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Author: Edward Hodges
Publisher:
ISBN:
Category : Choral music
Languages : en
Pages : 76
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Book Description
Author: Edward Hodges
Publisher:
ISBN:
Category : Choral music
Languages : en
Pages : 76
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Book Description
Author: Edward HODGES (Mus. Doc.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: Edward Hodges
Publisher: Palala Press
ISBN: 9781356959228
Category :
Languages : en
Pages : 72
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author:
Publisher:
ISBN: 9780371225769
Category : History
Languages : en
Pages : 86
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Author: Edward Hodges
Publisher:
ISBN:
Category : Choral music
Languages : en
Pages : 80
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Book Description
Author: William J. Gatens
Publisher: Cambridge University Press
ISBN: 9780521268080
Category : Music
Languages : en
Pages : 248
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Book Description
This is a critical assessment of Victorian cathedral music, unique in its detailed treatment of the cultural intellectual, philosophical and religious issues that shaped the composer's creative world and so influenced compositional practice. Among the issues investigated by William Gatens are the status of music in Church and society, the Victorians' views on the moral dimension of music, the aesthetic implications of Christian orthodoxy and notions of stylistic propriety. The careers and works of seven eminent composers - Thomas Attwood, T. A. Walmisley, John Goss, S. S. Wesley, F. A. G. Ouseley, John Stainer and Joseph Barnby - are discussed in some detail with emphasis on anthems and fully composed service settings. These provide specific illustrations of stylistic trends and the practical effects of theoretical principles. The study seeks to correct some of the misunderstandings and distortions that were common among earlier twentieth-century writers on the subject.
Author: Peter Horton
Publisher: Routledge
ISBN: 0429627173
Category : Music
Languages : en
Pages : 310
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Book Description
Originally published in 2003 and selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton considers some of the questions that are key to this area of study: what is the nineteenth century, what is British music, and did London influence the continent? The essays that follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.
Author: Roberta Montemorra Marvin
Publisher: Taylor & Francis
ISBN: 1000775577
Category : Music
Languages : en
Pages : 145
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Book Description
Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic “experiences” outside the opera houses of Britain during the nineteenth century. The essays adopt a variety of perspectives exploring the processes through which opera and ideas about opera were cultivated and disseminated, by examining opera-related matters in publication and performance, in both musical and non-musical genres, outside the traditional approaches to transmission of operatic works and associated concepts. As a group, they exemplify the broad array of questions to be grappled with in seeking to identify commonalities that might shed light in new and imaginative ways on the experiences and manifestations of opera and notions of opera in Victorian Britain. In unpacking the significance, relevance, uses, and impacts of opera within British society, the collection seeks to enhance understanding of a few of the manifold ways in which the population learned about and experienced opera, how audiences and the broader public understood the genre and the aesthetics surrounding it, how familiarity with opera played out in British culture, and how British customs, values, and principles affected the genre of opera and perceptions of it.
Author: Anderson's College, Glasgow. Library. Euing Collection
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 276
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Book Description
Author: Euing Musical Library
Publisher:
ISBN:
Category : Glasgow (Scotland)
Languages : en
Pages : 270
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Book Description
