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Author: Margaretta M. Lovell
Publisher: University of Pennsylvania Press
ISBN: 0812219910
Category : Art
Languages : en
Pages : 351
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Book Description
"Lovell delights, astonishes, and challenges us with her insightful new readings of early American paintings and material culture objects."--"Journal of the Early Republic"
Author: Margaretta M. Lovell
Publisher: University of Pennsylvania Press
ISBN: 0812219910
Category : Art
Languages : en
Pages : 351
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Book Description
"Lovell delights, astonishes, and challenges us with her insightful new readings of early American paintings and material culture objects."--"Journal of the Early Republic"
Author: Albert Boime
Publisher: University of Chicago Press
ISBN: 9780226063348
Category : Art
Languages : en
Pages : 554
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Book Description
Examines art in a broad historical context and explores the artistic repercussions of the major political and economic events of the latter half of the eigtheenth century.
Author: Paul Staiti
Publisher: Bloomsbury Publishing USA
ISBN: 1632864673
Category : History
Languages : en
Pages : 400
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Book Description
A vibrant and original perspective on the American Revolution through the stories of the five great artists whose paintings animated the new American republic. The images accompanying the founding of the United States--of honored Founders, dramatic battle scenes, and seminal moments--gave visual shape to Revolutionary events and symbolized an entirely new concept of leadership and government. Since then they have endured as indispensable icons, serving as historical documents and timeless reminders of the nation's unprecedented beginnings. As Paul Staiti reveals in Of Arms and Artists, the lives of the five great American artists of the Revolutionary period--Charles Willson Peale, John Singleton Copley, John Trumbull, Benjamin West, and Gilbert Stuart--were every bit as eventful as those of the Founders with whom they continually interacted, and their works contributed mightily to America's founding spirit. Living in a time of breathtaking change, each in his own way came to grips with the history they were living through by turning to brushes and canvases, the results often eliciting awe and praise, and sometimes scorn. Their imagery has connected Americans to 1776, allowing us to interpret and reinterpret the nation's beginning generation after generation. The collective stories of these five artists open a fresh window on the Revolutionary era, making more human the figures we have long honored as our Founders, and deepening our understanding of the whirlwind out of which the United States emerged.
Author: Alberto Peruzzo
Publisher:
ISBN:
Category : Painting, Modern
Languages : en
Pages : 0
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Book Description
Author: Albert Boime
Publisher: University of Chicago Press
ISBN: 0226063372
Category : Art
Languages : en
Pages : 771
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Book Description
Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution, Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art. This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark. Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well.
Author: John Callow
Publisher: Evans Mitchell Books
ISBN: 9781901268607
Category : History
Languages : en
Pages : 0
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Book Description
From the factory wall, the corner of the schoolroom, barrack blocks, shop windows and the collective farms, the polical poster was every bit as challenging as the revolutionary projects that inspired it. Amid the foment of social change, art took service with the early Soviet state. Building upon tradiitonal themes from Russian folk culture, the lubki and legend, the Revolutionary poster soon came to mix the new brutal geometry of industrialisation with visions of agrarian utopias, fresh-faced farm girls and a world of plenty. The new art of photomontage met Constructivism head on. In an attempt to fashion the future, only to be eclipsed as the 1930s wore on by Socialist Realism; the celebration and idealisation of all that was best in human labour was as radical as the reality they hoped to shape. These were images created to move and empower, to make or break social systems and to transform the very foundations of our world.
Author: Edward G. Gray
Publisher: Oxford University Press
ISBN: 0190257768
Category : History
Languages : en
Pages : 696
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Book Description
The Oxford Handbook of the American Revolution draws on a wealth of new scholarship to create a vibrant dialogue among varied approaches to the revolution that made the United States. In thirty-three essays written by authorities on the period, the Handbook brings to life the diverse multitudes of colonial North America and their extraordinary struggles before, during, and after the eight-year-long civil war that secured the independence of thirteen rebel colonies from their erstwhile colonial parent. The chapters explore battles and diplomacy, economics and finance, law and culture, politics and society, gender, race, and religion. Its diverse cast of characters includes ordinary farmers and artisans, free and enslaved African Americans, Indians, and British and American statesmen and military leaders. In addition to expanding the Revolution's who, the Handbook broadens its where, portraying an event that far transcended the boundaries of what was to become the United States. It offers readers an American Revolution whose impact ranged far beyond the thirteen colonies. The Handbook's range of interpretive and methodological approaches captures the full scope of current revolutionary-era scholarship. Its authors, British and American scholars spanning several generations, include social, cultural, military, and imperial historians, as well as those who study politics, diplomacy, literature, gender, and sexuality. Together and separately, these essays demonstrate that the American Revolution remains a vibrant and inviting a subject of inquiry. Nothing comparable has been published in decades.
Author: Andrew Shankman
Publisher: Routledge
ISBN: 1317814967
Category : History
Languages : en
Pages : 632
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Book Description
In its early years, the American Republic was far from stable. Conflict and violence, including major land wars, were defining features of the period from the Revolution to the outbreak of the Civil War, as struggles over who would control land and labor were waged across the North American continent. The World of the Revolutionary American Republic brings together original essays from an array of scholars to illuminate the issues that made this era so contested. Drawing on the latest research, the essays examine the conflicts that occurred both within the Republic and between the different peoples inhabiting the continent. Covering issues including slavery, westward expansion, the impact of Revolutionary ideals, and the economy, this collection provides a diverse range of insights into the turbulent era in which the United States emerged as a nation. With contributions from leading scholars in the field, both American and international, The World of the Revolutionary American Republic is an important resource for any scholar of early America.
Author: Professor Sally Webster
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472418999
Category : Art
Languages : en
Pages : 255
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Book Description
The commemorative tradition in early American art is considered for the first time in Sally Webster's fascinating study of public monuments and the construction of an American patronymic tradition. Until now, no attempt has been made to create a coherent early history of the carved symbolic language of American liberty and independence. Webster's study provides a new focus on New York City as the eighteenth-century city in which the European tradition of public commemoration was reconstituted as monuments to liberty's heroes.
Author: Alexis L. Boylan
Publisher: Bloomsbury Publishing USA
ISBN: 1501325779
Category : Art
Languages : en
Pages : 280
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Book Description
Arriving in New York City in the first decade of the twentieth century, six painters-Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle-faced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan Art, Whiteness, and the Unspectacular Man maps how Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States.
