Author:
Publisher:
ISBN:
Category : Computer graphics
Languages : en
Pages : 294
Book Description
Comptes Rendus Interface Graphique '84
Author:
Publisher:
ISBN:
Category : Computer graphics
Languages : en
Pages : 294
Book Description
Publisher:
ISBN:
Category : Computer graphics
Languages : en
Pages : 294
Book Description
Comptes Rendus - Interface Graphique
Author:
Publisher:
ISBN:
Category : Computer graphics
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : Computer graphics
Languages : en
Pages : 270
Book Description
Canadiana
A Century of Artists Books
Author: Riva Castleman
Publisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0
Book Description
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Publisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0
Book Description
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Government reports annual index
Canadian Periodical Index
Author:
Publisher:
ISBN:
Category : Canadian periodicals
Languages : en
Pages : 1740
Book Description
Publisher:
ISBN:
Category : Canadian periodicals
Languages : en
Pages : 1740
Book Description
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 560
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 560
Book Description
Divine Names on the Spot II
Author: F Porzia
Publisher:
ISBN: 9789042951617
Category :
Languages : fr
Pages : 0
Book Description
English summary: Names, images, and narratives are intimately related and frequently polysemous. As pieces of information on the gods, they convey fragments of knowledge and attempts to interpret the multifaceted complexity of the divine world. In what Robert Parker describes as an "archipelago", images and narratives are like compasses used to approach the mapping of the gods. The different contributions collected in this volume, dealing with the Greek and the Semitic worlds (the two main areas of the "Mapping Ancient Polytheisms" project), explore connections but also discrepancies between these different semantics, in order to highlight specificities and commonalities in the onomastic and iconographic languages. French description: Les noms, les images et les recits sont intimement lies et volontiers polysemiques. En tant qu'elements d'information sur les dieux, ils vehiculent des fragments de connaissance et constituent autant de tentatives d'interpretation de la complexite multiforme du monde divin. Dans ce que Robert Parker decrit comme un archipel, les images et les recits sont comme des boussoles qui facilitent la cartographie des dieux. Les differentes contributions rassemblees dans ce volume, traitant des mondes grec et semitique (les deux principaux domaines abordes dans le projet Mapping Ancient Polytheisms), explorent les connexions mais aussi les divergences existant entre ces differentes semantiques, afin de mettre en evidence les specificites et les points communs entre langage onomastique et langage iconographique.
Publisher:
ISBN: 9789042951617
Category :
Languages : fr
Pages : 0
Book Description
English summary: Names, images, and narratives are intimately related and frequently polysemous. As pieces of information on the gods, they convey fragments of knowledge and attempts to interpret the multifaceted complexity of the divine world. In what Robert Parker describes as an "archipelago", images and narratives are like compasses used to approach the mapping of the gods. The different contributions collected in this volume, dealing with the Greek and the Semitic worlds (the two main areas of the "Mapping Ancient Polytheisms" project), explore connections but also discrepancies between these different semantics, in order to highlight specificities and commonalities in the onomastic and iconographic languages. French description: Les noms, les images et les recits sont intimement lies et volontiers polysemiques. En tant qu'elements d'information sur les dieux, ils vehiculent des fragments de connaissance et constituent autant de tentatives d'interpretation de la complexite multiforme du monde divin. Dans ce que Robert Parker decrit comme un archipel, les images et les recits sont comme des boussoles qui facilitent la cartographie des dieux. Les differentes contributions rassemblees dans ce volume, traitant des mondes grec et semitique (les deux principaux domaines abordes dans le projet Mapping Ancient Polytheisms), explorent les connexions mais aussi les divergences existant entre ces differentes semantiques, afin de mettre en evidence les specificites et les points communs entre langage onomastique et langage iconographique.
Transactions of the American Electrochemical Society
Author: American Electrochemical Society
Publisher:
ISBN:
Category : Chemistry
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category : Chemistry
Languages : en
Pages : 468
Book Description
The Situationist City
Author: Simon Sadler
Publisher: MIT Press
ISBN: 9780262692250
Category : Architecture
Languages : en
Pages : 260
Book Description
Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the Situationist International left behind. From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure Situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of Situationist thought, particularly as they applied to the form of the modern city. According to the Situationists, the benign professionalism of architecture and design had led to a sterilization of the world that threatened to wipe out any sense of spontaneity or playfulness. The Situationists hankered after the "pioneer spirit" of the modernist period, when new ideas, such as those of Marx, Freud, and Nietzsche, still felt fresh and vital. By the late fifties, movements such as British and American Pop Art and French Nouveau Ralisme had become intensely interested in everyday life, space, and mass culture. The SI aimed to convert this interest into a revolution—at the level of the city itself. Their principle for the reorganization of cities was simple and seductive: let the citizens themselves decide what spaces and architecture they want to live in and how they wish to live in them. This would instantly undermine the powers of state, bureaucracy, capital, and imperialism, thereby revolutionizing people's everyday lives. Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the SI left behind. The book is divided into three parts. The first, "The Naked City," outlines the Situationist critique of the urban environment as it then existed. The second, "Formulary for a New Urbanism," examines Situationist principles for the city and for city living. The third, "A New Babylon," describes actual designs proposed for a Situationist City.
Publisher: MIT Press
ISBN: 9780262692250
Category : Architecture
Languages : en
Pages : 260
Book Description
Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the Situationist International left behind. From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure Situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of Situationist thought, particularly as they applied to the form of the modern city. According to the Situationists, the benign professionalism of architecture and design had led to a sterilization of the world that threatened to wipe out any sense of spontaneity or playfulness. The Situationists hankered after the "pioneer spirit" of the modernist period, when new ideas, such as those of Marx, Freud, and Nietzsche, still felt fresh and vital. By the late fifties, movements such as British and American Pop Art and French Nouveau Ralisme had become intensely interested in everyday life, space, and mass culture. The SI aimed to convert this interest into a revolution—at the level of the city itself. Their principle for the reorganization of cities was simple and seductive: let the citizens themselves decide what spaces and architecture they want to live in and how they wish to live in them. This would instantly undermine the powers of state, bureaucracy, capital, and imperialism, thereby revolutionizing people's everyday lives. Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the SI left behind. The book is divided into three parts. The first, "The Naked City," outlines the Situationist critique of the urban environment as it then existed. The second, "Formulary for a New Urbanism," examines Situationist principles for the city and for city living. The third, "A New Babylon," describes actual designs proposed for a Situationist City.