Claudio Monteverdi

Claudio Monteverdi PDF Author: Susan Lewis
Publisher: Routledge
ISBN: 1135042926
Category : Music
Languages : en
Pages : 280

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Book Description
Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.

Opera's First Master

Opera's First Master PDF Author: Mark Ringer
Publisher: Hal Leonard Corporation
ISBN: 9781574671100
Category : Music
Languages : en
Pages : 364

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Book Description
"Includes full-length Harmonia Mundi CD"--Cover, p. 1.

Claudio Monteverdi: Orfeo

Claudio Monteverdi: Orfeo PDF Author: John Whenham
Publisher: Cambridge University Press
ISBN: 9780521284776
Category : Biography & Autobiography
Languages : en
Pages : 236

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Book Description
A detailed study of the earliest opera in the modern repertoire.

The Letters of Claudio Monteverdi

The Letters of Claudio Monteverdi PDF Author: Claudio Monteverdi
Publisher: Cambridge University Press
ISBN: 9780521235914
Category : Biography & Autobiography
Languages : en
Pages : 470

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Book Description
A comprehensive edition of Monteverdi's letters which span the years 1601-43 and give an unrivalled picture of the composer's life in Mantua, Venice and Parma, his thoughts on the aesthetics of opera, his colleagues, and his own works. Extensive commentaries introduce each letter.

The Return of Ulysses

The Return of Ulysses PDF Author: Claudio Monteverdi
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 36

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Book Description


The Operas of Monteverdi

The Operas of Monteverdi PDF Author: Claudio Monteverdi
Publisher: Oneworld Classics
ISBN: 9780714544465
Category : Operas
Languages : en
Pages : 0

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Book Description
English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. Monteverdi s 1607 version of the legend of Orpheus is arguably the first masterpiece of opera. Composed for the court of Mantua, where Monteverdi was employed, it is very different from his two other surviving operas, which he wrote more than30 years later to entertain Venetian audiences in the first public opera houses. Orfeo was long considered untranslatable, because the text is so closely tied to the music, and the Venetian librettos owe some of their brilliance to Spanish Golden Age theatre. This opera guide is an opportunity to read all three of Monteverdi s stage works together, in Anne Ridler s graceful translations."

Claudio Monteverdi’s Venetian Operas

Claudio Monteverdi’s Venetian Operas PDF Author: Ellen Rosand
Publisher: Taylor & Francis
ISBN: 0429575157
Category : Music
Languages : en
Pages : 269

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Book Description
Claudio Monteverdi’s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi’s late operas from an interdisciplinary perspective. The premise of the volume is the idea that constructive dialogue between musicologists and musicians, stage directors and theater historians, as well as philologists and literary critics can shed new light on Monteverdi’s two Venetian operas (and their respective librettos, by Badoaro and Busenello), not only at the levels of textual criticism, historical exegesis, and dramaturgy, but also with regard to concrete choices of performance, staging, and mise-en-scène. Following an Introduction setting up the interdisciplinary agenda, the volume comprises two main parts: ‘Contexts and Sources’ deals with the historical, philosophical, and aesthetic contexts of the works - librettos and scores; 'Performance and Interpretation’ offers critical and historical insights regarding the casting, singing, reciting, staging, and conducting of the two operas. This volume will appeal to scholars and researchers in Opera Studies and Music History as well as be of interest to early music performers and all those involved with presenting opera on stage.

Monteverdi's Last Operas: A Venetian Trilogy

Monteverdi's Last Operas: A Venetian Trilogy PDF Author: Ellen Rosand
Publisher: Univ of California Press
ISBN: 9780520933279
Category : Music
Languages : en
Pages : 508

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Book Description
Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works—Il ritorno d'Ulisse (1640) and L'incoronazione di Poppea (1642)—from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d'Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. Le nozze d'Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.

The Cambridge Companion to Monteverdi

The Cambridge Companion to Monteverdi PDF Author: John Whenham
Publisher: Cambridge University Press
ISBN: 9781139828222
Category : Music
Languages : en
Pages :

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Book Description
Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.

Monteverdi's Musical Theatre

Monteverdi's Musical Theatre PDF Author: Lecturer in Music Royal Holloway and Bedford New College Tim Carter
Publisher: Yale University Press
ISBN: 9780300096767
Category : Music
Languages : en
Pages : 348

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Book Description
Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His Orfeo, Il Ritorno d'Ulisse in Patria, and L'incoronazione di Poppea are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in their fusion of music, drama and dance. This is a survey of Monteverdi's entire output of music for the theatre - his surviving operas, other dramatic musical compositions, and lost works.