American Popular Music and Its Business: From 1790 to 1909 PDF Download
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Author: Russell Sanjek
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 506
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Book Description
Author: Russell Sanjek
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 506
Get Book
Book Description
Author: Russell Sanjek
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
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Book Description
Author: the late Russell Sanjek
Publisher: Oxford University Press
ISBN: 0198021275
Category : Music
Languages : en
Pages : 741
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Book Description
This volume focuses on developments in the music business in the twentieth century, including vaudeville, music boxes, the relationship of Hollywood to the music business, the "fall and rise" of the record business in the 1930s, new technology (TV, FM, and the LP record) after World War II, the dominance of rock-and-roll and the huge increase in the music business during the 1950s and 1960s, and finally the changing music business scene from 1967 to the present, especially regarding government regulations, music licensing, and the record business.
Author: Russell Sanjek
Publisher: New York : Oxford University Press
ISBN: 0195043111
Category : Music
Languages : en
Pages : 741
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Book Description
Volume three of this work focuses on developments in the music business in the twentieth century, from its earliest days to the present era.
Author: the late Russell Sanjek
Publisher: Oxford University Press
ISBN: 0195364627
Category : Music
Languages : en
Pages : 494
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Book Description
Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.
Author: the late Russell Sanjek
Publisher: Oxford University Press
ISBN: 0190243295
Category : Music
Languages : en
Pages : 494
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Book Description
Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.
Author: David Sanjek
Publisher: Routledge
ISBN: 1351333380
Category : Music
Languages : en
Pages : 242
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Book Description
How has the history of rock ‘n’ roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genre’s primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions?? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis.?This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music.
Author: Gary Kelly
Publisher:
ISBN: 019923406X
Category : Books and reading
Languages : en
Pages : 742
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Book Description
Planned nine-volume series devoted to the exploration of popular print culture in English from the beginning of the sixteenth century to the present.
Author: Derek B. Scott
Publisher: Oxford University Press
ISBN: 0190294892
Category : Music
Languages : en
Pages : 320
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Book Description
The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.
Author: René T. A. Lysloff
Publisher: Wesleyan University Press
ISBN: 0819574414
Category : Music
Languages : en
Pages : 416
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Book Description
Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of local culture, musical creativity and technological possibilities. Inspired by the concept of "technoculture," the authors locate technology squarely in the middle of expressive culture: they are concerned with how technology culturally informs and infuses aspects of everyday life and musical experience, and they argue that this merger does not necessarily result in a "cultural grayout," but instead often produces exciting new possibilities. In this collection, we find evidence of musical practices and ways of knowing music that are informed or even significantly transformed by new technologies, yet remain profoundly local in style and meaning. CONTRIBUTORS: Leslie C. Gay, Jr., Kai Fikentscher, Tong Soon Lee, René T. A. Lysloff, Matthew Malsky, Charity Marsh, Marc Perlman, Thomas Porcello, Andrew Ross, David Sanjek, jonathan Sterne, Janet L. Sturman, Timothy D. Taylor, Paul Théberge, Melissa West, Deborah Wong. Ebook Edition Note: Four of the 26 illustrations, and the cover illustration, have been redacted.
