Children of Oedipus, and Other Essays on the Imitation of Greek Tragedy, 1550-1800 PDF Download
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Author: Martin Mueller
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Author: Martin Mueller
Publisher:
ISBN: 9780835780681
Category :
Languages : en
Pages : 296
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Book Description
Author: Martin Mueller
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Author: Sophocles
Publisher: Penguin
ISBN: 9780140444254
Category : Drama
Languages : en
Pages : 436
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Book Description
The heroic Greek dramas that have moved theatergoers and readers since the fifth century B.C. Towering over the rest of Greek tragedy, the three plays that tell the story of the fated Theban royal family—Antigone, Oedipus the King and Oedipus at Colonus—are among the most enduring and timeless dramas ever written. Robert Fagles's authoritative and acclaimed translation conveys all of Sophocles's lucidity and power: the cut and thrust of his dialogue, his ironic edge, the surge and majesty of his choruses and, above all, the agonies and triumphs of his characters. This Penguin Classics edition features an introduction and notes by the renowned classicist Bernard Knox. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: John E. Thorburn
Publisher: Infobase Publishing
ISBN: 0816074984
Category : Literary Criticism
Languages : en
Pages : 689
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Book Description
Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.
Author: Edith Hall
Publisher: Oxford University Press
ISBN: 0199232512
Category : Drama
Languages : en
Pages : 428
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Book Description
An illustrated introduction to ancient Greek tragedy, written by one of its most distinguished experts, which provides all the background information necessary for understanding the context and content of the dramas. A special feature is an individual essay on every one of the surviving 33 plays.
Author: Tanya Pollard
Publisher: Oxford University Press
ISBN: 0198793111
Category : Drama
Languages : en
Pages : 342
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Book Description
"The book argues that rediscovered ancient Greek plays exerted a powerful and uncharted influence on sixteenth-century England's dramatic landscape, not only in academic and aristocratic settings, but also at the heart of the developing commercial theaters."--Introduction, p. 2.
Author: P. E. Easterling
Publisher: Cambridge University Press
ISBN: 9780521423519
Category : Drama
Languages : en
Pages : 414
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Book Description
As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. Each chapter can be read independently, but each is linked with the others, and most examples are drawn from the same selection of plays.
Author: Harry Love
Publisher: Cambridge Scholars Publishing
ISBN: 1443807656
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
The two volumes of essays and translations of the tragedies of Sophocles and Euripides are the accumulation of some twelve years’ of producing ancient plays for contemporary audiences and actors. The play-texts themselves, therefore, are intended to be accessible and speakable, in the first instance, and to convey as much of the flavour of the original Greek as any translation is able. They are there to be used. The style, though personal to a degree, is an attempt to maintain the tone and the poetry of tragedy, without dropping into the mock-archaic or turning the texts into self-conscious homilies on contemporary ‘issues.’ The introductory essays are occasional pieces written with production in mind. Two general themes have emerged: firstly, a development of ideas about the nature of the dramatic genre (and dramatic writing) and stage rhetoric – how is irony achieved? What kinds of irony are there? How do we understand emotional experience in a theatre? Secondly, the significance of emotions and the concept of tragedy in the Greek context; Sophocles and Euripides share, as one might expect, a milieu and some rigid theatrical conventions, but within this context they reveal significant differences in terms of dramatic style and audience orientation. The translations and essays are not presented in the order that they were written. Volume I follows the narrative order of Sophocles’ ‘Theban Trilogy’, and Volume II the chronological order of Euripides’ composition. The plays were all produced in Dunedin, New Zealand, in the following order: Oedipus the King 1994 (and 2003); Hippolytus 1995; Bacchae 1997; Antigone 1998; Oedipus at Colonus 2000; Medea 2002; Hecuba 2006.
Author: Almut-Barbara Renger
Publisher: University of Chicago Press
ISBN: 022604811X
Category : Literary Criticism
Languages : en
Pages : 133
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Book Description
When Oedipus met the Sphinx on the road to Thebes, he did more than answer a riddle—he spawned a myth that, told and retold, would become one of Western culture’s central narratives about self-understanding. Identifying the story as a threshold myth—in which the hero crosses over into an unknown and dangerous realm where rules and limits are not known—Oedipus and the Sphinx offers a fresh account of this mythic encounter and how it deals with the concepts of liminality and otherness. Almut-Barbara Renger assesses the story’s meanings and functions in classical antiquity—from its presence in ancient vase painting to its absence in Sophocles’s tragedy—before arriving at two of its major reworkings in European modernity: the psychoanalytic theory of Sigmund Freud and the poetics of Jean Cocteau. Through her readings, she highlights the ambiguous status of the Sphinx and reveals Oedipus himself to be a liminal creature, providing key insights into Sophocles’s portrayal and establishing a theoretical framework that organizes evaluations of the myth’s reception in the twentieth century. Revealing the narrative of Oedipus and the Sphinx to be the very paradigm of a key transition experienced by all of humankind, Renger situates myth between the competing claims of science and art in an engagement that has important implications for current debates in literary studies, psychoanalytic theory, cultural history, and aesthetics.
Author: Richard A. McCabe
Publisher: Cambridge University Press
ISBN: 9780521088749
Category : Drama
Languages : en
Pages : 380
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Book Description
This is a full-length study of incest in English Renaissance and Restoration drama. Richard McCabe's comprehensive survey offers a literary history of this theme, informed by an investigation of the intellectual background, with particular emphasis on changing concepts of natural law, and consequent reassessments of classical tradition. It examines a wide range of theological, philosophical, legal and literary sources, in the context of modern psychological and sociological theories of family development. Extensive comparisons with classical models and contemporary European dramatists, from Tasso to Corneille and Racine, explore the volatile association between dramatic form and emotional content, structural experiment and sexual ambivalence. The centrality of the family to all human relationships, and the mutual reflection of familial politics and the patriarchal state make incest a powerful metaphor for the ambivalence of all concepts of 'natural' authority, and for various forms of social and political revolt.
