Autobiography, Sensation, and the Commodification of Identity in Victorian Narrative PDF Download
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Author: Sean Grass
Publisher: Cambridge University Press
ISBN: 110848445X
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
An exploration of the commodification of autobiography 1820-1860 in relation to shifting fictional representations of identity.
Author: Sean Grass
Publisher: Cambridge University Press
ISBN: 110848445X
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
An exploration of the commodification of autobiography 1820-1860 in relation to shifting fictional representations of identity.
Author: Clayton Carlyle Tarr
Publisher: State University of New York Press
ISBN: 1438490852
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
The first full-length study of identity fraud in literature, Personation Plots argues that concerns about identity and the body gripped the Victorian consciousness. The mid-nineteenth century was marked by extensive medico-legal efforts to understand the body as the sole signifier of identity. The sensation genre, which enjoyed remarkable popularity in the 1860s and 1870s, at once reflected and challenged this discourse. In their frequent representations of identity fraud, sensation writers demonstrated that the body could never guarantee a person's identity. The body is malleable and untrustworthy, and the identity it is supposed to signify is governed by the caprices of the human mind and the growing authority of paper matter. Both a wide-ranging literary analysis and a portrait of the age, Personation Plots reads canonical texts by Wilkie Collins, Mary Elizabeth Braddon, and Charles Dickens alongside several lesser-known sensation novels. The study, which anticipates debates over biometric identification practices in our own time, also features brief criminal biographies of two of the nineteenth century's greatest impostors, Alice Grey and Mary Jane Furneaux, and concludes with an afterword on imposture in the late-Victorian Gothic.
Author: Matthew Sussman
Publisher: Cambridge University Press
ISBN: 1108967248
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
An innovative approach to literary stylistic analysis that targets students and scholars of nineteenth-century literature and culture through provocative interpretations of style in Victorian novels and succinct revaluations of major figures in rhetoric, criticism, and philosophy.
Author: Jan Alber
Publisher: University of Toronto Press
ISBN: 1442693134
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
The prison system was one of the primary social issues of the Victorian era and a regular focus of debate among the period?s reformers, novelists, and poets. Stones of Law, Bricks of Shame brings together essays from a broad range of scholars, who examine writings on the Victorian prison system that were authored not by inmates, but by thinkers from the respectable middle class. Studying the ways in which writings on prisons were woven into the fabric of the period, the contributors consider the ways in which these works affected inmates, the prison system, and the Victorian public. Contesting and extending Michel Foucault's ideas on power and surveillance in the Victorian prison system, Stones of Law, Bricks of Shame covers texts from Charles Dickens to Henry James. This essential volume will refocus future scholarship on prison writing and the Victorian era.
Author: Sarah Green
Publisher: Cambridge University Press
ISBN: 1108831516
Category : Juvenile Nonfiction
Languages : en
Pages : 283
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Book Description
Sarah Green shows how late Victorian Decadent literature paradoxically treats sexual restraint as healthy and aesthetically productive.
Author: Richard Fallon
Publisher: Cambridge University Press
ISBN: 1108834000
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Reimagining Dinosaurs argues that transatlantic popular literature was critical for transforming the dinosaur into a cultural icon between 1880 and 1920
Author: Philip Steer
Publisher: Cambridge University Press
ISBN: 1108484425
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
A transnational study of how settler colonialism remade the Victorian novel and political economy by challenging ideas of British identity.
Author: Linda Hughes
Publisher: Cambridge University Press
ISBN: 1316512843
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
A vivid account of the alternative, emancipatory Germany that progressive British women writers discovered and wrote about, 1833-1910.
Author: Alistair Robinson
Publisher: Cambridge University Press
ISBN: 1009022393
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Vagrants were everywhere in Victorian culture. They wandered through novels and newspapers, photographs, poems and periodicals, oil paintings and illustrations. They appeared in a variety of forms in a variety of places: Gypsies and hawkers tramped the country, casual paupers and loafers lingered in the city, and vagabonds and beachcombers roved the colonial frontiers. Uncovering the rich Victorian taxonomy of nineteenth-century vagrancy for the first time, this interdisciplinary study examines how assumptions about class, gender, race and environment shaped a series of distinct vagrant types. At the same time it broaches new ground by demonstrating that rural and urban conceptions of vagrancy were repurposed in colonial contexts. Representational strategies circulated globally as well as locally, and were used to articulate shifting fantasies and anxieties about mobility, poverty and homelessness. These are traced through an extensive corpus of canonical, ephemeral and popular texts as well as a variety of visual forms.
Author: Marisa Palacios Knox
Publisher: Cambridge University Press
ISBN: 1108853471
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
In the nineteenth century, no assumption about female reading generated more ambivalence than the supposedly feminine facility for identifying with fictional characters. The belief that women were more impressionable than men inspired a continuous stream of anxious rhetoric about “female quixotes”: women who would imitate inappropriate characters or apply incongruous frames of reference from literature to their own lives. While the overt cultural discourse portrayed female literary identification as passive and delusional, Palacios Knox reveals increasing accounts of Victorian women wielding literary identification as a deliberate strategy. Wayward women readers challenged dominant assumptions about “feminine reading” and, by extension, femininity itself. Victorian Women and Wayward Reading contextualizes crises about female identification as reactions to decisive changes in the legal, political, educational, and professional status of women over the course of the nineteenth century: changes that wayward reading helped women first to imagine and then to enact.
