Author: Christian A. Peterson
Publisher: W W Norton & Company Incorporated
ISBN: 9780393041118
Category : Photography
Languages : en
Pages : 218
Book Description
The beautiful and seductive images of an overlooked movement, reproduced in their full tonal range. Much has been written about Alfred Stieglitz and his role in establishing photography as an art. Little attention, however, has been paid to the pictorial photographers who followed Stieglitz, among them Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others -- those who, in a widespread movement, approached photography in a painterly fashion, creating beautiful images through the use of careful lighting, manipulated tones, soft focus effects, and artistic compositions. In this important volume, Christian A. Peterson finally gives the pictorialists of the first half of the twentieth century their due. He describes the backgrounds of the movement, their methods, the photo clubs they belonged to, and their work, illustrated here with ninety-three stunning reproductions. The movement seemed to die out, Peterson suggests, with the rising popularity of 35mm photography in mid-century, when the care and slow working procedures required by large-format cameras became unpopular. 93 full-color photographs
After the Photo-secession
Author: Christian A. Peterson
Publisher: W W Norton & Company Incorporated
ISBN: 9780393041118
Category : Photography
Languages : en
Pages : 218
Book Description
The beautiful and seductive images of an overlooked movement, reproduced in their full tonal range. Much has been written about Alfred Stieglitz and his role in establishing photography as an art. Little attention, however, has been paid to the pictorial photographers who followed Stieglitz, among them Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others -- those who, in a widespread movement, approached photography in a painterly fashion, creating beautiful images through the use of careful lighting, manipulated tones, soft focus effects, and artistic compositions. In this important volume, Christian A. Peterson finally gives the pictorialists of the first half of the twentieth century their due. He describes the backgrounds of the movement, their methods, the photo clubs they belonged to, and their work, illustrated here with ninety-three stunning reproductions. The movement seemed to die out, Peterson suggests, with the rising popularity of 35mm photography in mid-century, when the care and slow working procedures required by large-format cameras became unpopular. 93 full-color photographs
Publisher: W W Norton & Company Incorporated
ISBN: 9780393041118
Category : Photography
Languages : en
Pages : 218
Book Description
The beautiful and seductive images of an overlooked movement, reproduced in their full tonal range. Much has been written about Alfred Stieglitz and his role in establishing photography as an art. Little attention, however, has been paid to the pictorial photographers who followed Stieglitz, among them Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others -- those who, in a widespread movement, approached photography in a painterly fashion, creating beautiful images through the use of careful lighting, manipulated tones, soft focus effects, and artistic compositions. In this important volume, Christian A. Peterson finally gives the pictorialists of the first half of the twentieth century their due. He describes the backgrounds of the movement, their methods, the photo clubs they belonged to, and their work, illustrated here with ninety-three stunning reproductions. The movement seemed to die out, Peterson suggests, with the rising popularity of 35mm photography in mid-century, when the care and slow working procedures required by large-format cameras became unpopular. 93 full-color photographs
AFTER THE PHOTO-SECESSION.
Author: Christian A. Peterson
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Alfred Stieglitz and the American Avant-garde
Author: William Innes Homer
Publisher: Harvill Secker
ISBN: 9780436200823
Category : Art, American
Languages : en
Pages : 335
Book Description
Publisher: Harvill Secker
ISBN: 9780436200823
Category : Art, American
Languages : en
Pages : 335
Book Description
Photo-secession
Author: George Eastman House
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 150
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 150
Book Description
Stieglitz and the Photo-secession, 1902
Author: William Innes Homer
Publisher: Viking Adult
ISBN:
Category : History
Languages : en
Pages : 152
Book Description
This monumental collection is the first book to recreate the 1902 exhibit of revolutionary NY photographers, with 100 color plates complemented by text from noted art scholar William Innes Homer. This beautiful book and remarkable tribute to Stieglitz and his contemporaries is a must for all lovers and students of photography.
Publisher: Viking Adult
ISBN:
Category : History
Languages : en
Pages : 152
Book Description
This monumental collection is the first book to recreate the 1902 exhibit of revolutionary NY photographers, with 100 color plates complemented by text from noted art scholar William Innes Homer. This beautiful book and remarkable tribute to Stieglitz and his contemporaries is a must for all lovers and students of photography.
Stieglitz, Steichen, Strand
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0300169019
Category : Photography
Languages : en
Pages : 182
Book Description
"This volume is published in conjunction with the exhibition "Stieglitz, Steichen, Strand," held at The Metropolitan Museum of Art, New York, from November 10, 2010, to April 10, 2011."
Publisher: Metropolitan Museum of Art
ISBN: 0300169019
Category : Photography
Languages : en
Pages : 182
Book Description
"This volume is published in conjunction with the exhibition "Stieglitz, Steichen, Strand," held at The Metropolitan Museum of Art, New York, from November 10, 2010, to April 10, 2011."
Stieglitz on Photography
Author: Alfred Stieglitz
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 320
Book Description
Mia Spiro's Anti-Nazi Modernism marks a major step forward in the critical debates over the relationship between modernist art and politics. Spiro analyzes the antifascist, and particularly anti-Nazi, narrative methods used by key British and American fiction writers in the 1930s. Focusing on works by Djuna Barnes, Christopher Isherwood, and Virginia Woolf, Spiro illustrates how these writers use an "anti-Nazi aesthetic" to target and expose Nazism’s murderous discourse of exclusion. The three writers challenge the illusion of harmony and unity promoted by the Nazi spectacle in parades, film, rallies, and propaganda. Spiro illustrates how their writings, seldom read in this way, resonate with the psychological and social theories of the period and warn against Nazism’s suppression of individuality. Her approach also demonstrates how historical and cultural contexts complicate the works, often reinforcing the oppressive discourses they aim to attack. This book explores the textual ambivalences toward the "Others" in society—most prominently the Modern Woman, the homosexual, and the Jew. By doing so, Spiro uncovers important clues to the sexual and racial politics that were widespread in Europe and the United States in the years leading up to World War II.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 320
Book Description
Mia Spiro's Anti-Nazi Modernism marks a major step forward in the critical debates over the relationship between modernist art and politics. Spiro analyzes the antifascist, and particularly anti-Nazi, narrative methods used by key British and American fiction writers in the 1930s. Focusing on works by Djuna Barnes, Christopher Isherwood, and Virginia Woolf, Spiro illustrates how these writers use an "anti-Nazi aesthetic" to target and expose Nazism’s murderous discourse of exclusion. The three writers challenge the illusion of harmony and unity promoted by the Nazi spectacle in parades, film, rallies, and propaganda. Spiro illustrates how their writings, seldom read in this way, resonate with the psychological and social theories of the period and warn against Nazism’s suppression of individuality. Her approach also demonstrates how historical and cultural contexts complicate the works, often reinforcing the oppressive discourses they aim to attack. This book explores the textual ambivalences toward the "Others" in society—most prominently the Modern Woman, the homosexual, and the Jew. By doing so, Spiro uncovers important clues to the sexual and racial politics that were widespread in Europe and the United States in the years leading up to World War II.
Heinrich Kuehn and His American Circle
Author: Andreas Gruber
Publisher: Prestel Publishing
ISBN:
Category : Modernism (Art)
Languages : en
Pages : 140
Book Description
This unique volume focuses on the luminous work of an important Austrian photographer. Heinrich Kühn's early Pictorialist works were highly influential, and were exhibited at the Vienna Secession. Gradually, Kühn incorporated the influence of his peers, and moved in the direction of Modernist photography. He was also among the first important photographers to create color images. The publication aims to situate Kühn with regard to both the Viennese avant-garde and the international development of photography as an art form. It explores the close friendship among Kühn and major photographers Alfred Stieglitz and Edward Steichen and showcases photographic prints and autochromes by Kühn and other important photographers
Publisher: Prestel Publishing
ISBN:
Category : Modernism (Art)
Languages : en
Pages : 140
Book Description
This unique volume focuses on the luminous work of an important Austrian photographer. Heinrich Kühn's early Pictorialist works were highly influential, and were exhibited at the Vienna Secession. Gradually, Kühn incorporated the influence of his peers, and moved in the direction of Modernist photography. He was also among the first important photographers to create color images. The publication aims to situate Kühn with regard to both the Viennese avant-garde and the international development of photography as an art form. It explores the close friendship among Kühn and major photographers Alfred Stieglitz and Edward Steichen and showcases photographic prints and autochromes by Kühn and other important photographers
My Faraway One
Author: Sarah Greenough
Publisher: Yale University Press
ISBN: 0300166303
Category : Literary Collections
Languages : en
Pages : 834
Book Description
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.
Publisher: Yale University Press
ISBN: 0300166303
Category : Literary Collections
Languages : en
Pages : 834
Book Description
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.
Pictorialism Into Modernism
Author: Bonnie Yochelson
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 218
Book Description
This book presents the first comprehensive examination of the photographic work and teaching of Clarence H. White and his students, who were New York's vanguard art photographers in the first half of this century. The incisive texts, written by two White scholars, examine the social context of White's ideologies, and arts and crafts principles. These beautifully reproduced images reveal the photographic work of White and his students, which is based on the aesthetic principles that formed the foundations of modernism.
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 218
Book Description
This book presents the first comprehensive examination of the photographic work and teaching of Clarence H. White and his students, who were New York's vanguard art photographers in the first half of this century. The incisive texts, written by two White scholars, examine the social context of White's ideologies, and arts and crafts principles. These beautifully reproduced images reveal the photographic work of White and his students, which is based on the aesthetic principles that formed the foundations of modernism.