Basic Catalogue of Plays and Musicals PDF Download
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Author: Samuel French, Inc
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 92
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Book Description
Author: Samuel French, Inc
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 92
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Book Description
Author: Samuel French, Inc
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 388
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Book Description
Author: Dramatic Publishing Company, Chicago
Publisher:
ISBN:
Category : Amateur plays
Languages : en
Pages : 300
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Book Description
Author: United States. Dept. of the Army
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
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Book Description
Author: Michael Wainstein
Publisher: Hackett Publishing
ISBN: 1585109231
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
In Stage Directing: A Director's Itinerary, the student of theatrical directing will find a step-by-step guide to directing a production, from choosing a play to opening night. Unlike other directing textbooks, it provides practical advice on organizing tasks throughout the directorial process, including budgeting, writing casting notices, and auditioning. It moreover includes an abundance of helpful examples and tried-and-true exercises, as well as information on how to organize a director’s documents into a production notebook. The second edition builds on the strengths of the first edition by elaborating on key analytical, organizational, and strategic steps in a successful director’s itinerary, with special attention to the direction of musicals.
![Subject Headings Used in the Dictionary Catalogs of the Library of Congress [from 1897 Through December 1955] PDF](https://books.google.com/books/content/images/frontcover/bglPFK_I14IC?fife=w80-h100)
Author: Library of Congress. Subject Cataloging Division
Publisher: Washington : Library of Congress, Processing Department, Subject Cataloging Division
ISBN:
Category : Subject headings
Languages : en
Pages : 1366
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1222
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Book Description
Author:
Publisher:
ISBN: 9780573091414
Category : Musicals
Languages : en
Pages : 128
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Book Description
Author: Andrew Ashbee
Publisher: Routledge
ISBN: 0429766076
Category : Music
Languages : en
Pages : 386
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Book Description
First published in 1998, this volume comprises papers given at a conference on Lawes and his music held at Oxford in September 1995 to commemorate the 350th anniversary of his death. They examine not only Lawes’s music but the milieu in which he worked. Part One examines the musical life of the English Court in Lawes’s day, noting his activities there and his involvement with companies of players. Manuscript studies and a detailed account of the fatal battle are also included. Part Two comprises seven essays exploring the wide range of his instrumental and vocal music. William Lawes is acknowledged as the most exciting and innovative composer working in England during the reign of Charles I. His tragic early death at the Siege of Chester in 1645 only served to heighten his reputation among his contemporaries, lending him also the cloak of martyrdom in the service of his king.
Author: Dominic McHugh
Publisher: Oxford University Press
ISBN: 019005154X
Category : Music
Languages : en
Pages : 624
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Book Description
Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.
