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Author: C. Dionne
Publisher: Springer
ISBN: 1137375566
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.
Author: C. Dionne
Publisher: Springer
ISBN: 1137375566
Category : Performing Arts
Languages : en
Pages : 208
Get Book
Book Description
Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.
Author: C. Dionne
Publisher: Springer
ISBN: 1137375566
Category : Performing Arts
Languages : en
Pages : 208
Get Book
Book Description
Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.
Author: Varsha Panjwani
Publisher: Bloomsbury Publishing
ISBN: 1350168661
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Featuring case studies, essays, and conversation pieces by scholars and practitioners, this volume explores how Indian cinematic adaptations outside the geopolitical and cultural boundaries of India are revitalizing the broader landscape of Shakespeare research, performance, and pedagogy. Chapters in this volume address practical and thematic concerns and opportunities that are specific to studying Indian cinematic Shakespeares in the West. For instance, how have intercultural encounters between Indian Shakespeare films and American students inspired new pedagogic methodologies? How has the presence and popularity of Indian Shakespeare films affected policy change at British cultural institutions? How can disagreement between eastern and western perspectives on the politics of a Shakespeare film become the site for productive cross-cultural dialogue? This is the first book to explore such complex interactions between Indian Shakespeare films and Western audiences to contribute to the assessment of the new networks that have emerged as a result of Global Shakespeare studies and practices. The volume argues that by tracking critical currents from India towards the West new insights are afforded on the wider field of Shakespeare Studies - including feminist Shakespeares, translation in Shakespeare, or the study of music in Shakespeare - and are shaping debates on the ownership and meaning of Shakespeare itself. Contributing to the current studies in Global Shakespeare, this book marks a discursive shift in the way Shakespeare on Indian screen is predominantly theorised and offers an alternative methodology for examining non-Anglophone cinematic Shakespeares as a whole.
Author: Vikram Singh Thakur
Publisher: Bloomsbury Publishing
ISBN: 9389812658
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
This book looks at adaptations, translations and performance of Shakespeare's productions in India from the mid-18th century, when British officers in India staged Shakespeare's plays along with other English playwrights for entertainment, through various Indian adaptations of his plays during the colonial period to post-Independence period. It studies Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions, such as Marathi, Kannada, Malayalam and Hindi, have been included. The book dwells on the fascinating story of the languages of India that have absorbed Shakespeare's work and have transformed the original educated Indian's Shakespeare into the popular Shakespeare practice of the 19th and 20th centuries, and the unique urban-folkish tradition in postcolonial India.
Author: Varsha Panjwani
Publisher: Bloomsbury Publishing
ISBN: 135016867X
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Featuring case studies, essays, and conversation pieces by scholars and practitioners, this volume explores how Indian cinematic adaptations outside the geopolitical and cultural boundaries of India are revitalizing the broader landscape of Shakespeare research, performance, and pedagogy. Chapters in this volume address practical and thematic concerns and opportunities that are specific to studying Indian cinematic Shakespeares in the West. For instance, how have intercultural encounters between Indian Shakespeare films and American students inspired new pedagogic methodologies? How has the presence and popularity of Indian Shakespeare films affected policy change at British cultural institutions? How can disagreement between eastern and western perspectives on the politics of a Shakespeare film become the site for productive cross-cultural dialogue? This is the first book to explore such complex interactions between Indian Shakespeare films and Western audiences to contribute to the assessment of the new networks that have emerged as a result of Global Shakespeare studies and practices. The volume argues that by tracking critical currents from India towards the West new insights are afforded on the wider field of Shakespeare Studies - including feminist Shakespeares, translation in Shakespeare, or the study of music in Shakespeare - and are shaping debates on the ownership and meaning of Shakespeare itself. Contributing to the current studies in Global Shakespeare, this book marks a discursive shift in the way Shakespeare on Indian screen is predominantly theorised and offers an alternative methodology for examining non-Anglophone cinematic Shakespeares as a whole.
Author: Thea Buckley
Publisher: Bloomsbury Publishing
ISBN: 1350234338
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Women and Indian Shakespeares explores the multiple ways in which women are, and have been, engaged with Shakespeare in India. Women's engagements encompass the full range of media, from translation to cinematic adaptation and from early colonial performance to contemporary theatrical experiment. Simultaneously, Women and Indian Shakespeares makes visible the ways in which women are figured in various representational registers as resistant agents, martial seductresses, redemptive daughters, victims of caste discrimination, conflicted spaces and global citizens. In so doing, the collection reorients existing lines of investigation, extends the disciplinary field, brings into visibility still occluded subjects and opens up radical readings. More broadly, the collection identifies how, in Indian Shakespeares on page, stage and screen, women increasingly possess the ability to shape alternative futures across patriarchal and societal barriers of race, caste, religion and class. In repeated iterations, the collection turns our attention to localized modes of adaptation that enable opportunities for women while celebrating Shakespeare's gendered interactions in India's rapidly changing, and increasingly globalized, cultural, economic and political environment. In the contributions, we see a transformed Shakespeare, a playwright who appears differently when seen through the gendered eyes of a new Indian, diasporic and global generation of critics, historians, archivists, practitioners and directors. Radically imagining Indian Shakespeares with women at the centre, Women and Indian Shakespeares interweaves history, regional geography/regionality, language and the present day to establish a record of women as creators and adapters of Shakespeare in Indian contexts.
Author: Poonam Trivedi
Publisher: Routledge
ISBN: 1317367006
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
This book is the first to explore the rich archive of Shakespeare in Indian cinemas, including less familiar, Indian language cinemas to contribute to the assessment of the expanding repertoire of Shakespeare films worldwide. Essays cover mainstream and regional Indian cinemas such as the better known Tamil and Kannada, as well as the less familiar regions of the North Eastern states. The volume visits diverse filmic genres, starting from the earliest silent cinema, to diasporic films made for global audiences, television films, independent films, and documentaries, thus expanding the very notion of ‘Indian cinema’ while also looking at the different modalities of deploying Shakespeare specific to these genres. Shakespeareans and film scholars provide an alternative history of the development of Indian cinemas through its negotiations with Shakespeare focusing on the inter-textualities between Shakespearean theatre, regional cinema, performative traditions, and literary histories in India. The purpose is not to catalog examples of Shakespearean influence but to analyze the interplay of the aesthetic, historical, socio-political, and theoretical contexts in which Indian language films have turned to Shakespeare and to what purpose. The discussion extends from the content of the plays to the modes of their cinematic and intermedial translations. It thus tracks the intra–Indian flows and cross-currents between the various film industries, and intervenes in the politics of multiculturalism and inter/intraculturalism built up around Shakespearean appropriations. Contributing to current studies in global Shakespeare, this book marks a discursive shift in the way Shakespeare on screen is predominantly theorized, as well as how Indian cinema, particularly ‘Shakespeare in Indian cinema’ is understood.
![Shakespeares After Shakespeare [2 Volumes] PDF](https://books.google.com/books/content/images/frontcover/Az8gAQAAIAAJ?fife=w80-h100)
Author: Richard Burt
Publisher: Greenwood
ISBN:
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Although he wrote 400 years ago, Shakespeare's plays continue to be performed by directors and actors interpreting his material for contemporary audiences. This encyclopaedia chronicles the lasting influence of Shakespeare on popular culture. It includes sections on types of media to which Shakespeare has been adapted, with an overview essay. Although he wrote 400 years ago, Shakespeare's plays continue to be performed by directors and actors interpreting his material for contemporary audiences. He also continues to leave his mark on films, comic books, television shows, and popular culture, as modern creative artists adapt and refashion his works. With special emphasis on the last hundred years, this encyclopedia chronicles the lasting influence of Shakespeare on popular culture. It includes broad sections on types of media to which Shakespeare has been adapted, each beginning with an overview essay, followed by sections on individual plays. These present chronologically arranged entries on adaptations. In addition, the work offers stage histories, biographies of actors and directors, and other valuable information. Actors, directors and writers featured include Kenneth Branagh, Ralph Fiennes, John Gielgud, Laurence Olivier, Vanessa Redgrave, Orson Welles, John Barrymore, Peter Brook, Bertolt Brecht, Henry Irving, and Joseph Papp. The encyclopedia also provides entries on the presence of Shakespeare in films, TV series, and books, including "The Avengers", "Alley Oop", "Buffy the Vampire Slayer", "Classics Illustrated", "Dombey and Son", "Forbidden Planet", "Get Over It", "The Lion King", "A Plague of Angels", "Superman", "Tombstone", and "Ulysses". It closes with a selected, general bibliography and an extensive index.
Author: Nisha Sharma
Publisher: Crown Books for Young Readers
ISBN: 0553523279
Category : Young Adult Fiction
Languages : en
Pages : 237
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Book Description
The romance of Stephanie Perkins meets the quirk of Maureen Johnson, then gets a Bollywood twist in this fate-filled debut that takes the future into its own hands. Winnie Mehta was never really convinced that Raj was her soul mate, but their love was written in the stars. Literally, a pandit predicted Winnie would find the love of her life before her eighteenth birthday, and Raj meets all the qualifications. Which is why Winnie is shocked when she returns from her summer at film camp to find her boyfriend of three years hooking up with Jenny Dickens. As a self-proclaimed Bollywood expert, Winnie knows this is not how her perfect ending is scripted. Then there's Dev, a fellow film geek and one of the few people Winnie can count on. Dev is smart and charming, and he challenges Winnie to look beyond her horoscope and find someone she'd pick for herself. But does falling for Dev mean giving up on her prophecy and her chance to live happily ever after? To find her perfect ending, Winnie will need a little bit of help from fate, family, and of course, a Bollywood movie star. AN NPR BEST BOOK OF THE YEAR "A delightful and humorous debut."--Kirkus Reviews, Starred review "The perfect timepass for both the Bollywood-obsessed and filmi (melodrama) novices."-Teen Vogue
Author: Patrice Kyger
Publisher:
ISBN: 9780557068548
Category : Fiction
Languages : en
Pages : 374
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Book Description
Rachel Hill, who teaches Shakespeare at NYU, adores Bollywood movies. Her fascination brings extraordinary academic success . . . and an unexpected twist in the relationship with her department chair, a man Rachel's determined to loathe.
