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Author: Anne McCauley
Publisher: Yale University Press
ISBN: 0300229089
Category : Photography
Languages : en
Pages : 409
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Book Description
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
Author: Anne McCauley
Publisher: Yale University Press
ISBN: 0300229089
Category : Photography
Languages : en
Pages : 409
Get Book
Book Description
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
Author: Bonnie Yochelson
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 218
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Book Description
This book presents the first comprehensive examination of the photographic work and teaching of Clarence H. White and his students, who were New York's vanguard art photographers in the first half of this century. The incisive texts, written by two White scholars, examine the social context of White's ideologies, and arts and crafts principles. These beautifully reproduced images reveal the photographic work of White and his students, which is based on the aesthetic principles that formed the foundations of modernism.
Author: Peter C. Bunnell
Publisher:
ISBN:
Category :
Languages : en
Pages : 79
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Book Description
Author: A. J. Meek
Publisher: Univ. Press of Mississippi
ISBN: 9781578069095
Category : Art
Languages : en
Pages : 266
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Book Description
A biography of a New Orleans photographer of worldwide acclaim
Author: Roy Horniman
Publisher: Library of Alexandria
ISBN: 1465543732
Category : Fiction
Languages : en
Pages : 490
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Book Description
It was the close of a bleak, autumnal afternoon. All day long in the chill and windy atmosphere the dust had been driven helter-skelter along the shabbier streets of Clapham, whirling with it the leaves which had fallen from the depressed trees in the gardens of the innumerable semi-detached villas. Here and there, fragments of torn paper rustled spasmodically along the gutter as the driving gust caught them, or—now that the dusk had fallen—floated spectrally for a few moments in mid-air, like disembodied spirits, essaying an upward flight, only to be baulked by a lull in the wind and to come suddenly to earth again, where they lay until the next gust of wind caught them. Among the dismal streets not one was more depressing than Ursula Grove. As if to deprive it of the least trace of individuality it was but a connecting link between two more important residential roads running parallel with each other, and even these were not very important; hence it is obvious that Ursula Grove was humble indeed. Each house had a yard or two of front garden entered through cheaply varnished wooden gate-lets, which announced in faded gold lettering that should anyone enter he would find himself in Seaview, or on The Riviera, as the case might be. Provided the name was inappropriate there appeared to have been no initial objection to its being anything. In fact, those responsible for the christening of these desirable residences appeared to have acted on the same principle as the small builder, who, erecting houses at too great a rate to be able to waste time in seeking appropriate names, was accustomed to choose them haphazard out of the newspapers, and thus christened two small stucco atrocities joined together in semi-detached matrimony, the Vatican and the Quirinal, because these two names appeared in the course of the same leading article. Each house had a little bow window which belonged to the drawing-room. If these bow windows could have been removed and all the little drawing-rooms placed, as it were, on exhibition they would have presented an extraordinary likeness. There were the same three or four saddle-bag chairs, the same saddle-bag sofa, the same little bamboo occasional table, and the same little gilt mirror; all luxuries that were rewarded, apparently, by their own virtue and a sense of their own unique beauty, for it was seldom that their owners enjoyed them. In the summer the blinds were kept down for fear the sun should spoil the carpet, which it certainly would have done if it had been allowed a fair field and no favour with the gaudy little stiff squares of cheap Kidderminster. These front rooms, although infinitely the largest and most convenient in the house, were never degraded to the level of living rooms, however large the family. Sometimes in the winter a fire was lighted on Sundays and the inhabitants sat round it, but by Monday morning at breakfast time all traces of this revel had disappeared, and the fire ornaments were back again, trailing their gilded and tawdry finery over a highly polished grate, glittering out on the darkened, frosty room, that suggested nothing so much as the laying out of a corpse.
Author: Clarence John Laughlin
Publisher: Bulfinch Press
ISBN: 9780821223611
Category : Photography
Languages : en
Pages : 105
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Book Description
Called "Edgar Allan Poe with a camera", Clarence John Laughlin (1905-1984) reveals New Orleans at its most brooding and mysterious in 69 never-before-published images. Compiled by the Historic New Orleans Collection, this volume brings together an eerie gallery of French Quarter facades, funerary sculpture, and other details that summon up the Acadian gothic described by six distinguished writers. 69 illustrations.
Author: Kathleen Pyne
Publisher: Yale University Press
ISBN: 0300249942
Category : Photography
Languages : en
Pages : 245
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Book Description
The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream In the first book devoted to Anne Brigman (1869–1950), Kathleen Pyne traces the groundbreaking photographer’s life from Hawai‘i to the Sierra and elsewhere in California, revealing how her photographs emerged from her experience of local place and cultural politics. Brigman’s work caught the eye of the well-known photographer Alfred Stieglitz, who welcomed her as one of the original members of his Photo-Secession group. He promoted her work as exemplary of his modernism and praised her Sierra landscapes with female nudes—work that at the time separated Brigman from the spiritualized upper-class femininity of other women photographers. Stieglitz later drew on Brigman’s images of the expressive female body in shaping the public persona of Georgia O’Keeffe into his ideal woman artist. This nuanced account reasserts Brigman’s place among photography’s most important early advocates and provides new insight into the gender and racialist dynamics of the early twentieth-century art world, especially on the West Coast of the United States.
Author: Christian A. Peterson
Publisher: W W Norton & Company Incorporated
ISBN: 9780393041118
Category : Photography
Languages : en
Pages : 218
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Book Description
The beautiful and seductive images of an overlooked movement, reproduced in their full tonal range. Much has been written about Alfred Stieglitz and his role in establishing photography as an art. Little attention, however, has been paid to the pictorial photographers who followed Stieglitz, among them Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others -- those who, in a widespread movement, approached photography in a painterly fashion, creating beautiful images through the use of careful lighting, manipulated tones, soft focus effects, and artistic compositions. In this important volume, Christian A. Peterson finally gives the pictorialists of the first half of the twentieth century their due. He describes the backgrounds of the movement, their methods, the photo clubs they belonged to, and their work, illustrated here with ninety-three stunning reproductions. The movement seemed to die out, Peterson suggests, with the rising popularity of 35mm photography in mid-century, when the care and slow working procedures required by large-format cameras became unpopular. 93 full-color photographs
Author: Clarence H. White
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 104
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Book Description
Author: Two Red Roses Foundation
Publisher: Lucia Marquand
ISBN: 9780982083369
Category : Photography
Languages : en
Pages : 240
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Book Description
-Includes many never before published photographs -Featured artists include: Edward S. Curtis, Arthur Wesley Dow, Adolf Fassbender, and Alfred Stieglitz This book examines the history of the Pictorialist movement in America through the outstanding collection of photographs, books, and journals in the Two Red Roses Collection. The catalog features artists who were pioneers of early art photography, including Edward S. Curtis, Arthur Wesley Dow, Adolf Fassbender, and Alfred Stieglitz. Evolving from the earlier school of Naturalistic photography, Pictorialism was the first major movement to champion the cause of photography as one of the fine arts, and usually featured soft-focus effects, mimicking the established art of painting. The growing interest in pictorial photography occurred during the Arts and Crafts movement, and shared an emphasis on hand-craftsmanship, merging art, life, and popular appeal. The proliferation of how-to books and periodicals, along with the emergence of numerous camera clubs in cities across the United States, furthered the interest in this type of art from professional artists and amateurs alike.
