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Author: Kathleen A. Foster
Publisher: Yale University Press
ISBN: 030022589X
Category : Art
Languages : en
Pages : 497
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Book Description
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
Author: Kathleen A. Foster
Publisher: Yale University Press
ISBN: 030022589X
Category : Art
Languages : en
Pages : 497
Get Book
Book Description
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
Author: Linda S. Ferber
Publisher: Smithsonian Books (DC)
ISBN:
Category : Furniture design
Languages : en
Pages : 248
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Book Description
"In the 1870s and 1880s, artists' societies promoted watercolors as attractive, decorative, inexpensive alternatives to oils, successfully elevating them to the mainstream of American art. Based in New York City, this American watercolor movement paved the way for larger, more seriously received exhibition watercolors, and for a broad turn-of-the-century effort by public institutions - among them the Brooklyn Museum of Art - to acquire American works in the medium." "Highlighting 150 paintings that span nearly two centuries, this richly illustrated volume documents the origin and development of one of the nation's finest collections by investigating for the first time aspects of American watercolor's patronage and critical reception." "Less often displayed than oils because of their sensitivity to light, watercolors nevertheless have enjoyed a lively, complex history. Illuminating well-known works as well as many that have never before been reproduced, Masters of Color and Light showcases an array of paintings that range far beyond watercolor's early reputation as the "lighter and daintier" medium."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Sue Welsh Reed
Publisher: Bulfinch Press
ISBN: 9780821220207
Category : Art
Languages : en
Pages : 266
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Book Description
Features the most beautiful watercolors in the impressive collection of the Museum of Fine Arts, Boston. The authors survey the development of the medium and discuss each painting to provide, in aggregate, a history of American watercolors that has become the standard reference on the subject.
Author: Sue Welsh Reed
Publisher: Bulfinch Press
ISBN: 9780821226193
Category : Art
Languages : en
Pages : 266
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Book Description
Celebrating the great American watercolor, this unique collection of images features the work of Sargent, Homer, LaFarge, Prendergast, Demuth, Marin, Burchfield, and Hopper, among others. Original.
Author: Gilian Wohlauer
Publisher:
ISBN:
Category : Watercolor painting
Languages : en
Pages : 266
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Book Description
Author: Carl Little
Publisher: Univ of California Press
ISBN: 0520219708
Category : Sargent, John Singer, 1856-1925
Languages : en
Pages : 168
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Book Description
A generously illustrated gathering of many rarely-seen watercolors by a painter best known for his oils who was also a master of the very difficult medium of watercolor. The book includes 150 4-color images, along with an introductory essay and brief section introductions.
Author: Annelise K. Madsen
Publisher: Yale University Press
ISBN: 0300232977
Category : Art
Languages : en
Pages : 225
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Book Description
"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--
Author:
Publisher:
ISBN:
Category : Watercolor painting
Languages : en
Pages : 98
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Book Description
Author: Larry Curry
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: William R. Cross
Publisher: Farrar, Straus and Giroux
ISBN: 0374603804
Category : Biography & Autobiography
Languages : en
Pages : 435
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Book Description
The definitive life of the painter who forged American identity visually, in art and illustration, with an impact comparable to that of Walt Whitman and Mark Twain in poetry and prose—yet whose own story has remained largely untold. In 1860, at the age of twenty-four, Winslow Homer (1836–1910) sold Harper’s Weekly two dozen wood engravings, carved into boxwood blocks and transferred to metal plates to stamp on paper. One was a scene that Homer saw on a visit to Boston, his hometown. His illustration shows a crowd of abolitionists on the brink of eviction from a church; at their front is Frederick Douglass, declaring “the freedom of all mankind.” Homer, born into the Panic of 1837 and raised in the years before the Civil War, came of age in a nation in crisis. He created multivalent visual tales, both quintessentially American and quietly replete with narrative for and about people of all races and ages. Whether using pencil, watercolor, or, most famously, oil, Homer addressed the hopes and fears of his fellow Americans and invited his viewers into stories embedded with universal, timeless questions of purpose and meaning. Like his contemporaries Twain and Whitman, Homer captured the landscape of a rapidly changing country with an artist’s probing insight. His tale is one of America in all its complexity and contradiction, as he evolved and adapted to the restless spirit of invention transforming his world. In Winslow Homer: American Passage, William R. Cross reveals the man behind the art. It is the surprising story of a life led on the front lines of history. In that life, this Everyman made archetypal images of American culture, endowed with a force of moral urgency through which they speak to all people today. Includes Color Images and Maps
