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Author: Richard Kenneth Emmerson
Publisher: Penn State University Press
ISBN: 9780271078656
Category : Apocalypse in art
Languages : en
Pages : 269
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Book Description
"Studies the illustration of Revelation in manuscripts from the ninth to the fifteenth century. Examines how twenty-five of the most important illustrated Apocalypses illustrate the biblical text and interpret it for diverse audiences"--Résumé de l'auteur.
Author: Richard Kenneth Emmerson
Publisher: Penn State University Press
ISBN: 9780271078656
Category : Apocalypse in art
Languages : en
Pages : 269
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Book Description
"Studies the illustration of Revelation in manuscripts from the ninth to the fifteenth century. Examines how twenty-five of the most important illustrated Apocalypses illustrate the biblical text and interpret it for diverse audiences"--Résumé de l'auteur.
Author: Nigel J. Morgan
Publisher: J Paul Getty Museum Publications
ISBN: 9781606060711
Category : Art
Languages : en
Pages : 87
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Book Description
The visionary nature of the Apocalypse—the biblical book of Revelation—along with its detailed descriptions of the end of the world have long made it ideal for illustration. Illuminated texts of the Apocalypse were particularly popular in thirteenth-century England, and the copy in the collections of the J. Paul Getty Museum, with its lively narrative miniatures, stands as a testament to the artistic heights achieved during that period. In this richly illustrated book, all eighty-two of the manuscript's images are reproduced in color for the first time. They are accompanied by a full commentary. A general introduction to the history of thirteenth-century English illustrated Apocalypse manuscripts is followed by a succinct study of the artistic context of the Getty's manuscript, as well as a consideration of its style and date. The rest of the commentary is devoted to a stylistic and iconographic analysis of the manuscript's images; there is also a complete translation of the text.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892364467
Category : Art
Languages : fr
Pages : 130
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Book Description
The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.
Author: Florens Deuchler
Publisher: Metropolitan Museum of Art
ISBN: 0870991108
Category : Bible
Languages : fr
Pages : 106
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Book Description
Author: Richard Kenneth Emmerson
Publisher:
ISBN: 9780801422829
Category : Art
Languages : en
Pages : 450
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Book Description
An innovative overview of the influence of the Apocalypse on the shaping of the Christian culture of the Middle Ages.
Author: Frances Carey
Publisher: University of Toronto Press
ISBN: 9780802083258
Category : Religion
Languages : en
Pages : 356
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Book Description
The Book of Revelation's legacy of visual imagery is evaluated here, from the 11th century to the end of World War 2 illuminated manuscripts, books, prints and drawings of apocalyptic phases are examined.
Author: Nigel J. Morgan
Publisher: University of Toronto Press
ISBN: 9780802048936
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Accompanying CD-ROM includes the texts, glosses and translations or versions.
Author: Natasha O'Hear
Publisher: Oxford University Press, USA
ISBN: 0199689016
Category : Art
Languages : en
Pages : 388
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Book Description
This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J.M.W. Turner, Max Beckmann, as well as film posters and film stills, cartoons, and children's book illustrations.
Author: Getchell, John
Publisher: Simon and Schuster
ISBN: 1510726950
Category : Humor
Languages : en
Pages : 999
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Book Description
Friends, neighbors, and passersby from all over the country can’t fail to miss “The Sign’s constantly changing humor and insight. On occasion, The Sign of the Apocalypse (SOTA) traffics in the earnest, but at its heart is rooted in a deep-seated desire to express the sarcastic and snort-worthy. This, and a love of haiku, pizza, Latin, double entendre, and the worst puns ever crafted. Two years in the making, the message on “The Sign” is changed on a daily basis, with the primary benefit of slowing passing traffic to a honking crawl. It was designed to convey pithy tidbits of thought and wordplay. In its conception, SOTA was perpetrated in spite of the objection of the author's girlfriend, and with hopes of creating controversy and dismay in the local community. The girlfriend packed up and left, and the community and town fathers were surprisingly gruntled by the proceedings. Punny and sarcastic signs include: • When attacked by a gang of clowns, go for the juggler • What if doing the hokey pokey really is what it’s all about? • Legalize marinara • A penny saved is ridiculous • Wendy, please take me back / I’m so miserable / it’s almost like / you’re still here
Author: Jeremy Cohen
Publisher: Cornell University Press
ISBN: 1501764764
Category : Religion
Languages : en
Pages : 343
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Book Description
The Salvation of Israel investigates Christianity's eschatological Jew: the role and characteristics of the Jews at the end of days in the Christian imagination. It explores the depth of Christian ambivalence regarding these Jews, from Paul's Epistle to the Romans, through late antiquity and the Middle Ages, to the Puritans of the seventeenth century. Jeremy Cohen contends that few aspects of a religion shed as much light on the character and the self-understanding of its adherents as its expectations for the end of time. Moreover, eschatological beliefs express and mold an outlook toward nonbelievers, situating them in an overall scheme of human history and conditioning interaction with them as that history unfolds. Cohen's close readings of biblical commentary, theological texts, and Christian iconography reveal the dual role of the Jews of the last days. For rejecting belief and salvation in Jesus Christ, they have been linked to the false messiah—the Antichrist, the agent of Satan and the exemplary embodiment of evil. Yet from its inception, Christianity has also hinged its hopes for the second coming on the enlightenment and repentance of the Jews; for then, as Paul prophesized, "all Israel will be saved." In its vast historical scope, from the ancient Mediterranean world of early Christianity to seventeenth-century England and New England, The Salvation of Israel offers a nuanced and insightful assessment of Christian attitudes toward Jews, rife with inconsistency and complexity, thus contributing significantly to our understanding of Jewish-Christian relations.
