Art in Vienna 1898-1918, Klimt, Kokoschka, Schiele and Their Contemporaries PDF Download
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Author: Peter Vergo
Publisher:
ISBN:
Category : Arts, Modern
Languages : en
Pages : 0
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Book Description
Author: Peter Vergo
Publisher:
ISBN:
Category : Arts, Modern
Languages : en
Pages : 0
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Book Description
Author: Peter Vergo
Publisher:
ISBN:
Category : Arts, Modern
Languages : en
Pages : 256
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Book Description
Discusses the origins, growth, and aesthetic values of the Vienna Secession, examining architecture, paintings, and graphics by the association's progressive artists.
Author: Peter Vergo
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
The Palais Stoclet and the Kabarett Fledermaus. The reult is a fascinating documentary study of the successes and failures, hopes and fears of the members of an artistic movement which is much admired today."
Author: Galeries Nationales du Grand Palais
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art, Austrian
Languages : en
Pages : 376
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Book Description
Includes 236 colour images of major works by Klimt, Schiele, Moser and Kokoschka, this text examines the cultural importance of Vienna at the turn of the century. Highlighting a decisive moment in the birth of modernity, the essays consider how the citybecame a key artistic centre rivalled only by Paris.
Author: Nicolas Powell
Publisher:
ISBN: 9780821206195
Category : Art nouveau
Languages : en
Pages : 224
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Book Description
Author: Rainer Metzger
Publisher:
ISBN: 9783836567053
Category : Art
Languages : en
Pages : 0
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Book Description
Discover turn-of-the-century Vienna in this exploration of its most important protagonists, complete with sumptuous double-page reproductions across painting, sculpture, architecture, and design, as well as an essay by Rainer Metzger. Marking the centenary of the deaths of masters Klimt, Schiele, Wagner, and Moser, this collection joins the Austrian capital in its 2018 celebration of Modernism.
Author: Valerio Terraroli
Publisher: Skira Editore
ISBN: 9788857238760
Category : Art
Languages : en
Pages : 320
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Book Description
With work by Klimt, Schiele and others, Ver Sacrum set the standard for magazine design This book gathers the covers of Ver Sacrum, the official magazine of the Vienna Secession, which ran from 1898 to 1903. Published for the 120th anniversary of this historic magazine, it reproduces all 120 regular issues--plus some special, limited-edition covers--in 1:1 scale, alongside a selection of block prints, lithographs and copper engravings. Ver Sacrum (meaning "Sacred Spring" in Latin) was conceived by Gustav Klimt, Max Kurzweil and Ludwig Hevesi. During its six years of activity, 471 original drawings were made specifically for the magazine, along with 55 lithographs and copper engravings and 216 block prints, by artists such as Gustav Klimt, Egon Schiele, Koloman Moser, Otto Wagner, Max Fabiani, Joseph Maria Olbrich and Josef Hoffmann. Writers such as Rainer Maria Rilke, Hugo von Hofmannsthal, Maurice Maeterlinck, Knut Hamsun, Otto Julius Bierbaum, Richard Dehmel, Ricarda Huch, Conrad Ferdinand Meyer and Arno Holz were published in its pages. Ver Sacrum reveals the tremendous originality of the Jugendstil language, a cornerstone of modernity that elaborated new forms of design, illustration and print/editorial composition.
Author: Gilles Néret
Publisher: Taschen
ISBN: 9783822859803
Category : Art
Languages : en
Pages : 104
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Book Description
Gustav Klimt's art thoroughly expresses the apocalyptic atmosphere of Vienna's upper middle-class society - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt and his contemporaries found - or hoped to find - in beauty was constantly overshadowed by death. And death therefore plays an important role in Klimt's art. Klimt's fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. In particular, his drawings, which have been widely admired for their artistic excellence, are dominated by the erotic portrayal of women. Klimt saw the world "in female form". [site accessed 23/07/2012 - http://www.amazon.com/Gustav-Klimt-1862-1918-Basic-Art/dp/382285980X].
Author: Rolf Toman
Publisher: H.F. Ullmann
ISBN: 9780841602908
Category : Architecture
Languages : en
Pages : 0
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Book Description
Author: Julie M. Johnson
Publisher: Purdue University Press
ISBN: 1557536139
Category : Art
Languages : en
Pages : 458
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Book Description
"The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. However, and especially because so many of the artists were Jewish, their contributions were actively obscured beginning in the late 1930s. Many had to flee Austria, losing their studios and lifework in the process. Some were killed in concentration camps. Along with the stories of individual women artists, the author reconstructs the history of separate women artists' associations and their exhibitions. Chapters covering the careers of Tina Blau, Elena Luksch-Makowsky, Helene Funke, and Teresa Ries (among others) point to a more integrated and cosmopolitan art world than previously thought; one where women became part of the avant-garde, accepted and even highlighted in major exhibitions at the Secession and with the Klimt group. "This is an excellent addition to the literature on fin-de-siaecle Vienna, well-researched and well-argued. It highlights little-known artists and situates them in a novel interpretation of women's roles in the art world. The author challenges dominant tropes of feminist historiography and thus sheds new light on twentieth-century art history and historiography," Michael Gubser, James Madison University. "--Provided by publisher.
