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Author: Daniel DiMassa
Publisher: Rutgers University Press
ISBN: 1684484200
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Around the turn of the nineteenth century, no task seemed more urgent to German Romantics than the creation of a new mythology. It would unite modern poets and grant them common ground, and bring philosophers and the Volk closer together. But what would a new mythology look like? Only one model sufficed, according to Friedrich Schlegel: Dante’s Divine Comedy. Through reading and juxtaposing canonical and obscure texts, Dante in Deutschland shows how Dante’s work shaped the development of German Romanticism; it argues, all the while, that the weight of Dante’s influence induced a Romantic preoccupation with authority: Who was authorized to create a mythology? This question—traced across texts by Schelling, Novalis, and Goethe—begets a Neo-Romantic fixation with Dantean authority in the mythic ventures of Gerhart Hauptmann, Rudolf Borchardt, and Stefan George. Only in Thomas Mann’s novels, DiMassa asserts, is the Romantics’ Dantean project ultimately demythologized.
Author: Daniel DiMassa
Publisher: Rutgers University Press
ISBN: 1684484200
Category : Literary Criticism
Languages : en
Pages : 243
Get Book
Book Description
Around the turn of the nineteenth century, no task seemed more urgent to German Romantics than the creation of a new mythology. It would unite modern poets and grant them common ground, and bring philosophers and the Volk closer together. But what would a new mythology look like? Only one model sufficed, according to Friedrich Schlegel: Dante’s Divine Comedy. Through reading and juxtaposing canonical and obscure texts, Dante in Deutschland shows how Dante’s work shaped the development of German Romanticism; it argues, all the while, that the weight of Dante’s influence induced a Romantic preoccupation with authority: Who was authorized to create a mythology? This question—traced across texts by Schelling, Novalis, and Goethe—begets a Neo-Romantic fixation with Dantean authority in the mythic ventures of Gerhart Hauptmann, Rudolf Borchardt, and Stefan George. Only in Thomas Mann’s novels, DiMassa asserts, is the Romantics’ Dantean project ultimately demythologized.
Author: Theodor Paur
Publisher:
ISBN:
Category :
Languages : de
Pages : 32
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Author: Werner Paul Friederich
Publisher: Ed. di Storia e Letteratura
ISBN:
Category :
Languages : en
Pages : 588
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Author: Richard Zoozmann
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Susana Onega
Publisher: Springer
ISBN: 3319552783
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
This volume addresses the construction and artistic representation of traumatic memories in the contemporary Western world from a variety of inter- and trans-disciplinarity critical approaches and perspectives, ranging from the cultural, political, historical, and ideological to the ethical and aesthetic, and distinguishing between individual, collective, and cultural traumas. The chapters introduce complementary concepts from diverse thinkers including Cathy Caruth, Jacques Derrida, Judith Butler, Homi Bhabha, Abraham and Torok, and Joyce Carol Oates; they also draw from fields of study such as Memory Studies, Theory of Affects, Narrative and Genre Theory, and Cultural Studies. Traumatic Memory and the Political, Economic, and Transhistorical Functions of Literature addresses trauma as a culturally embedded phenomenon and deconstructs the idea of trauma as universal, transhistorical, and abstract.
Author: Hermann von Grauert
Publisher:
ISBN:
Category :
Languages : de
Pages : 164
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Author: Theodor Ostermann
Publisher:
ISBN:
Category :
Languages : de
Pages : 616
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Author: Louis Paul Betz
Publisher: Ardent Media
ISBN:
Category : Comparative literature
Languages : en
Pages : 246
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Book Description
Author: Daniel DiMassa
Publisher: Rutgers University Press
ISBN: 1684484189
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Around 1800, German Romantics fixated on Dante's Divine Comedy as a model for the creation of a new mythology of reason. This book traces that fixation across Romantic and Neo-Romantic texts, showing how the Romantic Dante cult in fact generated ominous amalgams of art, myth, and fascism in the twentieth century.
Author: Cornell University. Libraries
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
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Book Description
