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Author: Professor and Head of Art History Steve Edwards
Publisher: Yale University Press
ISBN: 9780300102307
Category : Art
Languages : en
Pages : 476
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Book Description
02 This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood. This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood.
Author: Professor and Head of Art History Steve Edwards
Publisher: Yale University Press
ISBN: 9780300102307
Category : Art
Languages : en
Pages : 476
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Book Description
02 This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood. This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood.
Author: Jason Gaiger
Publisher: Yale University Press
ISBN: 9780300101447
Category : Art
Languages : en
Pages : 374
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Book Description
This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance.
Author: TASCHEN
Publisher: Taschen
ISBN: 9783836584081
Category :
Languages : en
Pages : 840
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Book Description
Explore the turbulent times and revolutionary ideas of 20th-century art. From Surrealism to Land Art, Fluxus to Bauhaus, this readable and comprehensive survey is your be-all, end-all guide to the people and works that redefined 'art' as we knew it, from 1900 to 2000. Ranging across the full spectrum of disciplines, including photography and new media, this encyclopedic masterwork does just what it says on the cover.
Author: Andreas Broeckmann
Publisher: MIT Press
ISBN: 0262035065
Category : Art
Languages : en
Pages : 400
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Book Description
An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.
Author: W. Jackson Rushing III
Publisher: Routledge
ISBN: 1136180036
Category : Art
Languages : en
Pages : 252
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Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Author: Erika Doss
Publisher: OUP Oxford
ISBN: 0191587745
Category : Art
Languages : en
Pages : 288
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Book Description
Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.
Author: James Matheson Thompson
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780886291112
Category : Art
Languages : en
Pages : 572
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Book Description
Includes selections from major writers on various approaches to art theory, for example Freud, Jung, Marx, Heidegger.
Author: Jonathan M. Woodham
Publisher: Oxford Paperbacks
ISBN: 9780192842046
Category : Art
Languages : en
Pages : 292
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Book Description
A look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. The book explores the way in which 20th-century designs such as the Coca-Cola bottle have affected our culture more than those considered true classics
Author: Edward Lucie-Smith
Publisher: ABRAMS
ISBN: 9780131833616
Category : Art
Languages : en
Pages : 0
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Book Description
Visual Arts in the Twentieth Century offers an exciting new account of the century of art so affected by Modernism. A uniquely structured view of the period and the inclusion of often-overlooked material come together to create a survey that is thorough, insightful, and fresh. Painting, sculpture, photography, the graphic arts, and architecture are treated in decade-by-decade chapters, allowing for an inclusive view of coexisting innovations and trends. Information on historical, social, and intellectual movements and events is incorporated within the text, giving insight into the cultural environment that stimulated, surrounded, and supported individual acts of creativity. The work of artists from historically underrepresented regions of the world is also included, providing new insight into the global world of art. Edward Lucie-Smith has also given us the first book of its kind that emphasizes photography - an art form both accessible and cutting-edge. In addition, the author re-evaluates Modernism by examining the diverse and important roles women have played in this still-influential movement. Finally, more than twenty "Key Work" analyses appear throughout the book. Critical and interpretive, these concise examinations concentrate on individual works of art and provide models by which other works may be approached and evaluated - a valuable touchstone for those who want to enjoy and understand modern art on their own.
Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 0520075560
Category : Art, Chinese
Languages : en
Pages : 451
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Book Description
"Sullivan presents a wealth of material that has never before appeared in a Western language. I expect it will be the standard book on twentieth-century Chinese art for the foreseeable future."--Julia F. Andrews, author of Painters and Politics in the People's Republic of China "A most sympathetic and useful guide to twentieth-century Chinese art. Long the leading scholar on the subject, Professor Sullivan has presented a lucid account of a most dramatic chapter in Chinese art in a complex interplay of aesthetics, politics, cultural, and social history."--Wen C. Fong, Princeton University "So much of China's art in the twentieth century has to do with artistic (and political) ideas from the West that is is appropriate that one of its first comprehensive histories should be written by a Western scholar--especially one who has known personally many of China's leading artistic figures of the last fifty years. Not only does Professor Sullivan tell the complex story of twentieth century China art with lucidity and style, his learned text is also illuminated with witty anecdotes and incisive observations that can only come from an indsider."--Johnson Chang (Chang Tson-zung), Director, Hanart Tz Gallery, Hong Kong
