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Author: Michael Pointer
Publisher: Scarecrow Press
ISBN: 9780810829602
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
This comprehensive survey of the screen adaptations of the works of Charles Dickens covers the worldwide film, television and video dramatizations from 1897-1993. It contains a catalog of more than 350 TV productions with cast lists and credits.
Author: Michael Pointer
Publisher: Scarecrow Press
ISBN: 9780810829602
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
This comprehensive survey of the screen adaptations of the works of Charles Dickens covers the worldwide film, television and video dramatizations from 1897-1993. It contains a catalog of more than 350 TV productions with cast lists and credits.
Author: William Farina
Publisher: McFarland
ISBN: 1476647860
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
Among professional storytellers whose works have been adapted for cinematic dramatization, mid-19th century English novelist Charles Dickens stands in a class of his own. In addition to his most well-known works such as A Christmas Carol and Oliver Twist, which are unrivaled for their sheer number of film adaptations, each of Dickens' other major works have been adapted for the screen multiple times, and many remain accessible for viewing on a variety of platforms. This survey highlights the most popular adaptations of each Dickens book, spanning from the films of the silent era through the 21st century. The survey also includes a critical examination that compares the adaptations to the original texts. An analysis outlines the many connections between the fictional narratives and the novelist's own frequently misunderstood biography.
Author: John Glavin
Publisher: Cambridge University Press
ISBN: 9780521001243
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Television and film, not libraries or scholarship, have made Charles Dickens the most important unread novelist in English. It is not merely that millions of people feel comfortable deploying the word 'Dickensian' to describe their own and others' lives, but that many more people who have never read Dickens know what Dickensian means. They know about Dickens because they have access to over a century of adaptations for the big and small screen. Dickens on Screen, includ ing an exhaustive filmography, is an invaluable resource for students and scholars alike.
Author: Scott V. Palmer
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Jon Mee
Publisher: Cambridge University Press
ISBN: 1139788922
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Charles Dickens became immensely popular early on in his career as a novelist, and his appeal continues to grow with new editions prompted by recent television and film adaptations, as well as large numbers of students studying the Victorian novel. This lively and accessible introduction to Dickens focuses on the extraordinary diversity of his writing. Jon Mee discusses Dickens's novels, journalism and public performances, the historical contexts and his influence on other writers. In the process, five major themes emerge: Dickens the entertainer; Dickens and language; Dickens and London; Dickens, gender, and domesticity; and the question of adaptation, including Dickens's adaptations of his own work. These interrelated concerns allow readers to start making their own new connections between his famous and less widely read works and to appreciate fully the sheer imaginative richness of his writing, which particularly evokes the dizzying expansion of nineteenth-century London.
Author: Grahame Smith
Publisher: Manchester University Press
ISBN: 9780719055638
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Taking his cue from Walter Benjamin's concept of each epoch dreaming the epoch that is to follow, Grahame Smith argues that Dickens' novels can be regarded as proto-filmic in the detail of their language as well as their larger formal structures. This possibility arises from Dickens' creative engagement with the city as metropolis, as it emerges in the London of the 1830s, plus his immersion in the visual entertainments of his day, such as the panorama, as well as technological advances such as the railway which anticipates cinema in some of its major features. The book offers a new way of reading Dickens, through the perspective of a form which he knew nothing of, while simultaneously suggesting an account of his part in the manifold forces that led to the appearance of film towards the end of the 19th century.
Author: John O. Jordan
Publisher: Cambridge University Press
ISBN: 1107494192
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The Cambridge Companion to Charles Dickens contains fourteen specially-commissioned chapters by leading international scholars, who together provide diverse but complementary approaches to the full span of Dickens's work, with particular focus on his major fiction. The essays cover the whole range of Dickens's writing, from Sketches by Boz through The Mystery of Edwin Drood. Separate chapters address important thematic topics: childhood, the city, and domestic ideology. Others consider formal features of the novels, including their serial publication and Dickens's distinctive use of language. Three final chapters examine Dickens in relation to work in other media: illustration, theatre, and film. Each essay provides guidance to further reading. The volume as a whole offers a valuable introduction to Dickens for students and general readers, as well as fresh insights, informed by recent critical theory, that will be of interest to scholars and teachers of the novels.
Author: Mary Hammond
Publisher: Routledge
ISBN: 1317168259
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.
Author: Michael Hollington
Publisher: A&C Black
ISBN: 1623560357
Category : Literary Criticism
Languages : en
Pages : 443
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Book Description
The Reception of Charles Dickens in Europe offers a full historical survey of Dickens's reception in all the major European countries and many of the smaller ones, filling a major gap in Dickens scholarship, which has by and large neglected Dickens's fortunes in Europe, and his impact on major European authors and movements. Essays by leading international critics and translators give full attention to cultural changes and fashions, such as the decline of Dickens's fortunes at the end of the nineteenth century in the period of Naturalism and Aestheticism, and the subsequent upswing in the period of Modernism, in part as a consequence of the rise of film in the era of Chaplin and Eisenstein. It will also offer accounts of Dickens's reception in periods of political upheaval and revolution such as during the communist era in Eastern Europe or under fascism in Germany and Italy in particular.
Author: Fabian Zschiesche
Publisher: GRIN Verlag
ISBN: 3668465770
Category : Literary Criticism
Languages : en
Pages : 24
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Book Description
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 2,3, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: "Who is Fagin?" is not only a question one might come across when reading Charles Dickens’s "Oliver Twist" or watching one of its screen adaptations. In fact, this question has so far concerned different literary critics all approaching various aspects from his role as the "Jew" (Paganoni, Steyn, Morse), over the question whether he is actually villainous or not, to debates concerning gender issues (Foley) and therefore asking if he fulfils either a maternal or paternal role for the children of his gang. Without a doubt there is probably no other character in Charles Dickens‘s novel that offers so many points of critique and or possible interpretations. Although the main plot of the story is about Oliver Twist, it is Fagin who‘s depiction in the novel and later on screen adaptations gets most of the attention by reviews and discussions. Consequently in my term paper I will mainly deal with Fagin in Charles Dickens’s "Oliver Twist" and will focus on the way Fagin is depicted. Before going into detail on several very distinctive issues, I will analyse his behaviour, language and appearance in general throughout the novel. One of those distinctive issues is his special role for the children as he could be regarded not only as a villain figure but to a certain extent also as some caring paternal or maternal figure. Moreover the question about Fagin‘s depiction as the Jew will be taken care of in a very detailed way since this had been a extremely polarising issue throughout the ages. Since several of those aspect also come up in Ben Kingsley’s interpretation of his role as Fagin in Roman Polanski’s film version of the novel, I will also analyse whether Polanski’s Fagin is a ‘realistic’ adaptation of the character Dickens portrays in his novel or whether Polanski and Kingsley create their own Fagin and to what extent Polanski‘s adaptation shows similarities with and differences to the novel. Nevertheless I will mainly focus on Dickens’s Fagin and his importance for the story of Oliver.
