Author: Wilhelm Paszkowski
Publisher:
ISBN:
Category : Berlin (Germany)
Languages : en
Pages : 464
Book Description
Berlin in Wissenschaft und Kunst
Author: Wilhelm Paszkowski
Publisher:
ISBN:
Category : Berlin (Germany)
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Berlin (Germany)
Languages : en
Pages : 464
Book Description
Berlin in Wissenschaft und Kunst
Author: Wilhelm Paszkowski
Publisher: Verlag Der Wissenschaften
ISBN: 9783957007162
Category :
Languages : de
Pages : 424
Book Description
"Das vorliegende Buch will zuverlassige Auskunft uber die Fulle von Anstalten und Darbietungen geben, welche in Gross-Berlin der Pflege von Wissenschaft und Kunst dienen. Die Angaben dieses Buches stutzen sich durchweg auf amtliche Quellen. Namen und wechselnde Adressen, die leicht mit anderen Hilfsmitteln zu finden sind, sind grundsatzlich weggelassen worden, um das Buch vor dem Schicksale schnellen Veraltens zu bewahren. Der Anhang uber akademische Berufe wird insbesondere der studierenden Jugend willkommen sein, das ausfuhrliche Schlagwortverzeichnis die Brauchbarkeit des Buches erhohen und zugleich einen Einblick in den Reichtum wissenschaftlichen und kunstlerischen Schaffens in Berlin gewahren." Der Verlag der Wissenschaften verlegt historische Literatur bekannter und unbekannter wissenschaftlicher Autoren. Dem interessierten Leser werden so teilweise langst nicht mehr verlegte Werke wieder zugangig gemacht. Dieses Buch uber Berlin in Wissenschaft und Kunst stellt ein akademisches Auskunftsbuch nebst Angaben uber akademische Berufe dar und ist ein unveranderter, hochwertiger Nachdruck der Originalausgabe aus dem Jahr 1910."
Publisher: Verlag Der Wissenschaften
ISBN: 9783957007162
Category :
Languages : de
Pages : 424
Book Description
"Das vorliegende Buch will zuverlassige Auskunft uber die Fulle von Anstalten und Darbietungen geben, welche in Gross-Berlin der Pflege von Wissenschaft und Kunst dienen. Die Angaben dieses Buches stutzen sich durchweg auf amtliche Quellen. Namen und wechselnde Adressen, die leicht mit anderen Hilfsmitteln zu finden sind, sind grundsatzlich weggelassen worden, um das Buch vor dem Schicksale schnellen Veraltens zu bewahren. Der Anhang uber akademische Berufe wird insbesondere der studierenden Jugend willkommen sein, das ausfuhrliche Schlagwortverzeichnis die Brauchbarkeit des Buches erhohen und zugleich einen Einblick in den Reichtum wissenschaftlichen und kunstlerischen Schaffens in Berlin gewahren." Der Verlag der Wissenschaften verlegt historische Literatur bekannter und unbekannter wissenschaftlicher Autoren. Dem interessierten Leser werden so teilweise langst nicht mehr verlegte Werke wieder zugangig gemacht. Dieses Buch uber Berlin in Wissenschaft und Kunst stellt ein akademisches Auskunftsbuch nebst Angaben uber akademische Berufe dar und ist ein unveranderter, hochwertiger Nachdruck der Originalausgabe aus dem Jahr 1910."
Wissenschaft und Kunst in Berlin
Author: Norbert Fischer
Publisher:
ISBN:
Category : Museums
Languages : de
Pages : 160
Book Description
Publisher:
ISBN:
Category : Museums
Languages : de
Pages : 160
Book Description
Bericht des Senats von Berlin an den Ausschuss für Wissenschaft und Kunst des Abgeordnetenhauses von Berlin über bildende Künste in Berlin
Author: Berlin (Germany : West). Senator für Wissenschaft und Kunst
Publisher:
ISBN:
Category : Arts
Languages : de
Pages : 92
Book Description
Publisher:
ISBN:
Category : Arts
Languages : de
Pages : 92
Book Description
The Future of Berlin
Author: Martin Joseph Hillenbrand
Publisher: Rowman & Littlefield
ISBN: 9780916672461
Category : History
Languages : en
Pages : 332
Book Description
To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.
Publisher: Rowman & Littlefield
ISBN: 9780916672461
Category : History
Languages : en
Pages : 332
Book Description
To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.
Instruments in Art and Science
Author: Helmar Schramm
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110971917
Category : Science
Languages : en
Pages : 602
Book Description
This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the openingof new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on whatactually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate? – which actions does the instrument make possible? - when do the objects of examination themselves become instruments? – what skills are required to use an instrument, which skills does it produce? With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments. Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110971917
Category : Science
Languages : en
Pages : 602
Book Description
This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the openingof new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on whatactually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate? – which actions does the instrument make possible? - when do the objects of examination themselves become instruments? – what skills are required to use an instrument, which skills does it produce? With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments. Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.
German Post-Expressionism : The Art of the Great Disorder 1918Ð1924
Author:
Publisher: Penn State Press
ISBN: 9780271043166
Category : Art
Languages : en
Pages : 250
Book Description
German Post-Expressionism is the first study to reconstruct historically the evolution of Die neue Sachlichkeit, the slogan coined as a designation for the Post-Expressionist figural art that developed throughout Germany following the failed revolution of 1919. Rather than starting with the moment this Post-Expressionist movement was christened with a slogan (1923), Crockett investigates the sources and precepts of Post-Expressionism beginning with the anti-Expressionist stance of Dada in 1918 and the loss of faith in Expressionism on the part of some of its chief supporters during 1919-20.
Publisher: Penn State Press
ISBN: 9780271043166
Category : Art
Languages : en
Pages : 250
Book Description
German Post-Expressionism is the first study to reconstruct historically the evolution of Die neue Sachlichkeit, the slogan coined as a designation for the Post-Expressionist figural art that developed throughout Germany following the failed revolution of 1919. Rather than starting with the moment this Post-Expressionist movement was christened with a slogan (1923), Crockett investigates the sources and precepts of Post-Expressionism beginning with the anti-Expressionist stance of Dada in 1918 and the loss of faith in Expressionism on the part of some of its chief supporters during 1919-20.
National Union Catalog
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 616
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 616
Book Description
Includes entries for maps and atlases.
Host Bibliographic Record for Boundwith Item Barcode 30112072131219 and Others
The Promise of Cinema
Author: Anton Kaes
Publisher: Univ of California Press
ISBN: 0520962435
Category : Performing Arts
Languages : en
Pages : 704
Book Description
Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of “theory” not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity’s most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.
Publisher: Univ of California Press
ISBN: 0520962435
Category : Performing Arts
Languages : en
Pages : 704
Book Description
Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of “theory” not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity’s most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.