benefit from engagement in filmic narratives, as a simulated environment for developing a stance towards ethical challenges. The book starts by elaborating on critical thinking and on normative ethical theories, subsequently presenting the structure and cinematic elements of narrative film. These two avenues are tools for evaluating films and for discussions on various ethical problems in contemporary business, including: the corporate and banking financial machinations (greed, fraud, social responsibility); workplace ethical challenges (harassment, violence, inequity, inequality); professional and business ethical challenges (corruption, whistleblowing, outsourcing, downsizing, competition, and innovation); environmental and social issues; international business and human rights; and personal responsibility and identity challenges due to career pressures, loss of privacy and cyber harassment, and job structure changes in light of changing technology.
Author: Jill Dolan
Publisher: University of Michigan Press
ISBN: 9780472081608
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
Extends the feminist analysis of representation to the realm of performance
Author: Caroline Madden
Publisher: McFarland
ISBN: 1476672857
Category : Music
Languages : en
Pages : 243
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Book Description
A catalog nearly fifty years in the making, Bruce Springsteen's music remains popular and a frequent subject of study yet little critical attention has been given to its inclusion in film and television. This book examines a selection of films and TV shows from the 1980s to the present--including Mask, High Fidelity, The Sopranos and The Wrestler--that feature Springsteen's music on the soundtrack. Relating his thematic preoccupations with religion, the Vietnam War, the promise of the open road, economic disparity and blue-collar malaise, his songs color narrative and articulate the inner lives of characters. This book explores the many on-screen contexts of Springsteen's work from Greetings from Asbury Park, N.J. to Springsteen on Broadway.
Author: Jadranka Skorin-Kapov
Publisher: Lexington Books
ISBN: 1498518478
Category : Philosophy
Languages : en
Pages : 213
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Book Description
The Aesthetics of Desire and Surprise: Phenomenology and Speculation covers issues central to contemporary continental philosophy (desire, expectations, excess, rupture, transcendence, immanence, surprise). The proposed term desire||surprise captures the phenomenological-speculative character of the pair not yet and no longer. Non-obvious parallels between different thinkers are drawn, and the argumentation is organized around philosophical figures relevant in the sequence desire – excess –pause (rupture, break) – recuperation (surprise). The works of Levinas, Žižek, Bataille, Blanchot, Foucault, and Ricoeur are interpreted and positioned according to the proposed template of desire - excess - pause. The consideration of limit experiences involves authors fascinated by transgression, and the question of whether excess is immanent or transcendent. This discussion considers works by Nietzsche, Deleuze, Žižek, and Foucault. The analysis of surprise and the beginning of recovery after the pause considers works by Fink, Merleau-Ponty, Nancy, Lyotard, Dufrenne, Bachelard, and Seel. The provocative argument elaborated in this work is that surprise starts with indifference. Furthermore, the argument is that surprise begins where the concept reaches its ending, hence that the limit of speculative thinking at its ending is the limit of aesthetics at its beginning. The work of Hegel, Schelling and Jaspers are discussed in order to argue for the beginning of aesthetics there where knowledge ends. Philosophical thematic is contextualized via sections on artists such as Duchamp and Mondrian, and on some films, provoking interest of aestheticians working in art history and cultural studies departments.
Author: Steven Dillon
Publisher: University of Texas Press
ISBN: 9780292782273
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
What do contemporary American movies and directors have to say about the relationship between nature and art? How do science fiction films like Steven Spielberg's A.I. and Darren Aronofsky's π represent the apparent oppositions between nature and culture, wild and tame? Steven Dillon's intriguing new volume surveys American cinema from 1990 to 2002 with substantial descriptions of sixty films, emphasizing small-budget independent American film. Directors studied include Steven Soderbergh, Darren Aronofsky, Todd Haynes, Harmony Korine, and Gus Van Sant, as well as more canonical figures like Martin Scorcese, Robert Altman, David Lynch, and Steven Spielberg. The book takes its title and inspiration from Andrei Tarkovsky's 1972 film Solaris, a science fiction ghost story that relentlessly explores the relationship between the powers of nature and art. The author argues that American film has the best chance of aesthetic success when it acknowledges that a film is actually a film. The best American movies tell an endless ghost story, as they perform the agonizing nearness and distance of the cinematic image. This groundbreaking commentary examines the rarely seen bridge between select American film directors and their typically more adventurous European counterparts. Filmmakers such as Lynch and Soderbergh are cross-cut together with Tarkovsky and the great French director, Jean-Luc Godard, in order to test the limits and possibilities of American film. Both enthusiastically cinephilic and fiercely critical, this book puts a decade of U.S. film in its global place, as part of an ongoing conversation on nature and art.
Author: Darren Aronofsky
Publisher:
ISBN:
Category : Ants
Languages : en
Pages : 40
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Book Description
Author: Darren Aronofsky
Publisher: Universe Publishing(NY)
ISBN:
Category : Fountain (Motion picture : 2006)
Languages : en
Pages : 166
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Book Description
What if you could live forever?The Fountainis an odyssey about a man's thousand-year struggle to save the woman he loves. In three separate lives-Tomas the conquistador, Tommy the scientist, and Tom the explorer-Thomas is driven to discover the mysteries of life; all three stories converge into one truth as he comes to terms with life, death, love, and rebirth. The book is an extension of Aronofsky's cinematic vision, and will contain production stills of the film's stars Hugh Jackman and Rachel Weisz, original script, original art, and observations from creators Ari Handel and Darren Aronofsky. Edited by Darren Aronofsky,The Fountainis not so much a tie-in or a behind-the-scenes look at the film, but rather a thoughtful meditation on the film's provocative themes of life and death and its singular visuals.
