A Hundred Years of Music in America PDF Download
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Author: Granville L. Howe
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 715
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Book Description
Author: Granville L. Howe
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 715
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Book Description
Author: Gerald Abraham
Publisher: Routledge
ISBN: 135150164X
Category : History
Languages : en
Pages : 320
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Book Description
One Hundred Years of Music provides a full account of the history of music from the death of Beethoven to the modern era. It covers a period of exceptional interest. The last hundred years coincide roughly with the rise and decline of Romanticism, include the various nationalist movements, and extend to the advent of "neo-classicism," the twelve-tone system, and still more modern techniques. Abraham devotes ample space to modernist and avant garde music, in which he explains the difficulties we experience in listening to the work of such composers as Schnberg, Bart k, and Berg. He also throws new light on many more familiar topics.In its earlier editions, One Hundred Years of Music became a standard work on this subject; it has since been brought updated to include coverage of later developments. Abraham approaches his subject as an historian of style rather than an esthetic critic. Rather than pass judgment on particular works or composers, he shows how music has developed, and thus provides a clear and connected history that is more substantial than most books of musical appreciation. An extensive chronology and a full bibliography and index add to the usefulness of the book for students, professionals and musical laymen alike.This third edition incorporates some corrections of fact, further enlarges the bibliography and chronology, and adds commentary on developments in music techniques. In order to correct the historical perspective, the author has included a "prelude" and three "interludes," giving rough sketches of general conditions in the musical world at intervals of thirty years. As the reader's sense of chronology is very apt to get confused when a number of simultaneous streams of development have to be described, the author has inserted the date of composition or performance (both if they are widely separated) of each work at the first mention of it.
Author: the late Russell Sanjek
Publisher: Oxford University Press
ISBN: 0190243295
Category : Music
Languages : en
Pages : 494
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Book Description
Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.
Author: Richard Crawford
Publisher: Univ of California Press
ISBN: 9780520925458
Category : Music
Languages : en
Pages : 400
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Book Description
In this refreshingly direct and engaging historical treatment of American music and musicology, Richard Crawford argues for the recognition of the distinct and vital character of American music. What is that character? How has musical life been supported in the United States and how have Americans understood their music? Exploring the conditions within which music has been made since the time of the American Revolution, Crawford suggests some answers to these questions. Surveying the history of several musical professions in the United States—composing, performing, teaching, and distributing music—Crawford highlights the importance of where the money for music comes from and where it goes. This economic context is one of his book's key features and gives a real-life view that is both fascinating and provocative. Crawford discusses interconnections between classical and popular music, using New England psalmody, nineteenth-century songs, Duke Ellington, and George Gershwin to illustrate his points. Because broad cultural forces are included in this unique study, anyone interested in American history and American Studies will find it as appealing as will students and scholars of American music.
Author: Donald William Krummel
Publisher: University of Illinois Press
ISBN: 9780252014505
Category : Music
Languages : en
Pages : 269
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Book Description
Author: Orpha Ochse
Publisher: Indiana University Press
ISBN: 9780253204950
Category : Music
Languages : en
Pages : 494
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Book Description
Immigration, wars, industrial growth, the availability of electricity, the popularity of orchestral music, and the invention of the phonograph and of the player piano all had a part in determining the course of American organ history.
Author: Robert Andres
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 164
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Book Description
A music scholar now working in Portugal, Andres says that the US writer and musician was one of the select few in history who had a real message for humanity, however obscure and incongruous it might have seemed at the time. He argues that Clarke (1860-1917) actually started many of the developments in modern piano technique, study, and interpretation, but was too focused on his work to make his ideas accessible to his age. c. Book News Inc.
Author: History of Music Project
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 416
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Book Description
Author: United States. Office of Education
Publisher:
ISBN:
Category : Agricultural colleges
Languages : en
Pages :
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Book Description
Author: Brian Christopher Thompson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773584161
Category : Biography & Autobiography
Languages : en
Pages :
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Book Description
Calixa Lavallée, the composer of “O Canada,” was the first Canadian-born musician to achieve an international reputation. While primarily remembered for the national anthem, Lavallée and his work extended well beyond Canada, and he played a multitude of roles in North American music as a composer, conductor, administrator, instrumentalist, educator, and critic. In Anthems and Minstrel Shows, Brian Thompson analyzes Lavallée’s music, letters, and published writings, as well as newspapers and music magazines of the time, to provide a detailed account of musical life in nineteenth-century North America and the relationship between music and nation. Leaving Quebec at age sixteen, Lavallée travelled widely for a decade as musical director of a minstrel troupe, and spent a year as a bandsman in the Union Army. Later, as a performer and conductor, he built a repertoire that prepared audiences for the intellectually challenging music of European composers and new music by his US contemporaries. His own music extended from national songs to comic operas, and instrumental music, as he shifted between the worlds of classical and popular music. Previously portrayed as a humble French Canadian forced into exile by ignorance and injustice, Lavallée emerges here as ambitious, radical, bohemian, and fully engaged with the musical, social, and political currents of his time. While nationalism and nation-building are central to this story, Anthems and Minstrel Shows asks to which nation – or nations – Lavallée and “O Canada” really belong.
