Contemporary Worship Music and Everyday Musical Lives PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Contemporary Worship Music and Everyday Musical Lives PDF full book. Access full book title Contemporary Worship Music and Everyday Musical Lives by Mark Porter. Download full books in PDF and EPUB format.
Author: Mark Porter
Publisher: Routledge
ISBN: 1315451271
Category : Music
Languages : en
Pages : 198
Get Book
Book Description
Whilst Contemporary Worship Music arose out of a desire to relate the music of the church to the music of everyday life, this function can quickly be called into question by the diversity of musical lives present in contemporary society. Mark Porter examines the relationship between individuals’ musical lives away from a Contemporary Worship Music environment and their diverse experiences of music within it, presenting important insights into the complex and sometimes contradictory relationships between congregants’ musical lives within and outside of religious worship. Through detailed ethnographic investigation Porter challenges common evangelical ideals of musical neutrality, suggesting the importance of considering musical tastes and preferences through an ethical lens. He employs cosmopolitanism as an interpretative framework for understanding the dynamics of diverse musical communities, positioning it as a stronger alternative to common assimilationist and multiculturalist models.
Author: Mark Porter
Publisher: Routledge
ISBN: 1315451271
Category : Music
Languages : en
Pages : 198
Get Book
Book Description
Whilst Contemporary Worship Music arose out of a desire to relate the music of the church to the music of everyday life, this function can quickly be called into question by the diversity of musical lives present in contemporary society. Mark Porter examines the relationship between individuals’ musical lives away from a Contemporary Worship Music environment and their diverse experiences of music within it, presenting important insights into the complex and sometimes contradictory relationships between congregants’ musical lives within and outside of religious worship. Through detailed ethnographic investigation Porter challenges common evangelical ideals of musical neutrality, suggesting the importance of considering musical tastes and preferences through an ethical lens. He employs cosmopolitanism as an interpretative framework for understanding the dynamics of diverse musical communities, positioning it as a stronger alternative to common assimilationist and multiculturalist models.
Author: Mark James Porter
Publisher:
ISBN: 9781315451299
Category : Music
Languages : en
Pages : 198
Get Book
Book Description
Whilst Contemporary Worship Music arose out of a desire to relate the music of the church to the music of everyday life, this function can quickly be called into question by the diversity of musical lives present in contemporary society. Mark Porter examines the relationship between individuals' musical lives away from a Contemporary Worship Music environment and their diverse experiences of music within it, presenting important insights into the complex and sometimes contradictory relationships between congregants' musical lives within and outside of religious worship. Through detailed ethnographic investigation Porter challenges common evangelical ideals of musical neutrality, suggesting the importance of considering musical tastes and preferences through an ethical lens. He employs cosmopolitanism as an interpretative framework for understanding the dynamics of diverse musical communities, positioning it as a stronger alternative to common assimilationist and multiculturalist models.
Author: Mark Porter
Publisher: Taylor & Francis
ISBN: 131545128X
Category : Music
Languages : en
Pages : 207
Get Book
Book Description
Cover -- Half title -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgements -- Introduction: The quest to understand diverse musical experiences -- My experiences and motivations -- Key questions -- A developing field of scholarship -- Methodology -- The chapters -- Notes -- 1. Setting the scene -- St Aldates Church -- Worship staff, musical values and conceptions -- Notes -- 2. Music, attachment, ethics and community -- Evangelical ontologies of musical neutrality -- The connection between music and ethics -- The problem of tastes and preferences
Author: Monique M. Ingalls
Publisher: Oxford University Press
ISBN: 0190499656
Category : Music
Languages : en
Pages : 224
Get Book
Book Description
Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
Author: Mark Porter
Publisher: Oxford University Press
ISBN: 0197534120
Category : Music
Languages : en
Pages : 172
Get Book
Book Description
Ecologies of Resonance in Christian Musicking Rexplores a diverse range of Christian musical activity through the conceptual lens of resonance, a concept rooted in the physical, vibrational, and sonic realm that carries with it an expansive ability to simultaneously describe personal, social, and spiritual realities. In this book, Mark Porter proposes that attention to patterns of back-and-forth interaction that exist in and alongside sonic activity can help to understand the dynamics of religious musicking in new ways and, at the same time, can provide a means for bringing diverse traditions into conversation. The book focuses on different questions arising out of human experience in the moment of worship. What happens if we take the entry point of a human being experiencing certain patterns of (more than) sonic interaction with the world around them as a focus for exploration? What different ecologies of interaction can be encountered? What kinds of patterns can be traced through different Christian worshiping environments? And how do these operate across multiple dimensions of experience? Chapters covering ascetic sounding, noisy congregations, and Internet live-streaming, among others, serve to highlight the diverse ecologies of resonance that surround Christian musicking, suggesting the potential to develop new perspectives on devotional musical activity that focus not primarily on compositions or theological ideals but on changing patterns of interaction across multiple dimensions between individuals, spaces, communities, and God.
Author: David Lemley
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467461636
Category : Religion
Languages : en
Pages : 322
Get Book
Book Description
Contemporary worship music is ubiquitous in many Protestant Christian communities today. Rather than debating or decrying this post–worship-wars reality, David Lemley accepts it as a premise and examines what it means for us to be singing along with songs that aren’t so different from the pop genre. How do we cope with the consumerism embedded in the mentality that catchy is good? How do we stay committed to subverting cultural norms, as Christians are called to do, when our music is modeled after those cultural norms? How do we ensure that the way we participate in the liturgy of contemporary worship music rehearses a cruciform identity? Becoming What We Sing draws on cultural criticism, ethnomusicology, and liturgical and sacramental theology to process the deluge of the contemporary in today’s worship music. Lemley probes the thought of historical figures, such as Augustine, Hildegard of Bingen, Martin Luther, and the Wesleys, while also staying situated in the current moment by engaging with cultural philosophers such as James K. A. Smith and popular artists such as U2. The result is a thorough assessment of contemporary worship music’s cultural economy that will guide readers toward greater consciousness of who we are becoming as we sing “our way into selves, societies, and cosmic perspectives.”
Author:
Publisher: Abingdon Press
ISBN: 1426739338
Category : Religion
Languages : en
Pages : 235
Get Book
Book Description
The definitive guide to the meaning of today’s most popular praise and worship songs. Few things influence Christians’ understanding of the faith more than the songs they sing in worship. The explosion of praise and worship music in the last fifteen years has profoundly affected our experience of God. So what are those songs telling us about who God is? In what ways have they made us more faithful disciples of Jesus Christ? In what ways have they failed to embody the full message of the gospel? Working with the lists of the most frequently sung praise and worship songs from recent years, the authors of this book offer an objective but supportive assessment of the meaning and contribution of the Christian music that has been so important in the lives of contemporary believers.
Author: Frances Wilkins
Publisher: Routledge
ISBN: 1351847414
Category : Music
Languages : en
Pages : 300
Get Book
Book Description
Following three years of ethnomusicological fieldwork on the sacred singing traditions of evangelical Christians in North-East Scotland and Northern Isles coastal communities, Frances Wilkins documents and analyses current singing practices in this book by placing them historically and contemporaneously within their respective faith communities. In ascertaining who the singers were and why, when, where, how and what they chose to sing, the study explores a number of related questions. How has sacred singing contributed to the establishment and reinforcement of individual and group identities both in the church and wider community? What is the process by which specific regional repertoires and styles develop? Which organisations and venues have been particularly conducive to the development of sacred singing in the community? How does the subject matter of songs relate to the immediate environment of coastal inhabitants? How and why has gospel singing in coastal communities changed? These questions are answered with comprehensive reference to interview material, fieldnotes, videography and audio field recordings. As one of the first pieces of ethnomusicological research into sacred music performance in Scotland, this ethnography draws important parallels between practices in the North East and elsewhere in the British Isles and across the globe.
Author: Nathan Myrick
Publisher: Oxford University Press, USA
ISBN: 0197550622
Category : Music
Languages : en
Pages : 169
Get Book
Book Description
"Musical activity is one of the most ubiquitous and highly valued forms of social interaction in North America-from sporting events to political rallies, concerts to churches. Its use as an affective agent for political and religious programs suggests that it has ethical significance, but it is one of the most undertheorized aspects of both theological ethics and music scholarship. Music for Others: Care, Justice, and Relational Ethics in Christian Music fills part of this scholarly gap by focusing on the religious aspects of musical activity, particularly on the practices of Christian communities. It is based on ethnomusicological fieldwork at three Protestant churches and interviews with a group of seminary students, combined with theories of discourse, formation, response, and care ethics oriented toward restorative justice. The book argues that relationships are ontological for both human beings and musical activity. It further argues that musical meaning and emotion converge in human bodies such that music participates in personal and communal identity construction in affective ways-yet these constructions are not always just. Thus, Music for Others argues that music is ethical when it preserves people in and restores people to just relationships with each other, and thereby with God"--
Author: Linda J. Clark
Publisher: Rowman & Littlefield
ISBN: 1566995876
Category : Religion
Languages : en
Pages : 138
Get Book
Book Description
Clergy, worship or music committees, organists, and choir or music directors will find this a practical and invaluable guide to the role and power of music to express and form faith. Clark researched twenty-four Episcopal and United Methodist congregations to discover how churchgoers express their faith through music. Discover how music can either enhance or detract from tradition and faith experience. Explore how it can shape your congregation's character.
