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Author: Victor H. Mair
Publisher:
ISBN: 9781624997778
Category : LITERARY CRITICISM
Languages : en
Pages : 531
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Book Description
This book is a valuable collection of essays by renowned Asian studies scholar Victor H. Mair. Compiled by Rebecca Shuang Fu, Matthew Anderson, Xiang Wan, and Sophie Ling-Chia Wei, it provides a window into Mair's vast array of scholarly works, which are influential and well known for their broad scope. This collection connects Mair's works from phases of his career to show its trajectory and development. Chapters 1 to 3 reflect his comprehensive and interdisciplinary training in Chinese literature and Indology. From chapter 4 onwards, Mair's much-lauded insightful discussions on the interactions between China and other cultures are presented. The last 3 chapters demonstrate how Mair's research successfully branched out from philology, making significant contributions to various fields, including art, archaeology, and philosophy. This book is essential for scholars in Asian studies.
Author: Victor H. Mair
Publisher:
ISBN: 9781624997778
Category : LITERARY CRITICISM
Languages : en
Pages : 531
Get Book
Book Description
This book is a valuable collection of essays by renowned Asian studies scholar Victor H. Mair. Compiled by Rebecca Shuang Fu, Matthew Anderson, Xiang Wan, and Sophie Ling-Chia Wei, it provides a window into Mair's vast array of scholarly works, which are influential and well known for their broad scope. This collection connects Mair's works from phases of his career to show its trajectory and development. Chapters 1 to 3 reflect his comprehensive and interdisciplinary training in Chinese literature and Indology. From chapter 4 onwards, Mair's much-lauded insightful discussions on the interactions between China and other cultures are presented. The last 3 chapters demonstrate how Mair's research successfully branched out from philology, making significant contributions to various fields, including art, archaeology, and philosophy. This book is essential for scholars in Asian studies.
Author: Victor H. Mair
Publisher:
ISBN: 9781604978896
Category : History
Languages : en
Pages : 506
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Book Description
This book is a valuable collection of essays by renowned Asian studies scholar Victor H. Mair. Compiled by Rebecca Shuang Fu, Matthew Anderson, Xiang Wan, and Sophie Ling-Chia Wei, it provides a window into Mair's vast array of scholarly works, which are influential and well known for their broad scope. This collection connects Mair's works from phases of his career to show its trajectory and development. Chapters 1 to 3 reflect his comprehensive and interdisciplinary training in Chinese literature and Indology. From chapter 4 onwards, Mair's much-lauded insightful discussions on the interactions between China and other cultures are presented. The last 3 chapters demonstrate how Mair's research successfully branched out from philology, making significant contributions to various fields, including art, archaeology, and philosophy. This book is essential for scholars in Asian studies.
Author: Dorothy C. Wong
Publisher:
ISBN: 9781604978568
Category : Art
Languages : en
Pages : 440
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Book Description
"A collaborative project with the Nalanda-Swiwijaya Centre at the Institute of Southeast Asian Studies, Singapore."--Title page verso.
Author: Victor H. Mair
Publisher: Columbia University Press
ISBN: 0231528515
Category : Literary Criticism
Languages : en
Pages : 1369
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Book Description
The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.
Author: Nathan Vedal
Publisher: Columbia University Press
ISBN: 0231553765
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Winner, 2023 Morris D. Forkosch Prize, Journal of the History of Ideas The scholarly culture of Ming dynasty China (1368–1644) is often seen as prioritizing philosophy over concrete textual study. Nathan Vedal uncovers the preoccupation among Ming thinkers with specialized linguistic learning, a field typically associated with the intellectual revolution of the eighteenth century. He explores the collaboration of Confucian classicists and Buddhist monks, opera librettists and cosmological theorists, who joined forces in the pursuit of a universal theory of language. Drawing on a wide range of overlooked scholarly texts, literary commentaries, and pedagogical materials, Vedal examines how Ming scholars positioned the study of language within an interconnected nexus of learning. He argues that for sixteenth- and seventeenth-century thinkers, the boundaries among the worlds of classicism, literature, music, cosmology, and religion were far more fluid and porous than they became later. In the eighteenth century, Qing thinkers pared away these other fields from linguistic learning, creating a discipline focused on corroborating the linguistic features of ancient texts. Documenting a major transformation in knowledge production, this book provides a framework for rethinking global early modern intellectual developments. It offers a powerful alternative to the conventional understanding of late imperial Chinese intellectual history by focusing on the methods of scholarly practice and the boundaries by which contemporary thinkers defined their field of study.
Author: Bruce Rusk
Publisher: Columbia University Press
ISBN: 0231551371
Category : History
Languages : en
Pages : 793
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Book Description
“Information” has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China’s textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment. Contributors trace the organization of literary information across China’s three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China’s long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management—the word, the document, and the collection—and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library. Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition.
Author: Haun Saussy
Publisher: Oxford University Press
ISBN: 0192540629
Category : Literary Criticism
Languages : en
Pages : 168
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Book Description
This volume examines translation from many different angles: it explores how translations change the languages in which they occur, how works introduced from other languages become part of the consciousness of native speakers, and what strategies translators must use to secure acceptance for foreign works. Haun Saussy argues that translation doesn't amount to the composition, in one language, of statements equivalent to statements previously made in another language. Rather, translation works with elements of the language and culture in which it arrives, often reconfiguring them irreversibly: it creates, with a fine disregard for precedent, loan-words, calques, forced metaphors, forged pasts, imaginary relationships, and dialogues of the dead. Creativity, in this form of writing, usually considered merely reproductive, is the subject of this book. The volume takes the history of translation in China, from around 150 CE to the modern period, as its source of case studies. When the first proponents of Buddhism arrived in China, creativity was forced upon them: a vocabulary adequate to their purpose had yet to be invented. A Chinese Buddhist textual corpus took shape over centuries despite the near-absence of bilingual speakers. One basis of this translating activity was the rewriting of existing Chinese philosophical texts, and especially the most exorbitant of all these, the collection of dialogues, fables, and paradoxes known as the Zhuangzi. The Zhuangzi also furnished a linguistic basis for Chinese Christianity when the Jesuit missionary Matteo Ricci arrived in the later part of the Ming dynasty and allowed his friends and associates to frame his teachings in the language of early Daoism. It would function as well when Xu Zhimo translated from The Flowers of Evil in the 1920s. The chance but overdetermined encounter of Zhuangzi and Baudelaire yielded a 'strange music' that retroactively echoes through two millennia of Chinese translation, outlining a new understanding of the translator's craft that cuts across the dividing lines of current theories and critiques of translation.
Author: Tansen Sen
Publisher: Rowman & Littlefield
ISBN: 1442220929
Category : History
Languages : en
Pages : 561
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Book Description
This pathbreaking study provides the first comprehensive examination of India-China interactions in the broader contexts of Asian and world history. By focusing on material exchanges, transmissions of knowledge and technologies, networks of exchange during the colonial period, and little-known facets of interactions between the Republic of India and the People’s Republic of China, Tansen Sen argues convincingly that the analysis of India-China connections must extend beyond the traditional frameworks of nation-states or bilateralism. Instead, he demonstrates that a wide canvas of space, people, objects, and timeframe is needed to fully comprehend the interactions between India and China in the past and during the contemporary period. Considering as well the contributions of people and groups from beyond India and China, Sen also explores the interactions between Indians and Chinese outside the Asian continent. The author’s formidable array of sources, pulled from archives and libraries around the world, range from Chinese travel accounts to Indian intelligence reports. Examining the connected histories of the two regions, Sen fills a striking gap in the study of India and China in a global setting.
Author: Chia-Rong Wu
Publisher:
ISBN: 9781604979213
Category : Literary Collections
Languages : en
Pages : 242
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Book Description
"This book examines some interesting, significant types and aspects of Sinophone Taiwan fiction, as well as a number of prominent writers and representative works. Focusing on the narratives of the strange, it connects the trope of ghost haunting with Taiwan's complex ethnoscapes and historical, colonial trauma. In addition to investigating 'ghost island' narratives, it explores literary representations of magical nativism--including magical localism and translocalism. It offers an excellent, timely study on the important but understudied Sinophone Taiwan literature." -Yenna Wu, Distinguished Teaching Professor and Professor of Chinese and Comparative Literature, University of California, Riverside "This book travels in a new direction in Taiwanese fiction studies. Through the theme of 'ghost, ' this book links various historical phases, landscape features, and ethnic relations in response to the transformation of Taiwan's social environment and aesthetics of fiction. With a thought-provoking discourse, this book also provides a pleasurable reading experience." -Ming-ju Fan, Professor and Director of the Graduate Institute of Taiwanese Literature at the National Chengchi University "Writing from and of the margins, Supernatural Sinophone Taiwan and Beyond examines the trope of Taiwan as a ghost island through the lens of zhiguai, the premodern Chinese concept of the strange or supernatural. The focus on marginal and liminal narratives facilitates a Sinophone reading of Taiwanese literature and culture beyond the dominant literary taxonomy of modern Chinese literature. Despite its specific focus, the book surveys Taiwanese literature with a study of texts by authors such as Pai Hsian-yung, Li Ang, Chu T'ien-hsin, Wu He, and Giddens Ko to propose a genealogy of ghost island literature as an alternative way of understanding Taiwan as a nation. This first single-authored book on Sinophone Taiwan, which intellectually treads on untouched terrains of a unique literary tradition, is a very welcome addition." -E.K. Tan, Associate Professor of Comparative Literature and Cultural Studies, Stony Brook University; and author of Rethinking Chineseness "In Supernatural Sinophone Taiwan and Beyond, Chia-rong Wu argues convincingly that the modern zhiguai genre offers Taiwan writers a way of engaging internal difference-particularly as it pertains to gendered and ethnic difference, as well as sites of historical trauma-while at the same time imagining modern Taiwan as a site of difference within a broader Chinese, or Sinophone, cultural imaginary" -Carlos Rojas, Associate Professor of Chinese Cultural Studies, Women's Studies, and Arts of the Moving Image, Duke University See http: //www.cambriapress.com/books/9781604979213.cfm to read excerpts and for more information.
Author: Feiya Tao
Publisher: BRILL
ISBN: 9004532129
Category : History
Languages : en
Pages : 519
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Book Description
Beyond Indigenization, edited by Tao Feiya and translated into English by Max L. Bohnenkamp, traces the history of Christianity in China from the Tang era to contemporary times.
