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Author: Catherine Jolivette
Publisher: Routledge
ISBN: 1351573152
Category : Art
Languages : en
Pages : 445
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Book Description
Rooted in the study of objects, British Art in the Nuclear Age addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Examining both the fears and hopes for the future that attended the advances of the nuclear age, nine original essays explore the contributions of British-born and ?gr?rtists in the areas of sculpture, textile and applied design, painting, drawing, photo-journalism, and exhibition display. Artists discussed include: Francis Bacon, John Bratby, Lynn Chadwick, Prunella Clough, Naum Gabo, Barbara Hepworth, Peter Lanyon, Henry Moore, Eduardo Paolozzi, Peter Laszlo Peri, Isabel Rawsthorne, Alan Reynolds, Colin Self, Graham Sutherland, Feliks Topolski and John Tunnard. Also under discussion is new archival material from Picture Post magazine, and the Festival of Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to students and researchers in a variety of fields including modern European history, political science, the history of design, anthropology, and media studies.
Author: Catherine Jolivette
Publisher: Routledge
ISBN: 1351573152
Category : Art
Languages : en
Pages : 445
Get Book
Book Description
Rooted in the study of objects, British Art in the Nuclear Age addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Examining both the fears and hopes for the future that attended the advances of the nuclear age, nine original essays explore the contributions of British-born and ?gr?rtists in the areas of sculpture, textile and applied design, painting, drawing, photo-journalism, and exhibition display. Artists discussed include: Francis Bacon, John Bratby, Lynn Chadwick, Prunella Clough, Naum Gabo, Barbara Hepworth, Peter Lanyon, Henry Moore, Eduardo Paolozzi, Peter Laszlo Peri, Isabel Rawsthorne, Alan Reynolds, Colin Self, Graham Sutherland, Feliks Topolski and John Tunnard. Also under discussion is new archival material from Picture Post magazine, and the Festival of Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to students and researchers in a variety of fields including modern European history, political science, the history of design, anthropology, and media studies.
Author: Catherine Jolivette
Publisher: Routledge
ISBN: 1351573160
Category : Art
Languages : en
Pages : 306
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Book Description
Rooted in the study of objects, British Art in the Nuclear Age addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Examining both the fears and hopes for the future that attended the advances of the nuclear age, nine original essays explore the contributions of British-born and ?gr?rtists in the areas of sculpture, textile and applied design, painting, drawing, photo-journalism, and exhibition display. Artists discussed include: Francis Bacon, John Bratby, Lynn Chadwick, Prunella Clough, Naum Gabo, Barbara Hepworth, Peter Lanyon, Henry Moore, Eduardo Paolozzi, Peter Laszlo Peri, Isabel Rawsthorne, Alan Reynolds, Colin Self, Graham Sutherland, Feliks Topolski and John Tunnard. Also under discussion is new archival material from Picture Post magazine, and the Festival of Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to students and researchers in a variety of fields including modern European history, political science, the history of design, anthropology, and media studies.
Author: Simon Martin
Publisher: AVA Publishing
ISBN: 9782940411023
Category :
Languages : en
Pages : 128
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Book Description
This book provides a fascinating introduction to the work of the British Pop artist Colin Self, a contemporary of David Hockney and Peter Blake. It traces the development of Selfs art from the 1960s to the present day, charting his engagement with modern culture in the Cold War era. Self is a witty and original painter and draughtsman, an innovative printmaker and sculptor. The book explores Selfs artistic subjects including cartoons, cinemas, hot dogs, nuclear weapons, the Cuban Missile Crisis, Vogue models, consumerism, and the landscape. Beautifully presented with full colour images it will be an invaluable resource for anyone interested in modern and contemporary British art.
Author: Jill Cook
Publisher: British Museum Publications Limited
ISBN: 9780714123332
Category : Art
Languages : en
Pages : 288
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Book Description
This unique and remarkable work explores the extraordinary creative explosion that happened during the last European Ice Age, between 40,000 and 10,000 years ago, when the very first figurative art was created.
Author: Jonathan Hogg
Publisher: Bloomsbury Publishing
ISBN: 1441109242
Category : History
Languages : en
Pages : 249
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Book Description
The advent of the atomic bomb, the social and cultural impact of nuclear science, and the history of the British nuclear state after 1945 is a complex and contested story. British Nuclear Culture is an important survey that offers a new interpretation of the nuclear century by tracing the tensions between 'official' and 'unofficial' nuclear narratives in British culture. In this book, Jonathan Hogg argues that nuclear culture was a pervasive and persistent aspect of British life, particularly in the years following 1945. This idea is illustrated through detailed analysis of various primary source materials, such as newspaper articles, government files, fictional texts, film, music and oral testimonies. The book introduces unfamiliar sources to students of nuclear and cold war history, and offers in-depth and critical reflections on the expanding historiography in this area of research. Chronologically arranged, British Nuclear Culture reflects upon, and returns to, a number of key themes throughout, including nuclear anxiety, government policy, civil defence, 'nukespeak' and nuclear subjectivity, individual experience, protest and resistance, and the influence of the British nuclear state on everyday life. The book contains illustrations, individual case studies, a select bibliography, a timeline, and a list of helpful online resources for students of nuclear history.
Author: Jonathan Hogg
Publisher: Routledge
ISBN: 1000395162
Category : History
Languages : en
Pages : 171
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Book Description
This book explores aspects of the social and cultural history of nuclear Britain in the Cold War era (1945–1991) and contributes to a more multivalent exploration of the consequences of nuclear choices which are too often left unacknowledged by historians of post-war Britain. In the years after 1945, the British government mobilised money, scientific knowledge, people and military–industrial capacity to create both an independent nuclear deterrent and the generation of electricity through nuclear reactors. This expensive and vast ‘technopolitical’ project, mostly top-secret and run by small sub-committees within government, was central to broader Cold War strategy and policy. Recent attempts to map the resulting social and cultural history of these military–industrial policy decisions suggest that nuclear mobilisation had far-reaching consequences for British life. The chapters in this book were originally published as a special issue of Contemporary British History.
Author: Ele Carpenter
Publisher: Black Dog Press
ISBN: 9781911164050
Category : Art, Modern
Languages : en
Pages : 207
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Book Description
The Nuclear Culture Source Book serves as an excellent resource and introduction to nuclear culture as one of the most prominent themes within contemporary art and society, exploring the diverse ways in which post-Fukushima society has influenced artistic and cultural production. The book brings together a wide-ranging collection of material from artists and writers working within the scope of nuclear culture internationally, including works by renowned practitioners such as Lise Autogena, Thomson & Craighead, Crowe & Rawlinson, David Mabb, Katsuhiro Miyamoto, Kota Takeuchi and Chim-Pom. Building on four years of research into nuclear culture by the book's editor, Ele Carpenter, The Nuclear Culture Source Book features contributions by over 60 artists including spectacular imagery of nuclear sites taken on artist field trips, from underground research laboratories in Japan to the Faslane Trident base. Contextualising this is a series of essays by international arts and humanities scholars and writers including: Timothy Morton writing on radiation as a hyperobject; Peter C van Wyck on the nuclear anthropocene; Kodwo Eshun and Noi Sawaragi on Fukushima; and Susan Schuppli on nuclear materiality. Published in partnership with Bildmuseet, Sweden and Arts Catalyst, London.
Author: Rebecca Priestley
Publisher: Auckland University Press
ISBN: 1775581152
Category : History
Languages : en
Pages : 393
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Book Description
Although New Zealander Lord Rutherford was the first to split the atom, the country has since been known around the world for its nuclear-free stance. In this engaging and accessible book, an alternative history is revealed of "nuclear New Zealand"—when there was much enthusiasm for nuclear science and technology. From the first users of X-rays and radium in medicine to the plans for a nuclear power station on the Kaipara Harbour, this account uncovers the long and rich history of New Zealanders' engagement with the nuclear world and the roots of its nuclear-free identity.
Author: Roman Rosenbaum
Publisher: Taylor & Francis
ISBN: 1000878821
Category : History
Languages : en
Pages : 275
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Book Description
This book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearised world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that "all art is political" is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies.
Author: Gabrielle Decamous
Publisher: MIT Press
ISBN: 0262038544
Category : Art
Languages : en
Pages : 0
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Book Description
How art makes visible what had been invisible—the effects of radiation, the lives of atomic bomb survivors, and the politics of the atomic age. The effects of radiation are invisible, but art can make it and its effects visible. Artwork created in response to the events of the nuclear era allow us to see them in a different way. In Invisible Colors, Gabrielle Decamous explores the atomic age from the perspective of the arts, investigating atomic-related art inspired by the work of Marie Curie, the bombings of Hiroshima and Nagasaki, the disaster at Fukushima, and other episodes in nuclear history. Decamous looks at the “Radium Literature” based on the work and life of Marie Curie; “A-Bomb literature” by Hibakusha (bomb survivor) artists from Nagasaki and Hiroshima; responses to the bombings by Western artists and writers; art from the irradiated landscapes of the Cold War—nuclear test sites and uranium mines, mainly in the Pacific and some African nations; and nuclear accidents in Fukushima, Chernobyl, and Three Mile Island. She finds that the artistic voices of the East are often drowned out by those of the West. Hibakusha art and Japanese photographs of the bombing are little known in the West and were censored; poetry from the Marshall Islands and Moruroa is also largely unknown; Western theatrical and cinematic works focus on heroic scientists, military men, and the atomic mushroom cloud rather than the aftermath of the bombings. Emphasizing art by artists who were present at these nuclear events—the “global Hibakusha”—rather than those reacting at a distance, Decamous puts Eastern and Western art in dialogue, analyzing the aesthetics and the ethics of nuclear representation.
