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Author: Dome Sukwong
Publisher: River Books Press Dist A C
ISBN: 9780500976036
Category : Performing Arts
Languages : en
Pages : 110
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Book Description
Two years after the birth of the movies in 1895, film came to Siam, with small booklets in Thai
Author: Dome Sukwong
Publisher: River Books Press Dist A C
ISBN: 9780500976036
Category : Performing Arts
Languages : en
Pages : 110
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Book Description
Two years after the birth of the movies in 1895, film came to Siam, with small booklets in Thai
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 198
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Book Description
Author: Philip Jablon
Publisher:
ISBN: 9786164510234
Category : Motion picture industry
Languages : en
Pages : 208
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Book Description
In the 1950s and 1960s, movie theaters across Thailand were important architectural statements and centers of social and cultural life. At a time when few houses had electricity, the local movie theater was where people came together, irrespective of class or occupation. In today's era of shopping-mall multiplexes and movies streamed on personal devices, the popularity of the standalone cinema has become a thing of legend; few remember the once-familiar scenes of overflowing crowds spilling out onto the streets or frantic ticket buyers thrusting fists full of cash through small ticket windows. In 2008, Philip Jablon (who now resides in Philadelphia, PA), then studying for a Master's degree in Thailand, began recording the demise of the country's standalone cinemas. In bringing together his poignant photographs and the ephemera of a vanished culture, such as highly collectible hand-painted Thai movie posters, this book records an irreplaceable slice of social, cultural and movie history. It is introduced by Kong Rithdee, writer, documentary film-maker, and long-time movie critic for the Bangkok Post newspaper.
Author: Mary J. Ainslie
Publisher: Bloomsbury Publishing
ISBN: 1838609261
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
One of the fastest growing and most internationally renowned cinemas in Southeast Asia is that of Thailand. In the first ever book devoted solely to this major centre of creative filmmaking, experts on contemporary and historic Thai film provide a timely overview and discussion of key films, directors and current movements in the region in a comprehensive encyclopaedia format. What many critics, analysts and scholars have retrospectively christened `New Thai Cinema' began to take shape in the late 1990s when national film moved away from its position as lower-class and provincial entertainment and became a firm fixture in Bangkok multiplexes and festivals worldwide. This book will provide information on the influential figures behind the films - up to and succeeding the 1997 watershed film Dang Bireley's and Young Gangsters that began the breakaway movement - as well as detailing and explaining the traditions of popular and art-house genres specific to Thailand. Featuring contributions on Thai visionaries such as Apichatpong Weerasethakul and Wisit Sasanatieng and providing rare insight into early Thai cinema, this is an essential scholarly guide to a vibrant aspect of Southeast Asian cinema - its history, industry and aesthetic trends - for scholars and students alike.
Author: Rachel V. Harrison
Publisher: Cornell University Press
ISBN: 1501719211
Category : History
Languages : en
Pages : 293
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Book Description
The Ambiguous Allure of the West examines the impact of Western imperialism on Thai cultural development from the 1850s to the present and highlights the value of postcolonial analysis for studying the ambiguities, inventions, and accommodations with the West that continue to enrich Thai culture. Since the mid-nineteenth century, Thais have adopted and adapted aspects of Western culture and practice in an ongoing relationship that may be characterized as semicolonial. As they have done so, the notions of what constitutes "Thainess" have been inflected by Western influence in complex and ambiguous ways, producing nuanced, hybridized Thai identities.The Ambiguous Allure of the West brings together Thai and Western scholars of history, anthropology, film, and literary and cultural studies to analyze how the protean Thai self has been shaped by the traces of the colonial Western Other. Thus, the book draws the study of Siam/Thailand into the critical field of postcolonial theory, expanding the potential of Thai Studies to contribute to wider debates in the region and in the disciplines of cultural studies and critical theory. The chapters in this book present the first sustained dialogue between Thai cultural studies and postcolonial analysis.By clarifying the distinctive position of semicolonial societies such as Thailand in the Western-dominated world order, this book bridges and integrates studies of former colonies with studies of the Asian societies that retained their political independence while being economically and culturally subordinated to Euro-American power.
Author: Matthew Hunt
Publisher:
ISBN: 9786162151699
Category :
Languages : en
Pages : 312
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Book Description
In this first full-length study on the topic, Matthew Hunt--with access to rare and controversial films--provides a history of film censorship in Thailand. Hunt outlines its beginnings in the country, when films were censored by the police for political and ideological reasons, rather than on the basis of taste and decency, to the present when issues such as politics, religion, and sex are the main reasons films are banned. He also examines how Thai filmmakers approach culturally sensitive subjects and how their films have been censored as a result. Hunt presents interviews with ten leading directors, including conversations with Thai New Wave veterans Apichatpong Weerasethakul and Pen-ek Ratanaruang. In these interviews, the directors discuss their most controversial films, which range from mainstream studio movies to independent arthouse releases, and explain their responses to censorship.
Author: Leon Hunt
Publisher: Bloomsbury Publishing
ISBN: 0857736361
Category : Performing Arts
Languages : en
Pages : 237
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Book Description
Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as art house, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes. This book explores developments in the global popularity of East Asian cinema, from Chinese martial arts, through Japanese horror, to the burgeoning new Korean cinema, with particular emphasis on crossovers, remakes, hybrids and co-productions. It examines changing cinematic traditions in Asia alongside the 'Asianisation' of western cinema. It explores the dialogue not only between 'East' and 'West', but between different cinemas in the Asia Pacific. What do these trends mean for global cinema? How are co-productions and crossover films changing the nature of Hollywood and East Asian cinemas? The book includes in-depth studies of Park Chan-wook, 'Infernal Affairs', 'Seven Samurai', and 'Princess Mononoke'.
Author: Ronald Gregg
Publisher: Oxford University Press
ISBN: 0190877995
Category : Performing Arts
Languages : en
Pages : 865
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Book Description
"Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. While many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement (dubbed by B. Ruby Rich, the "new queer cinema") in the United States, films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms. Cross-dressing, same-sex attraction, comedic drag performance: at some points, for example in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing "history" not as dots on a progressive spectrum but as a uneven story of struggle, writers on queer cinema in this volume stress how that queer cinema did not appear miraculously at one moment but describes currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, instead foregrounding indigenous genders and sexualities, or those forged in the global South, or those seeking alternative epistemologies. Finally, while "cinema" is in our title, many scholars in this collection see that term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as "queer cinema" shifts into new configurations"--
Author: Arnika Fuhrmann
Publisher: Duke University Press
ISBN: 0822374250
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Through an examination of post-1997 Thai cinema and video art Arnika Fuhrmann shows how vernacular Buddhist tenets, stories, and images combine with sexual politics in figuring current struggles over notions of personhood, sexuality, and collective life. The drama, horror, heritage, and experimental art films she analyzes draw on Buddhist-informed conceptions of impermanence and prominently feature the motif of the female ghost. In these films the characters' eroticization in the spheres of loss and death represents an improvisation on the Buddhist disavowal of attachment and highlights under-recognized female and queer desire and persistence. Her feminist and queer readings reveal the entangled relationships between film, sexuality, Buddhist ideas, and the Thai state's regulation of heteronormative sexuality. Fuhrmann thereby provides insights into the configuration of contemporary Thailand while opening up new possibilities for thinking about queer personhood and femininity.
Author: James Quandt
Publisher:
ISBN:
Category : Film installations (Art)
Languages : en
Pages : 272
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Book Description
Thai filmmaker Apichatpong "Joe" Weerasethakul is widely praised as a central figure in contemporary cinema. Trained in the United States as a visual artist, Weerasethakul stunned the film world with five innovative and dreamlike features made since 2000, including such award-winning films as Blissfully Yours, Tropical Malady, and Syndromes and a Century. James Quandt, one of the foremost film critics and curators working in North America today, has edited the first English-language book on Weerasethakul. Along with his essays, contributors include Benedict Anderson, Tony Rayns, Kong Rithdee, and the British actress Tilda Swinton.
