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Author: Cindy Weinstein
Publisher: Columbia University Press
ISBN: 0231156170
Category : American literature
Languages : en
Pages : 442
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Book Description
These diverse essays recast the place of aesthetics in production & consumption of American literature. Contributors showcase the interpretive possibilities available to those who bring politics, culture, ideology, & conceptions of identity into their critiques, combining close readings of individual works & authors with theoretical discussions.
Author: Cindy Weinstein
Publisher: Columbia University Press
ISBN: 0231156170
Category : American literature
Languages : en
Pages : 442
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Book Description
These diverse essays recast the place of aesthetics in production & consumption of American literature. Contributors showcase the interpretive possibilities available to those who bring politics, culture, ideology, & conceptions of identity into their critiques, combining close readings of individual works & authors with theoretical discussions.
Author: Robert E. Innis
Publisher: State University of New York Press
ISBN: 1438488262
Category : Philosophy
Languages : en
Pages : 300
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Book Description
We encounter in our lives things and situations that elicit from us special forms of attention. They affect and inform us in various ways, drawing us in and holding us in their grasp or turning us away. Works of art of all sorts, and nature in its myriad manifestations, exemplify these luring and repelling qualities and potencies. Dimensions of Aesthetic Encounters explores central perceptual, interpretative, and semiotic dimensions of these encounters, combining a wide range of examples and intellectual resources from pragmatist, hermeneutical, and semiotic frameworks. Practicing a kind of "method of rotation" Robert E. Innis breaks down barriers in aesthetic theory and shows their complementary powers. Recurring themes link each chapter, throwing a powerful light on aesthetic encounters by foregrounding such pivotal notions as play, fundedness and the role of memory, the defining quality of an artwork, energies of objects, potencies, rhythm, form, presentational abstraction, medium, symbolization, intuition, role of the body, and the non-argumentative nature of art.
Author: Herbert Marcuse
Publisher: Beacon Press
ISBN: 0807024007
Category : Political Science
Languages : en
Pages : 108
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Book Description
Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a one-dimensional society.
Author: Kate Stanley
Publisher: Cambridge University Press
ISBN: 1108554199
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Practices of Surprise in American Literature After Emerson locates a paradoxical question - how does one prepare to be surprised? - at the heart of several major modernist texts. Arguing that this paradox of perception gives rise to an American literary methodology, this book dramatically reframes how practices of reading and writing evolved among modernist authors after Emerson. Whereas Walter Benjamin defines modernity as a 'series of shocks' inflicted from without, Emerson offers a countervailing optic that regards life as a 'series of surprises' unfolding from within. While Benjaminian shock elicits intimidation and defensiveness, Emersonian surprise fosters states of responsiveness and spontaneity whereby unexpected encounters become generative rather than enervating. As a study of how such states of responsiveness were cultivated by a post-Emerson tradition of writers and thinkers, this project displaces longstanding models of modernist perception defined by shock's passive duress, and proposes alternate models of reception that proceed from the active practice of surprise.
Author: Silvia Schultermandl
Publisher: Routledge
ISBN: 1000390985
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
Ambivalent Transnational Belonging in American Literature discusses the extent to which transnational concepts of identity and community are cast within nationalist frameworks. It analyzes how the different narrative perspectives in texts by Olaudah Equiano, Catharina Maria Sedgwick, Henry James, Jamaica Kincaid, and Mohsin Hamid shape protagonists’ complex transnational subjectivities, which exist between or outside national frameworks but are nevertheless interpellated through the nation-state and through particular myths about liberal, sentimental, or cosmopolitan subjects. The notion of ambivalent transnational belonging yields insights into the affective appeal of the transnational as a category of analysis, as an aesthetic experience, and as an idea of belonging. This means bringing the transnational into conversation with the aesthetic and the affective so we may fully address the new conceptual challenges faced by literary studies due to the transnational turn in American studies.
Author: Paul Giles
Publisher: John Wiley & Sons
ISBN: 1119431646
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
A scholarly review of American world literature from early times to the postmodernist era American World Literature: An Introduction explores how the subject of American Literature has evolved from a national into a global phenomenon. As the author, Paul Giles – a noted expert on the topic – explains, today American Literature is understood as engaging with the wider world rather than merely with local or national circumstances. The book offers an examination of these changing conceptions of representation in both a critical and an historical context. The author examines how the perception of American culture has changed significantly over time and how this has been an object of widespread social and political debate. From examples of early American literature to postmodernism, the book charts ways in which the academic subject areas of American Literature and World Literature have converged – and diverged – over the past generations. Written for students of American literature at both undergraduate and postgraduate levels and in all areas of historical specialization, American World Literature offers an authoritative guide to global phenomena of American World literature and how this subject has undergone crucial changes in perception over the past thirty years.
Author: Barbara A. Baker
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : History
Languages : en
Pages : 184
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Book Description
Examining the manner in which the aesthetics related to blues music are manifested in the literature of George Washington Harris, Charles Chesnutt, Zora Neale Hurston, and Lewis Nordan reveals that African-American experience is diffused throughout Southern literature, from Old Southwest humor to contemporary fiction.
Author: Maria Nikolajeva
Publisher: Scarecrow Press
ISBN: 146165615X
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
This work provides students of children's literature with a comprehensible and easy-to-use analytical tool kit, showing through concrete demonstration how each tool might best be used to examine aesthetic rather than educational approaches to children's literature. Contemporary literary theories discussed include semiotics, hermeneutics, structuralism, narratology, psychoanalysis, reader-response, feminist, and postcolonial theory, each adjusted to suit the specifics of children's literature.
Author: M. Drews
Publisher: Springer
ISBN: 0230103146
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Culinary Aesthetics and Practices in Nineteenth-Century American Literature examines the preponderance of food imagery in nineteenth-century literary texts. Contributors to this volume analyze the social, political, and cultural implications of scenes involving food and dining and illustrate how "aesthetic" notions of culinary preparation are often undercut by the actual practices of cooking and eating. As contributors interrogate the values and meanings behind culinary discourses, they complicate commonplace notions about American identity and question the power structure behind food production and consumption.
Author: Thomas Koenigs
Publisher: Princeton University Press
ISBN: 0691219826
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
An original account of the importance of diverse forms of fiction in the early American republic—one that challenges the “rise of the novel” narrative What is the use of fiction? This question preoccupied writers in the early United States, where many cultural authorities insisted that fiction-reading would mislead readers about reality. Founded in Fiction argues that this suspicion made early American writers especially attuned to one of fiction’s defining but often overlooked features—its fictionality. Thomas Koenigs shows how these writers explored the unique types of speculative knowledge that fiction could create as they sought to harness different varieties of fiction for a range of social and political projects. Spanning the years 1789–1861, Founded in Fiction challenges the “rise of novel” narrative that has long dominated the study of American fiction by highlighting how many of the texts that have often been considered the earliest American novels actually defined themselves in contrast to the novel. Their writers developed self-consciously extranovelistic varieties of fiction, as they attempted to reform political discourse, shape women’s behavior, reconstruct a national past, and advance social criticism. Ambitious in scope, Founded in Fiction features original discussions of a wide range of canonical and lesser-known writers, including Hugh Henry Brackenridge, Royall Tyler, Charles Brockden Brown, Leonora Sansay, Catharine Maria Sedgwick, Edgar Allan Poe, Robert Montgomery Bird, George Lippard, Harriet Beecher Stowe, Frederick Douglass, and Harriet Jacobs. By reframing the history of the novel in the United States as a history of competing varieties of fiction, Founded in Fiction shows how these fictions structured American thinking about issues ranging from national politics to gendered authority to the intimate violence of slavery.
